Rokka: Braves of the Six Flowers, Vol. 2

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By Ishio Yamagata and Miyagi. Released in Japan by Shueisha. Released in North America by Yen Press. Translated by Jennifer Ward.

(Despite the fact that this isn’t a whodunnit beyond page 1, I won’t reveal the culprit’s name in the first paragraph of the review. After that, though, I will. FYI.)

The first volume of this series was strongly concerned with the ‘whodunnit’, and did a decent job, but also left us with a cliffhanger that made me worry we’d have to go through the whole thing again. Sensibly, the second book dispenses with the ‘who is the traitor’ question right off the bat, for the most part (there are still hints there’s yet ANOTHER traitor, but I’ll leave that for now) and tells us on the very first page. And then we get a flashback as to how we got to that situation, though there’s no record scratch noise, nor does the guilty party look towards the camera. So instead of whodunnit, or why did they do it, we have a sort of ‘how are they gonna get out of it?’ situation, as a very nice person has been personally put through the wringer the past three years and may have to commit the worst act to save those they hold dear.

Mora was presented to us in the first book as an overly serious woman, perhaps a bit stubborn, but determined to fill her role as a Brave and defeat the Evil God. And to be fair, she really IS a Brave, rather than a fake. That said, she’s being blackmailed, and being (I think) the oldest of the Braves, she has to deal with a very old and familiar form of blackmail. Do what the villain says or your daughter will die horribly. The strongest part of the book is taking us into her head and her tortured motivations for doing exactly what she has to do to save her family and yet also try not to take a life. Tellingly, the book still keeps some information secret from us, but it’s obvious why, and I don’t blame it a bit, as suspense novels need, well, suspense.

As for the rest of the book, there is still a ‘who is it?’ aspect to the book, and lots of debate about same, but as with the first book, the debates are interspersed with enough action so as not to be tedious. Also, unlike the first book, we get a great number of scenes of our heroes fighting demons… though they don’t do as well as they could, given that they still suspect each other of being a traitor. Adlet remains the ‘hero’ type character, but is a bit more likeable here, possibly as he refers to himself as the Strongest Man in the World slightly less. I did have one egregious moment of “OK, I call no way” involving searching for a ludicrously tiny thing across the ruins of a battlefield, but every book leads at least one time when the disbelief suspension bridge breaks and you plummet to your death.

The main reason I’m still interested in reading this is that it’s not very much like a lot of the other light novels we’re getting these days. Yes, it’s a fantasy with fiends, magic, etc. but style-wise we’re a long way removed from ‘I am in another world and dungeon crawling’. That said, I do wonder how many volumes it will drag out “one of us is a traitor”. But overall, well worth your time, and if you missed the insane bunny girl, there’s a cliffhanger here with your name on it.

Kiss Me at the Stroke of Midnight, Vol. 1

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By Rin Mikimoto. Released in Japan as “Gozen 0-ji, Kiss Shi ni Kite yo” by Kodansha, serialization ongoing in the magazine Bessatsu Friend. Released in North America by Kodansha Comics. Translated by Melissa Goldberg.

It’s a cliche, but it’s true: the best type of success is meant to look effortless. We always admire those who manage to achieve things with nothing more than a hair flip and a cool smile. But unfortunately, the reverse is also true. We look at those who strive, who struggle to achieve by any means necessary, and we think: they’re trying too hard. So not cool. You can see the sweat. And this is sometimes a shame, because those folks are trying just as hard as everyone else. but there you have it. And I got that feeling as I read this new shoujo manga. I finished the first volume, and my thought were “that was pretty good, but it’s trying too hard so it doesn’t quite come off”. It looks a bit too calculated, and the calculation’s off. That said, it’s still quite good, just not reaching the next level.

First off, a word of warning: this book does feature a blonde girl paired up with a blond guy. This is actually so unusual in shoujo manga that it attracted my attention: usually one of the couple will have darker hair for the ‘contrasting’ look. Hinana is our heroine, a high schooler with a reputation as a perfect and gorgeous student. Of course, this is just a reputation – in reality she’s as boy crazy as everyone else, she just hides it better. But fate smiles on her when an up-and-coming actor and ex-idol appears at her school during break to shoot scenes for a movie, and she’s chosen as an extra! He’s hot! He’s next to her! He’s… looking at girls’ butts? Yes, Kaede is also not quite what he seems, and his list of what he desires in a woman finds ‘DAT ASS’ in the first position. Can these two people who both project a false exterior find love with each other?

