Crest of the Stars: A War Most Modest

By Hiroyuki Morioka and Toshihiro Ono. Released in Japan by Hayakawa Bunko. Released in North America by J-Novel Club. Translated by Giuseppe di Martino.

When we left Jinto and Lafier, he was locked up in an evil Baron’s swank apartment along with the evil Baron’s sympathetic father. What follows for the next third or so of the book is a well-executed action movie, as we get escapes, chases, battles to the death, a clever use of propellant, and the two of them reunited and on their way once more. Unfortunately, it would appear that “drop Jinto off and continue on her merry way” is just not in the cards for Lafier, as the delay means that there’s now a huge war that they have to somehow get through. They’re able to evade pursuit in space, but that won’t last long, so they land on a planet that, it turns out, has just been captured by the enemy. Now they have to hide out, disguise the fact that Lafier is Abh, and try to get back off the planet and to safety. But they’re both smart kids. What could possibly go wrong?

It has to be said, the best reason to buy this volume is Jinto and Lafier’s pathetic attempt at being on the run. They are the worst wanted criminals ever, made even more silly when they hold up some joyriders and steal their car, then… hole up in the first inn they find for days at a time, thinking everyone will simply ignore them. This is very much played for laughs, though it’s more of a wry smile sort of laugh (that said, I was amused at Lafier trying subtly to convey to Jinto that she needed privacy to go to the bathroom, though I could have done without the author patting himself on the back in the afterword). By the time the resistance shows up to “kidnap” them, you’re ready to thank God that someone can save these idiot kids from themselves. Perhaps the crusty old cop who’s being forced to work with the planet’s new conquerors might help as well.

We get an origin story of the Abh here from Lafier, who’s rather matter-of-fact about it but it’s still pretty dark. There are also a few scenes away from our star couple, as we see the Empress of the Abh dealing with the human ambassadors “negotiating” with her, which goes about as well as you’d expect. You can see that the Abh are upset about Lafier’s supposed death, or at least as upset as Abh are allowed to get. And the war also seems to be coming towards them, though I suspect they won’t be so easily rescued. A lot of Japanese science-fiction has that old-fashioned space opera feel to it, and this is no exception. The Abh tend to be a fill-in for Japan at times, so it’s no surprise that they’re being shown as the good guys, but the author tries to make it clear how that appears to everyone else. It’s just the narrative sides with them.

Again, this is a good work of science fiction, and doesn’t feel like a light novel at all. It’s worth it as a real change of pace for those who are tired of isekai. Also, nice hat.

A Certain Scientific Railgun, Vol. 14

By Kazuma Kamachi and Motoi Fuyukawa. Released in Japan as “Toaru Kagaku no Railgun” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas. Translated by Nan Rymer, Adapted by Patrick Sullivan.

Out of the ‘core four’ heroines in Railgun, Uiharu Kazari has probably gotten the least amount of focus time. She’s the hacker friend of the bunch, and would be the weakest esper except that Saten is a Level 0, and Saten is also outgoing whereas Uiharu isn’t. But we’re past the events of Index 15, where Uiharu stared down a dangerous Level 5 in order to protect a child (and got a broken collarbone for her troubles), so we know that she’s made of sterner stuff. As a result, she gets a bit of the spotlight in this volume of Railgun, though true to her character most of the “spotlight” is spent offscreen. A prison is trying to boast of its impregnability, and asks students to try to infiltrate it and free a prisoner. There’s a big cash reward, so Saten’s in, and Mikoto’s pride is tweaked, so she’s there as well. But how impregnable is it really?

The volume opens with a lovely series of scenes where Uiharu takes Saten out on a date to try to cheer her up as she’s been down lately, and Saten admits (though doesn’t specify) that she’s upset about Frenda’s disappearance. (As with most yuri relationships in Railgun that don’t involve Kuroko, there is plausible deniability here, but the entire chapter reads as REALLY yuri if you ask me.) The majority of the volume, however, shows off the huge cast of Railgun that we’ve met over the last few volumes, as they’re also trying to get into the facility – along with some “new” characters, who readers of Index will recognize from the New Testament novels but we’re seeing in the timeline for the first time, who run the gamut from goofy to helpless to dangerous – well, actually, the goofy and helpless girls ARE the dangerous ones.

Everyone is busy using their powers to break into the facility, fight the robots that try to stop them, and get taken out by various scientific marvels, but it’s Uiharu who (we see, after the reveal that the contest is over) comes up with the best plan – hack the robots, hack the cameras, hack the security and waltz away with the prisoner. It’s a good reminder of how lucky we are that she’s on the side of the angels, and there’s a very amusing joke where she talks about donating all her winning to charity because after all, she can always hack into a bank for money anytime she wants. Unfortunately, there was a new “villain group” of students at the event, all of whom are traitors of some sort, and they’ve decided that their plan really needs someone like Uiharu in it. I smell a kidnapping coming up. In the meantime, let’s hope the wait for the next volume of Railgun isn’t as long as this one was.

Mushoku Tensei: Jobless Reincarnation, Vol. 3

By Rifuin Na Magonote and Shirotaka. Released in Japan as “Mushoku Tensei – Isekai Ittara Honki Dasu” by Media Factory. Released in North America by Seven Seas. Translated by Paul Cuneo. Adapted by JY Yang.

A lot of people had talked about the influence of Mushoku Tensei on other reincarnation isekais, and I must admit after the first two volumes I wasn’t seeing it. If anything, this series is more interesting for what it doesn’t do, as we see Rudy training up as a child, and at the end of this book he’s still only eleven years old or so. The subplot with Eris in the second volume also seemed fairly unique. But then there was that cliffhanger, with everyone and everything being scattered to the four winds. Unfortunately, we don’t find out anyone else’s fate (though there is a bit at the end that hints about why it happened), but the good news is Rudeus and Eris are fine. The bad news is that they’ve ended up in the middle of the Demon Empire, and their only companion is a Superd, whose mere presence is enough to reduce people to shaking terror. And the better (or worse) news is that this volume has them become… adventurers.

Yes, THIS is what everyone was talking about when they mentioned influence. The guild, the levels, its rules. Unfortunately, Rudeus is in a bit of a bind, as he’s got a plan to a) get back home, and b) restore Ruijerd’s reputation so that everyone does not scream and try to kill him on sight. (He has a tragic backstory.) This requires being a cool adventurer, but that takes lots of time and grinding. Fortunately (?), he has some advice from a god who speaks to him through his dreams (more things we’ve seen in other reincarnation books), and so is able to cheat the system a bit and Make.Levels.Fast. Unfortunately, Rudeus is still the combination of a precocious child and a shiny shut-in, so sometimes he has grand plans and they end up going very badly. It’s not till the end of the book that he works out how to handle their group of three, and by then they’re off to another city.

Rudeus is the highlight of the book, and the book is at its best when he’s seeing the consequence of a bad decision he’s made, usually involving someone dying. He’s having to grow up fast, and relying on his past life really isn’t helping here. After a couple volumes showing him as a child prodigy, he struggles with exhaustion, his magic isn’t always useful or effective, and he resembles what he is: promising but that’s about it. Eris does not fare quite as well here, for the most part remaining the hothead tsundere girl, though her swordsmanship is miles ahead of Rudy by now and she’s on her way towards being a legend. The debut here is Ruijerd, who is a good strong, silent type, and again at his best when he’s upset, such as when Rudy makes bad decisions and people die. I like him.

It’s clear that this book is the start of an ‘arc’, and I’m not sure when Rudy and Eris will be returning to what’s left of their home. Till then, though, enjoy a volume that’s a bit more like what you’ve read before but still worth reading.