Accel World: The Red Crest

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By Reki Kawahara and Hima. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Jocelyne Allen.

Why do we play fighting games? That’s the question being asked many times over the course of Accel World, and the idea of winning and losing seems to linger in some people more than others. Certainly in the case of Wolfram Cerberus, it’s a matter of life and death, especially as, for some odd reason, his Accelerated form seems to have multiple personalities, a la the legendary dog it’s named after. For others, it’s a way to bond with friends, such as the new character we meet here, Chocolat Puppeteer. Sadly, her friends have been infected with ISS kits, which leads to a chilling new revelation: you can now be infected against your will. Fortunately, Haruyuki and Chiyuri (and it’s nice to see the two of them team up without an overdose of sexual tension) manage to help her and temporarily save the day. Unfortunately, that just means that the enemy changes their focus, and the reader realizes that yes, this is another 4-5 book arc.

As for Kuroyukihime, we finally get the answers we’ve been waiting for since the first book – why did she kill Red Rider, and what drove her to leave her family? The answer turns out to be the same thing, unsurprisingly. Kuroyukihime may be strong and a guiding light to Haruyuki, but she’s also horrible at anything regarding subterfuge, much less outright lying, so it’s no surprise that she’s played like a sucker by White Cosmos. It’s nice to see Haruyuki has matured enough to take this calmly and offer support, even when she’s sobbing on his shoulder – a few volumes ago he would have been a total wreck. (It’s possible the author saved all the total wreck parts for the short story at the end of the book, which features 200% more Fuko teasing than normal, but also goes into the circumstances of her birth and dealing with being born without legs in the real world.)

It’s looking as if things might come to a head at the school’s culture festival, which may turn out to be a disaster as they’re all supposed to be keeping their real-life identities secret. As is usually the case with Accel World, the battles are well-written and concise, and I rarely find myself getting lost in technobabble. (It’s very clear that he wrote a lot of this after he had more experience, whereas Sword Art Online sometimes shows off his immaturity.) I’m not entirely sure if this will wrap up in the 13th book or not – at least, this particular arc, I’ve no doubt that White Cosmos is the Big Bad and will be part of whatever final End Kawahara has in mind – if he has one, the series is well over 20 volumes in Japan. That said, I’m perfectly content to let him slowly spin his tale – the fanservice may occasionally grate on me, but for the most part Accel World has developed into one of the most solid, dependable light novel series being put out by Yen.

Sweet Blue Flowers, Omnibus 2

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By Takako Shimura. Released in Japan as “Aoi Hana” by Ohta Shuppan, serialized in the magazine Manga Erotics F. Released in North America by Viz. Translated by John Werry.

Shameful confession to make: while I always enjoy Shimura’s series when I read them, I will note that it’s sometimes hard for it to stay in my memory, particularly when so much other yuri is already coming out. Not helping the matter is the fact that, while I do love her art, I sometimes have trouble telling her characters apart, particularly secondary characters. And thirdly, this particular omnibus seems to have backloaded the more interesting material. (There is a very helpful “Let’s meet the cast” list at the start of the second half/4th volume, which I realize is meant to be something of a parody but which I could honestly have used at the beginning.) Add all these things together and I’m left with a volume that I did not enjoy as much as the first. I suspect Sweet Blue Flowers may be a series that rewards marathoning the entire series in one gulp.

The first half, Volume 3, has the cast invited to Kyoko’s summer home for a vacation, which has horseback riding, and scary stories, and one of the secondary girls falling for Akira’s brother, which I’m honestly happy about because he gets so much abuse from his sister that he could use some nice things happening to him. Akira, meanwhile, is stricken with a cold, as is Fumi. This means that Akira is there to overhear some of Kyoko’s family drama and also with Fumi finally admitting that Akira was her first love, with all the awkwardness that comes with it. And we write Yasuko out of the story, at least for now, as she comes to terms with the fact that her crush is marrying the girl he loves (which isn’t her), and tries to apologize to Fumi for what happened between them (which doesn’t go well), then flies off to England. And so the fourth volume introduces new first-years, new potential relationships, and more and more of Fumi being a bit of a wreck.