There are some very amusing things in this manga, which I enjoyed quite a bit. The running gag of how Hinana wakes up every morning made me chuckle, and the faces she makes are eccentric enough to get a montage on the back cover. Kaede’s ludicrous butt fetish is also funny, even more so when we see Hinana’s reaction to the “butt alien from the planet Butt”, as she goes on to describe him. The issue, I think, is that the humor doesn’t really go far enough. When it plays things for drama, such as when Hinana is falsely accused of putting a picture of Kaede’s shoes online it tends to fall into the “this is like every other dramatic shoujo” box. Hinana herself is also not as eccentric as you’d expect given the introduction showing how she’s not really the perfect princess – it reads more like “I’m secretly just like you, reader, so please identify with me”. And sometimes the punchlines are too telegraphed – the identity of Scarlet was pretty obvious to me.

Despite my misgivings, this was a decent beginning, and there are a few plot points that will hopefully bear fruit when they’re developed. I just hope that future volumes manage to have a bit less drama and a bit more weirdness. Also, what on earth does the title have to do with anything in the manga?

Infinite Dendrogram: The Beasts of Undeath

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By Sakon Kaidou and Taiki. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

Much as people criticize the warnings on the back of manga noting when there is sex, nudity or violence, sometimes I do think it’s worth telling people in advance, particularly if it’s something that would upset a fairly significant chunk of the audience. So let’s get that out of the way first. This second volume of Infinite Dendrogram contains multiple grotesque and graphic murders of children – in fact, for the first half or so, child kidnapping and murder is the plot. It reaches his zenith when Ray and Nemesis come across skeletons and zombies with the remaining souls of the murdered children inside, and have to destroy them all to move on. This ties in with the main theme of the book, which I’ll get to in a bit, but boy howdy could I have used a warning. So, warning: LOTS OF MURDERED CHILDREN.

That said, of course, they’re not ‘real’ children, but ones designed by the game developers. I spoke before about the fact that Dendrogram is about the only light novel around that has a normal hero playing a game without getting caught in it, or the game being the actual fantasy world, or any one of a thousand other light novel game tropes. Ray still has to log out and eat/sleep, though that’s given somewhat short shrift here. And this means that we the reader view this as a game a bit more than we do in, say, Sword Art Online. Ray’s death means that the quest may not be completed, and some NPCs may suffer, but it doesn’t mean his actual death. As a result, Ray and his new friend Hugo find that no one has actually tried to stop the child murder scheme because it would be a pain in the ass to fix and likely not worth the cost. That said, Ray (and Hugo, it turns out) are of a different stripe. The “maiden” support they have, in the form of Nemesis and Hugo’s companion, means they are “too caught up” in the story. They’re the sort who would rescue the doomed children in a game, even for little reward and high difficulty, because it’s morally heinous.

Ray is helped along here by his brother, whose actions we helpfully see in a flashback. Ray’s brother hasn’t done much in the series besides introduce him to the game and make bear puns, but we see that he is definitely “the protagonist of another story”, as he gets a grievous injury right before a martial arts match, then goes on to win it anyway through the sheer power of GUTS! I take that back, he’s not the hero of another story, he’s the cool mentor who gets killed off midway through – ominous sign. But it does also signpost why Ray acts the way he does, and why he comes to the conclusion that it’s OK to treat the NPCs as real people. Admittedly, his main concerns may need to be the other players – the final scene in the book reminds us that there are various sections of the map all poised to wipe out Ray’s section, in a very ‘Horde vs’ Alliance’ sort of way.

Dendrogram is well-written, with a likeable hero, and I’ve even gotten over the underage pimp and his PG-rated pimp squad. It’s worth a read, but I have to admit the main thing I took away from it was “wow, that was some graphic child murder description I did not need”.