Altina the Sword Princess, Vol. 1

Leave a reply

By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

We live at a time when most light novels are trying to get readers attention by a gimmick. It might simply be an excessively long title. It might be a premise so ridiculous that people buy it out of curiosity. It might be piling on the fanservice or ramping up the angst and violence. As such, it’s refreshing to see a series that has a normal title, a normal plot and normal characters. I’m not criticizing here: this really does feel refreshing, coming across as a simple medieval fantasy, lacking even magic (so far) and relying on its two leads to make the reader stick around. (It helps that this series began in 2012 in Japan – its title might be more elaborate were it to come out nowadays.) An overly reckless princess, a needlessly self-hating strategist, and a fort in the middle of absolutely nowhere. No bells, no whistles, and I quite liked it. It does have a very snarky maid, I will admit. But that’s all.

Regis is an administrative officer who’s been demoted… well, OK, reassigned… to the northernmost provinces after a tragic battle that saw his mentor get killed. He is quick to take all the blame on himself, and in fact has a case of self-hatred that seems ridiculous and one suspects stems from some childhood issue. Once near the area, he finds, to his horror, that books up north are rare and expensive – he’s also a book nut. Fortunately, he runs into a girl headed to the fort who can take him there on her coach. Given she asks him to call her Altina, the reader is not in the dark about her identity, but Regis is, at last till they run into a blizzard and are attacked by wolves. So he’s met the princess and settled in… but can he get anything accomplished? Especially as no one at the fort takes Altina seriously?

This is by the author of How NOT to Summon a Demon Lord, which worried me briefly, but it seems the author is quite good at writing to his intended audience. There’s a brief scene of Regis walking in on Altina changing, but that’s about all, and the fact that she’s fourteen, and thus too young to think of romantically, is constantly in his head. Which is good, as I think they both need to mature a bit. Regis desperately needs to have some good things happen to him to get rid of the “everything I do sucks” mentality, and Altina is going to get herself killed one day by her impetuous behavior. Her final battle with the fort commander, which has “if I win, you listen to what I say” as the prize, is very nearly a savage beatdown for her, and she’s saved mostly by her ludicrous sword (which, to be fair, is wielded by her ludicrous strength).

There’s clearly a lot of backstory here, some of which is given in this volume, involving the empire and its current power struggles among the sons and daughters. Altina’s goal of “don’t get married off to become a trophy wife” is a good one, and I look forward to seeing more of the family in future volumes. There’s nothing in this book that really knocks it out of the park or anything. But it’s a very solid read with likeable flawed people, and the flaws don’t irritate. Definitely getting more of this.

My Youth Romantic Comedy Is Wrong As I Expected, Vol. 8

Leave a reply

By Wataru Watari and Ponkan 8. Released in Japan as “Yahari Ore no Seishun Rabukome wa Machigatte Iru” by Gagaga Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

I have to hand it to the author, they are very very good at making me, as a reader, feel thrilling highs and desperate lows. Unfortunately, due to the nature of this series as a whole, each book always seems to end on a low, and so I often end up being depressed after a new volume of it. That said, I do still want to learn what happens next, even if I suspect it will once again be a journey where I grind my teeth and yell at everyone to actually have a decent talk with each other. But the nature of our three protagonists is such that that’s not going to happen – if they did, the series would have ended back at Vol. 3. Instead, buckle up for another adventure with Hachiman, whose cynical and roundabout narrative voice make me want him to meet Zaregoto’s Ii-chan someday. On the bright side, when he suggests his one solution to any problem, people are finally there to tell him to take his idea and shove it.

The soccer club manager we met in the short story volume has been nominated for Student Council President. She doesn’t want to do it, but also doesn’t want to deal with fallout of her dropping out or sabotaging herself. So she asks the club to help out. Hachiman suggests writing a bad speech so that everyone blames the speechwriter (him). This goes over like a lead balloon. Instead, first Yukino and then Yui decide to run against her, which will solve the problem, but also mean they likely would not be in the club any more. This also leaves Hachiman with nothing to do. After the middle of the book, which I will get to in a bit, he bands together with the rest of the main cast and comes up with a third option: convince Iroha that she really WOULD be a good Student Council President, thus removing the original request. Sadly, he does this without thinking of Yukino or Yui, particularly Yukino, and the result is the worst victory ever.