This is not an easy yuri series, one that goes down smoothly and leaves a smile on your face. And it’s also not a series that seems to magically have no men in it whatsoever. Men are here, and they get into relationships with some of the cast. Girls have crushes on other girls, and then get over them. But we also have their teacher Yamashina-sensei, who gets a chapter devoted to her which seems to be about the bitter, unrequited love of youth – followed by the bitter, unrequited love of a student with a crush on her – but ends in a sweet way that shows us that it’s not ALL going to be angst and drama. I think Shimura may have realized that she was laying it on a bit thick – in the second half we get Haruka and Ryoko, two students who seem so far to be a bit less burdened with baggage than others. But we still have Fumi, and her attempts to try to be a bit more outgoing – which doesn’t work well – are very true-to-life but also painful.

Sweet Blue Flowers is a good series. That said, it’s exhausting as well, and I suspect that it’s best enjoyed either in one gulp – waiting till the other two omnibuses are out – or in smaller quantities, such as reading only half and then coming back. There is such a thing as too much Fumi. (And too be fair, too much Akira, though that’s slightly less pressure-heated.)

Baccano!: 1933 The Slash -Cloudy to Rainy-

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By Ryohgo Narita and Katsumi Enami. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Taylor Engel.

After a brief foray into the 21st century, Baccano! returns to its main plot, which takes place in the 1930s. Many of the main characters are featured in some way or another here, and in a way it feels like the author is writing enjoyable set pieces, as if he’s finally gotten a grip on writing everyone. Isaac and Miria are fun, loud, and seemingly completely random; Luck is seemingly cool but in reality rather frustrated with everything happening around him; Jacuzzi cries a lot but buckles down when he needs to, etc. That said, the book also features two minor characters from earlier books who get the spotlight here, and I suspect enjoyment of it depends on how much you enjoy those characters. It’s also, as you may have guessed by the title, the first of a two-parter, and unlike Grand Punk Railroad, this is definitely incomplete.

Tick Jefferson is in the top third of the cover art. We saw him before as the Gandor family’s torture expert, and he seemed like another of Narita’s ‘smiling insane guys’. Which he may be, to a lesser degree – he still really loves cutting people apart. But we get a bit of his family background, as well as a surprising amount of his philosophy, and see that when he’s not torturing people he’s surprisingly level-headed. His partner in the book (middle third of the cover) is Maria Barcelito, one of the assassins that we saw Claire completely destroy in the 4th novel, who joined the Gandors because she was so impressed by Keith stopping Claire. On the bright side, the Gandors gained a powerful assassins, probably their most powerful fighter. On the down side, Maria is annoying as hell, immature, can’t stop trying to cut anyone and anything with her swords, and is desperately in need of some humbling. Fortunately, she gets it in spades at the end of the book.

The bottom third of the cover art is Chane Laforet, the “girl in the black dress” from the Railroad books. The cliffhanger to those books had her being picked up by Jacuzzi’s gang, and she’s now living with them in Eve Genoard’s mansion in upper Manhattan (the explanation for why a gang is living in the Genoard mansion made me roll my eyes a bit, but I can see Eve just agreeing and then forgetting about it, especially given her obsession with finding Dallas). Chane doesn’t interact with Jacuzzi’s gang as much as I’d have liked, but she clearly values them highly as friends. She’s also clearly hooked up with Claire, something also implied at the end of the railroad arc, and I suspect Claire will have more to do in the next volume.

As for the villains, well, technically I suppose it’s Huey, though his daughter is unaware of what he’s doing. He has a group of people trying to offer Jacuzzi’s gang the power of immortality (please God no, I love the fact that Jacuzzi and Nice’s gang are just normal scrappy kids), though this goes south when their demo – Dallas Genoard, freshly retrieved from a sunken river and just as much of a giant dumbass – ends up getting too obnoxious and gets slashed. A lot. Immortality sounds great till you see that you can still feel horrible pain. We really only meet two of the villainous gang here. Tim is the leader and also shares a secret past with Tick Jefferson, and seems to be there to watch what was supposed to be a smooth situation spiral out of control. Adele is seemingly shy and meek… but in reality seems to really love fighting more than anyone. And we haven’t even met the mysterious Christopher yet…

This is a decent book, and I recommend it for those reading the series, obviously. That said, it really needs its second half, and feels slight as a result. It does have some rewards for the careful reader (watch Isaac and Miria’s reaction to the Genoard mansion), and Tick and Maria can be a lot of fun provided you don’t pay too much attention to how aggravating Maria is most of the time. You may want to wait till April and read this with its conclusion.