Laid-Back Camp, Vol. 1

By Afro. Released in Japan as “Yurukyan △” by Houbunsha, serialization ongoing in the magazine Manga Time Kirara Forward. Released in North America by Yen Press. Translated by Amber Tamosaitis.

Reading this and trying to review it right after New Game! is going to be a challenge. Even though the two series are not all that similar in premise or characterization, they both share that sort of “let’s watch girls do things in a relaxed way” vibe that so many other Kirara titles have. New Game! was about office work and video games, and Laid-Back Camp is about camping. We see a group of four girls with a shared interest, and watch them talk about that interest. The interesting thing is that for most of the cast, talking is what they’re content to do. Another interesting thing is that the cast are for the most part kept separate for most of the book – Rin is a hardcore camper, but camps when and where she does to avoid people. Unfortunately for her, she’s now met Nadeshiko, and so there will be cute interactions in the future. But I was pretty impressed at how long Rin held out.

Give how one of my first exposures to this sort of title was K-On, it’s difficult not to map out Laid-Back Camp’s cast onto the high school band series – only Ritsu is missing here. Rin is one of our heroines, serious about camping and quite good at it. She accidentally runs into Nadeshiko, who is ditzy and flakey but impossible to dislike, and finds that she loves camping as well. Though Rin does not realize it (as Nadeshiko acts years younger than her actual age), they attend the same school, and said school has an Outdoor Exploration Club. With two members. And its room is a supply closet that’s been repurposed. Yes, it’s another club on the verge of failure. Aoi and Chiaki are the members of this club, but to be honest we don’t really get to know them too deeply in this book, which is concerned with Nadeshiko slowly dragging Rin into their inner circle through the power of being a shiny ball of cute.

As you might imagine, the manga is as laid back as its title suggests. There are many shots of the cast (well, mostly Rin) sitting back and looking at lovely scenery. As an advertisement for camping, it’s not bad. There’s also discussion of tents and sleeping bags, and sometimes this feels more like an educational guidebook. I was also very fond of the relationship between Rin and her friend Saitou, which felt very realistic and also very amusing – I loved their text argument. This also allows the series to have a cast member who’s not into camping, which is nice. With all that, the drawback is that the whole volume feels like it’s setting things in place, and two of the four cast members don’t get much to do. This isn’t a series that you’ll be able to tell if it’s a keeper or not with the first volume. That said, I enjoyed myself enough that I’ll pick up Vol. 2. If you want girls relaxing at campsites, Laid-Back Camp lives up to its name.

Durarara!!, Vol. 9

By Ryohgo Narita and Suzuhito Yasuda. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Stephen Paul.

I may have mentioned in previous books that I don’t like Orihara Izaya, who is as close as DRRR!! gets to a main antagonist. At this point, I should be writing “Admittedly, he’s not meant to be likeable”, but this is the 9th DRRR!! novel, the first anime had already aired, and Narita is well aware that his fanbase consists of a whooooooooole lot of Shizaya fans. As such, this book is an attempt to give Izaya the closest thing he can get to a sympathetic backstory, as well as flesh out his relationship with Shinra. It’s more successful in the second than the first, in my opinion. Izaya at one point thinks of himself as Shinra as complete opposites, and I can see why. Izaya proclaims he loves all humanity (except Shizuo), but this all-encompassing love does not extend itself to individual humans per se. As for Shinra, he only loves one non-human, and has no use for anyone else. If you like deeply broken twisted viewpoints, Narita is here for you.

The cover features a heaping help of Oriharas, as we also see Izaya’s twin sisters, who provide fanservice for the cover (well, Kururi does), and also have the largest role they’ve had in the books since their debut. We get their origin, so to speak, which (unsurprisingly) turns out to be related to Izaya making a cruel and nasty comment. That said, I was far more amused seeing the two of them flirt with Aoba. Aoba’s function in the story so far has been to sort of be an Izaya-lite, leading Mikado into a path towards darkness. But, as he finds, he’s rather crap at being Izaya (who he dislikes anyway), and Mikado is able to walk the dark path without any help from him. As such, it’s much more fun seeing him as an average high school freshman dealing with two girls coming on far too strong for him. He’s living every teenage boy’s dream, but somehow is more unnerved than anything else.