That said, the best reason to get the book are two scenes in the middle of it. The first has Hachiman and Hayama on the double date from hell, as his old classmate from middle school, Orimoto (the one he confessed to) and her friend want to get in with Hayama and he begs Hachiman to come along as he clearly doesn’t want to deal with this. After spending most of said date listening to Orimoto mocking and belittling Hachiman, Hayama snaps and tears them apart, pointing out the close relationships Hachiman has gained in high school. Tellingly, Hachiman is more upset by this than anything else. The second scene, my favorite, has Hachiman, at his lowest ebb, returning home and coming across Komachi, who he’d had a fight with at the start of the book. They make up quickly, and the ensuing conversation that follows is possibly the warmest, most heartwarming scene he’s had in the whole series to date, as he asks Komachi for her help and she talks about how worried she really is for him.

So the middle will make your heart grow three sizes, and the ending will make your face turn pale. But that’s typical of this series, which might better be called My Youth Romantic Soap Opera Is Wrong As I Expected. Like most soap operas, it makes you want to read the next book.

Don’t Toy with Me, Miss Nagatoro, Vol. 1

1 Reply

By Nanashi. Released in Japan by Kodansha, serialization ongoing in the magazine Magazine Pocket. Released in North America by Vertical Comics. Translated by Kristi Fernandez.

One of the bonuses that come with buying a volume of the manga that you’ve already read in a magazine or online is the interstitial art that goes in between each chapter. Many manga, particularly comedies, tend to have these, usually little ‘tags’ that follow the chapter, meant to add something to the reader’s perspective or give them another good laugh. Sometimes it can be fairly pointless, but sometimes it’s actively welcome. Don’t Toy with Me, Miss Nagatoro is definitely a case of the latter. The interstitial art for the first few chapters shows a blushing Nagatoro, rushing away from the scene, wondering if she got her point across or took things too far. It makes it very clear that her previous actions were based on “girl who teases the guy she likes”. This is important, because, while it has righted itself by the end of the volume, the initial chapters of this series skew waaaaay too far towards the “bullying” end of the spectrum rather than “toying with”.

The protagonist is unnamed, as far as I can tell, and is generally called ‘senpai’ by the other lead, Nagotoro. He’s a bit of a schlub, and has a hobby of drawing manga. One day his underclassman, Nagatoro, discovers this and proceeds to grab his manga, read it aloud, and mock it mercilessly. As the volume goes on, she proceeds to take every opportunity possible to viciously attack him, and he is, understandably, feeling a little aggravated by this. Eventually, though, he discovers that she seems to only be like this with him, showing quite a different face to other guys that she’s around. What’s more, by the end of the book the reader, if not the senpai, realizes that she’s doing this because she’s got a crush on him. Of course, her methods may still involve bullying, but, well, that’s how she communicates, right?

There’s been a mini-genre in Japan of this sort of series, ranging from cute and innocent (Teasing Master Takagi-san) to unthinking and broad (Uzaki-chan Wants to Hang Out). Nagatoro takes a third tack. Nagatoro’s teasing verges on cruel, particularly at the start of the book, and if it had stayed that way I might have decided to drop it. It can be hard to get through. The tone softens as it goes along, if only a bit, though, and we start to see more of Nagatoro’s softer, more vulnerable side – and also see her get a bit flustered, particularly when she’s doing things like accidentally talking to her senpai via video chat. It’s important we come to like Nagatoro because unfortunately the senapi, as befits his lack of name, has far less character. He’s a bullied kid who cries a lot, and is quite good at art. If Izuku from My Hero Academia had given up on being a hero and gone to art school, he might be this guy.

So a bit of a mixed bag, but I like where the direction is going. We’ll see if it can keep it up.