An Archdemon’s Dilemma: How to Love Your Elf Bride, Vol. 8

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By Fuminori Teshima and COMTA. Released in Japan by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Hikoki.

This series started out starring two people, but the cast has grown exponentially sine then. As such, it seems appropriate that this volume is fairly light on both Zagan and Nephy – in fact, it actually manages to work that into the plot, as Foll is planning a massive party for the not-Christmas holiday that is upon us and wants to surprise both of them. Zagan is completely in the dark about the holiday, but Nephy isn’t – in fact, she’s working part-time at a pub to get money for a present. As such, both are absent from the main plot itself till the end, though there’s many scenes with both of them, of course. The main plot focuses again on Kuroko, who is literally confronting her past – unfortunately, she has to confront it as a small kitten. She (accidentally) joins forces with another sorcerer, one who has a troubled past that is a lot closer to hers than she’s aware. And worst of all, due to a villain and also the nature of the holiday, the dead are rising up.

Also on the cover is Alshiera, the vampire who’s trying her best to get everyone to see her as someone not worth saving but doing a fairly terrible job of it – indeed, by the end Zagan has figured out the way to handle her best – it’s how to handle Nephy, and Chastille, and indeed literally everyone in the cast. Yes, be really nice to her until she cowers in embarrassment. She and Shax, the sorcerer that Kuroko befriends here, are both examples of the classic “can a former villain be redeemed” school of writing, and the answer is fairly firmly “yes” in both cases. Indeed, Shax is pretty much set up here as a love interest for Kuroko, complete with a father who now wants to kill him for daring to have his daughter take interest in him. Combining this with the somewhat sad and pathetic pairing of Chastille and Barbatos (who both have a long way to go), and you can see the author is definitely “pairing the spares” here.

The holiday during this book is Alshiere Imera, which (it’s hinted) is named after Alshiera, the vampire whose birthday it is. It’s an odd fusion of Christmas, Halloween and the Day of the Dead, which allows for the plot to happen (the zombies are created easily as it’s the one day per year when the line between here and the afterlife is so thin) but, let’s face it, is also an excuse to put Nephy and her friends in Santa outfits, even though Santa is never quite mentioned. Much as I mocked Chastille and Barbatos earlier, she and Zagan are not all that further along, though at least they have confessed. The present-giving scene is the sort of “so sweet it makes you sick” scene that people read this series for.

We are almost caught up with Japan on this series, as the next volume is the latest. Will it move the plot along/ Depends on what you’re calling the plot. In any case, this is a nice, solid volume of this sweet series.

Aria The Masterpiece, Vol. 4

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By Kozue Amano. Originally released in Japan by Mag Garden, serialized in the magazine Comic Blade. Released in North America by Tokyopop. Translated by Katie Kimura.

It is, a great deal of the time, very difficult to remember that this manga takes place in the future on a different planet. Honestly, a lot of that may be engineered by the residents of Aqua, who have deliberately set things up so that anyone coming to Neo-Venezia is going to be thinking “old-time Venice”, not “new, modern, future Venice”. It’s brought up explicitly in the chapter where Akari helps the old mailman deliver his letters – why are there so many letters, when the world has email? We’ve even seen Akari send emails. But it’s because people who stay here want to revel in the low-techness of it all. It’s for the mood. There’s also an element of slight fantasy throughout, usually involving Cait Sith, but even that makes the reader think of older stories of that nature rather than an alien for The Planet Formerly Known As Mars. And let’s face it, we the reader want that as well. With the odd exception of floating islands and Woody’s Miyazaki-esque bike, we want to take it easy.

The last of the main cast is introduced in this omnibus, as we meet Alice’s mentor Athena, who also turns out to be the last of the “three fairies” along with Alicia and Akira. Athena’s skill is in her gorgeous singing voice (which, by the way, is another reason to get the anime adaptation, which really does a great job), but she’s also an oddball who frequently simply flakes out or is misunderstood by the Very Teenage Alice. She and Alice, both being the “oddballs” of their groups, balance out Aika and Akira (angry tsunderes) and Akari and Alicia (balls of sunshine). And, like Akira and Alicia, she’s keeping a close eye on Alice and trying to help her develop into a first-class undine… despi8te occasional hiccups like the right-handed Alice deciding her left hand is useless, or the sudden adoption of a tiny Martian cat found at canalside. They make a good pair.

When I called Akari a “ball of sunshine” earlier, I wasn’t alone – one of the themes in this book is people staring open-mouthed at her ability to enjoy everything and describe how wonderful it is. Whether it’s glass-blowing, mail delivery, fireworks, or simply sitting at a cafe that keeps moving its seats to stay in the sun, Akari is a one-woman tourist brochure… a fantastic quality for an undine, of course, even though she remains blissfully unaware of her own talents. She’s still got a ways to go with the gondola, of course, and we’re only halfway through the manga, but we are gradually seeing the three apprentices mature and grow up, and the though it beginning to niggle into our heads that this may end with the older generation moving on to make way for the younger.

Fortunately we aren’t there yet. What’s more, starting with the next omnibus we’ll be reading material as yet unseen in North America. I can’t wait, this series is itself a ball of sunshine.

Arifureta Zero, Vol. 3

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By Ryo Shirakome and Takaya-ki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Rei” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen.

I’ve been comparing Miledi to Hajime in these reviews of Zero. And just as Hajime was written to be the ultimate in “I am cool and badass and will happily abandon anyone other than Yue to a fiery death” and then walked back to where he is now reasonable a decent person, likewise Miledi was introduced in the main series as the most annoying person in the world and then we gradually see in Zero how much of it is a front. It’s a front she feels more comfortable with, in fact – despite her complaining, she’d much rather be yelled at for being irritating than praised for being a force for good, mostly as it embarrasses her too much. It’s also a good way to avoid simply having her be too perfect – Miledi is going to save everybody, loves everybody, and has magical powers that can take out a demon lord possessed by a God. Of course she has to be annoying. You need SOMETHING.

As you might guess by the cover, the new Liberator who join’s Miledi’s forces in this book is male, and men don’t get Arifureta covers, meaning Meiru and Miledi pull double-duty. They’re headed back to meet up with Oscar and Naiz’s group, to see if they can revive the comatose kids (spoiler: not quite yet), when they suddenly find out that there was an attack on the base and most of the group was kidnapped. As it turns out, they were kidnapped to avoid ANOTHER kidnapping. Vandre is half-demon, half-dragon, and all tsundere, as he kidnapped Miledi’s group to try to get them to help him own group of people being tortured for experiments by the Demon King. Of course, Miledi will totally save them anyway, especially when it looks like there’s more to the Demon King than meets the eye. But can she do it while fighting off a powerful local disease?

First off, the book begins and ends with broad characterizations of cross-dressing gay men who are, of course, sexual predators for the lulz. Ugh. This is not the first time the author has gone to this well, either. Aside from that, it’s a decent enough book. As with the other Zero books, it leans heavily on fight scenes, particularly in the second half, but there is also a decent amount of characterization, particularly of Vandre, the new guy, and Miledi. Vandre and Oscar also look to be adding a new annoying trait to the Liberators, as they don’t get along and snipe at each other constantly in a “vitriolic best buds” sort of way. I do wonder if they can actually weaponize this trait, the way that Miledi has weaponized being annoying to the point where it throws villains off.

We do also get a look at the Church here, briefly, and see that, thanks to evil people and also brainwashing, it may only have one sensible person in it. They’re also trying to get a jump on Miledi in snatching up Ancient Magic Users, so next time we head off to the forest. Till then, this remains a decent spinoff, particularly if you like fight scenes.