Mikado is actually absent from this book for the most part, though the ending suggests that this will change for Book 10. The main plot is Izaya supposedly getting kidnapped and worked over by an underground gambling ring led by a sadistic woman named Earthworm. If you read that sentence and thought “yeah right, like Izaya would be kidnapped and worked over”, you’re wrong and yet correct, in that he proves to be in total control the entire time. His hot pot partygoers have also turned into his own personal goon squad, either beating people with martial arts, breaking their digits with hammers, or just using Saika to take possession of them – no, not Anri, but another Saika user we’ve seen before. Add in a group fronting illegal drugs, and you’ve got the usual recipe for DRRR!! chaos.

That said, for all that Izaya fans will love this, this volume felt like one of those that is marking time. This is not at all uncommon with DRRR!!, and frustrated anime fans as well, as it can sometimes take a while for all the plot hammers to fire. Still, I’m sure we’re introduced to some nice payoffs down the road here. As for me? It was a good book, but needed less Izaya being Izaya.

Perfect World, Vol. 1

By Rie Aruga. Released in Japan by Kodansha, serialization ongoing in the magazine Kiss. Released in North America digitally by Kodansha Comics. Translated by Rachel Murakawa.

We’ve been getting a giant pile of digital-only titles for the last several months, and it can be very difficult to keep up. But the benefit is that we’re getting titles that would not normally get the time of day over here. A good example is this manga which runs in Kodansha’s josei magazine Kiss, involving a young woman who runs into her old high school crush, who’s now in a wheelchair after an accident. Five years ago this is probably the sort of title that I would be tweeting about and saying “see, this sort of thing is what they should be putting out!”. And now they are. And for the most part it’s a good decision, as this is an excellent, thoughtful and romantic manga. The female lead is perhaps a bit too idealized, but when you’re writing a josei romance for young woman about the same age as the heroine, you’re going to accept that.

Kawana is an aspiring interior decorator. One day at a business lunch she runs into Ayukawa, who is an architect from the firm they’re doing business with. He was her old high school crush, and a fantastic basketball player. Much to her surprise, he’s now in a wheelchair. As they begin to work together on projects and reconnect, she starts to realize the problems that need to be overcome for Ayukawa in day-to-day life, as well as the casual denial of ease of access that a lot of other folks who use wheelchairs have. The other problem is that she’s falling for him all over again, and while he’s nice and pleasant enough he’s putting up quite a wall preventing things from going any further, telling her one or two things about his life now (such as incontinence) that might make her pull back. I’m not even sure he does this consciously. But, of course, she is made of sterner stuff.

As I noted above, Kawana is a sweet and likeable heroine, but I sometimes found her going a bit above and beyond – after seeing Ayukawa and his ex-girlfriend have a bittersweet discussion about her upcoming wedding to someone else, she immediately whisks him off to the wedding anyway, because he needs closure. I don’t doubt he does, but this felt a bit rude. For the most part, though, the manga does an excellent job of balancing out the cute romance between the two leads and showing the daily life of a paraplegic, with all the difficulty that this entails, including a higher risk of kidney issues, and bedsores that you don’t notice until they get infected. We also see them interacting with a teenager, who was also a basketball player who now has to be in a wheelchair (and who also has a nice, patient girlfriend) so that Ayukawa can show off a wheelchair basketball league and tell the teen (and the reader) that there is still fun to be had.

The book had a larger number of endnotes to it, with more explanation of things that “manga fans” would already know. I suspect Kodansha knows this might sell well to an outside audience who doesn’t normally read manga. I agree. It’s not perfect, but I am absolutely ready to read more about this world.