Der Werwolf: the Annals of Veight, Vol. 1

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Entertainment. Released in North America by J-Novel Club. Translated by Ningen.

As we’ve been seeing more and more isekai light novels lately, some of them are becoming very casual about the actual reincarnation/teleportation/what have you that gets our Japanese protagonist over to the fantasy world the author really wants to write about. Der Werwolf is an extreme example of this – we never find out much of ANYTHING about Veight, our hero, from before he was reborn in this world. There’s not even a flashback to his death or anything like that. We do see the occasional mention of soy sauce and tea, and this actually turns out to be a pretty interesting plot point later on, but it’s striking how little the author cares about showing Veight adapting to a new world. No, the main reason for the isekai is to show us why Veight is not like other werewolves, and why he’s very suited to be a leader of a military brigade, de facto ruler of a human city, and apprentice to a brilliant (yet stuck as a little girl… sigh) mage. He’s not like other werewolves.

With all that said, the conceit works here, mostly because Der Werwolf is not content to sit back and rest on its isekai laurels: it’s a good story, well-told. It’s not all that original, but that’s not all that important. Veight died and was reincarnated as a werwolf. As an adult, he’s joined his fellow wolves in the Demon Lord’s army, fighting back against humanity, who has hunted most of the demon races to damn near extinction. Veight’s job is to conquer a mid-sized trading village in the South, which he does quickly and relatively painlessly. Indeed, the Viceroy of the city, who is the young woman who’s on the cover because, well, a light novel needs a pretty young woman on it, is impressed and grateful to Veight that he didn’t conquer the city through mass slaughter. The other werewolves are a bit surprised as well – what’s wrong with mass slaughter? But Veight is made of sterner stuff, and wants to spare the conquered humans, not destroy them. This is easier said than done, though.

This is a book that has plot and characterization as its main positives, which is always a good sign. The scenes flow smoothly from one to the next (indeed, the entire book is one long chapter, with a short story at the end of Veight’s youth), and we also occasionally get someone else’s POV of Veight so that we can get the contrast of how he views himself versus what others think of him. Word of warning: this is a light novel, so of course Veight is a clueless harem protagonist. The Viceroy seems to have fallen for him almost immediately, and he also has a “big sister-type” werwolf and a centaur girl added to the mix. He has absolutely no idea, of course. In the end, Der Werwolf actually reminded me a bit of The Faraway Paladin, in that it’s straightforward, not concerned with the Japan the protagonist came from all that much, and the reader comes back because the story is well-told. I’ll definitely be reading more.

My Brother’s Husband, Vol. 2

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By Gengoroh Tagame. Released in Japan in two separate volumes by Futabasha, serialized in the magazine Gekkan Action. Released in North America by Pantheon Books. Translated by Anne Ishii.

Last time I wondered if Mike giving advice to a young Japanese teen who was also gay would lead to larger drama, and I’m happy to report that it did not. Not that this final volume is conflict-free, but the conflict is as low-key as the first volume was, In fact, it’s almost lampshaded by the author, as Mike has apparently said that Japan is not as bigoted about homosexuality as the West. But that’s only overtly, and we see some good examples of it being something that people quietly want to go away. This leads to Yaichi having a meeting with Kana’s teacher, who is upset that Kana is mentioning a gay an to her classmates, as the teacher says being gay is “an adult topic” kids shouldn’t discuss. Yaichi’s inner monologue comes to life again, as we saw in the first volume, and once again he represses the emotion, but this time he does not repress the objection, and this leads to a great moment where he defends Kana.

Speaking of Kana, she continues to be a terrific kid, and we see her bond with Mike grow more as the book goes forward. This actually leads to a bit of an emotional climax, as of course Mike can’t stay there forever – he’s going back home, and Kana is trying her best to repress her emotions (as her father does naturally), but isn’t really making it work as well. (Earlier she was given a version of Romeo and Juliet to read by a classmate – it devastated her, and we see her sobbing.) This leads to one of the best scenes in the book, where she asks Mike if he swears he’ll come back to Japan again, and he says he can’t do that, because he swore to Ryoji they’d come to Canada, but then Ryoji died. This leads to him teaching her the English phrase “see you soon”, which immediately lightens the mood and is quite heartwarming. Each moment of emotion or turmoil in the book is quickly followed by release or a gentle scene.

We also see more of Natsuki, Yaichi’s ex-wife. There’s a few more scenes that show they still have feelings for each other, but any reunion on their part is left implied on the final page, because this is not meant to be about Yaichi, but about the relationship between Yaichi and Mike. Yaichi’s growth in a mere three weeks is great to see, as is the final hug between the two men. And I loved the pictures we saw of Ryoji and Mike’s wedding, which looked like an absolute blast, though also led to us hearing that Ryoji blamed himself for the rift between him and his twin. As with the first volume, there isn’t a lot of big emotion here – many pages go by with no dialogue and just facial expressions, and sometimes the facial expressions are ambiguous. But Tagame is such a good artist that you understand what he’s trying to convey despite the ambiguity.

This ran in a mainstream magazine for young men, and thus tries its hardest to be friendly and easy to read. It succeeds brilliantly, and I finished the second volume wanting to immediately go back and read the first. Everyone will want to read the story of Yaichi, Mike, and Kana, and I urge them to add this series to their library as soon as they are able.

Infinite Dendrogram: The Shield of Miracles

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By Sakon Kaidou and Taiki. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

This is another second half of a two-parter where the second half is a bit too short. The author attempts to say something in the afterword about not wanting to do short-story volumes, which is why he puts them after volumes occasionally (as he does here), but it does mean that the climax of this arc feels a bit underwhelming. Ray, Nemesis and B3 finish their investigation of the Master who married and had a child with a tian, but it’s cut short by a monster from the past who has once more risen at this exact time to start killing everyone. (I will give props to the monster, as most of these ‘black shapeless thing that fires beams that kill you’ sorts are mindless, implacable types, but this monster wants to see dying people despair, and has a nice line in maniacal laughing.) Naturally, Ray and Nemesis have to save the day, and they do, pretty simply. This allows us to read a story about Rook as a detective trying to catch a egocentric Master.

One thing that Dendrogram does here is play a bit with the idea of being darker than it is. For the most part, so far this series has been as shiny as Ray, with lots of life-or-death situations but very little real death. Being an actual game rather than a “trapped in a game world” game helps, but the actual plotting lampshades itself at times. We get a master who Ray and B3 realize is, in reality, a terminal patient. It is strongly hinted that the reason he has not come back to the game world is that he is dead. And, I feel it’s OK to spoil this since it’s of no surprise whatsoever, in the end he turns out to have survived the miracle surgery and is merely recovering. This is not a book that is going to make pregnant women and young idealistic kids sad. Likewise Tsukuyo, who we met last time when she was trying to get Ray to join her Society and baiting him with healing his arm, ends up magically healing EVERYONE (including Ray, and Ray’s arm) from the monster attacks, and her reasoning is essentially “I’m such a ditz, tee hee”. She and Ray are eerily similar in mnny ways.

Of course, not everyone is as into Dendrogram as Ray is. B3 treats this game as a game, and the tians as NPCs. She also really likes to roleplay her character, and really really likes to kill other players. Since this is an actual game this time, and the players she kills are actual jerks and losers, your sympathy naturally falls with her. It’s a refreshing contrast from Ray, who is essentially the exact same person in the game as he is outside it. Here B3 actually is her “outside” self most of the time, but when she gets her killing on she puts on her mask and turns into a sneering villain sort. I hope we see more of her. I’m less excited at seeing Gerbera, Rook’s opponent in the short story who does not really come off very well until we get inside her head for the epilogue. I think Rook finds her annoying. I did too.

So not the best volume of Dendrogram, but it didn’t really do anything wrong either. A solid effort.