Re: ZERO ~Starting Life in Another World~, Vol. 4

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by ZephyrRz.

It took me far longer than I’d expected to finish this volume of Re: Zero, mostly because I had to pause and stop reading every time Subaru was an absolute idiot. Now, one might argue that the entire premise of the series is that Subaru is an idiot and grows and learns through a series of bitter, horrible experiences, and they’d be right. But this book in particular was filled with (mostly) well-meaning, decent people trying to help Subaru, and his ignoring and steamrollering through them because, deep down, he’s sure that he’s meant to be the protagonist of a story starring him. And in the end it all comes crashing down around him. He’s not dead, but he’s lost Emilia, and to him that may well be worse than death. Fighting against the injustice of the worst is very gritty and shonen, but it does help if you are something other than just this schlub in a tracksuit.

I’ve often said that the fourth book in a series is usually where you can tell the difference in writing between “maybe this will be a success” and “this is a success”, and Re: Zero is no exception. The cast, which had by design been small and intimate in the first three books, grows exponentially, as we’re introduced to all the various factions that are presenting themselves to lead the country – including Emilia, of course, who is understandably worries and upset and really does not need her pet loose cannon dropping in. As expected, Emilia is getting the cold shoulder for her heritage and her looks. That said, the other four candidates each have something that also makes the committee to help choose them want to scream and shout,l so she’s in with a better chance than you’d expect. Oh yes, and we see the reintroduction of Felt, the backalley thief from Book One who was spirited away. Spoiler: she’s a long-lost princess! Luckily, she’s still the Artful Dodger at heart.

In this mess we have Subaru, who was told by Emilia to stay behind and get healed while she deals with this alone, which he agrees to and then promptly disobeys the second she leaves. She knows that if he watches the ceremony at the palace, he’d only get really upset and make a scene. Then he ends up at the ceremony, gets very upset and makes a scene. To be fair to Subaru, he is kicking against the right people here. The knights are arrogant and elitist. They’re also badasses, and he is not. His ending fight with Julius is ridiculous and pathetic, showing that grim determination can only take you so far, and serving to destroy his bond with Emilia once and for all (or at least till a future book).

The book is well-written, and I genuinely want to see m ore, especially as it’s now been two whole books since Subaru last died. And I also want to see more from Rem, who is still far and away the most popular character in the series but is barely in this volume. So I’d call the book a success. But read it in small stages, and you may need to see your dentist afterwards. Let’s hope Subaru gains wisdom next book, though I’m not holding my breath.

Plum Crazy! Tales of a Tiger-Striped Cat, Vol. 1

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By Natsumi Hoshino. Released in Japan as “Kijitora Neko no Koume-san” by Shonen Gahosha, serialization ongoing in the magazine Neko Panchi. Released in North America by Seven Seas. Translated by Nan Rymer.

Cat manga have been around in North America for a very long time, but never in any great number. Fans with a long memory will recall the years Dark Horse put out What’s Michael? (which I desperately wish would get a re-release), and Vertical has recently been releasing the adorable Chi’s Sweet Home. Japan loves their cats. Japan loves their cats so much, in fact, that one company has a magazine devoted only to cat manga, Neko Panchi. Technically classified as josei, it runs the gamut from supernatural cat manga, to Edo-period cat manga to funny cat manga to cat manga with romance (between humans, I hasten to add). There’s something for everyone. And now we have this title, the story of a cat owned by a young teenage boy and his ditzy mother, and her travails when a new kitten is added to the family. If you like cute cats, you will not be disappointed.

That said, apologies if this review seems to be grasping for ways to fill out the word count. This is not the sort of title where you can spend time talking about the depth of the plot of the characters. We have: Plum, the titular cat, who alternates between being the long-suffering older cat dealing with the excitable and troublemaking new kitten Snowball; Taku, a teenage boy who seems to be Plum’s owner, and loves cats but is for the most part responsible and level-headed; his youthful-looking mother, who loves cats and is for the most part NOT responsible or level-headed, but it’s fun watching her be a ditz; and Taku’s classmates, one of whom is an animal wikipedia whose job it is to provide exposition, and the other of whom owns a raccoon (yes, for once, it is an actual raccoon). As for the plot – cat gets into trouble, cat deals with kitten, cat celebrates Christmas, mom has dream sequence with endless cats of various kinds… the plot is cats.

This is cute, and cat fans will enjoy it. Most of the humor stems from either Snowball, the new kitten in the family, and Plum’s reaction to same, or the antics of Taku’s somewhat immature mother. The art fits the story well, with the cats drawn for maximum awwwww and the humans looking like they would if this ran in any other josei magazine like Feel Young. It’s apparently 16 volumes and running in Japan, which shows that it knows how to do the cat manga thing properly. I’m not sure if I’m down for 16 volumes of this, but I’ll definitely be picking up more of the series, as it’s a nice light snack of a manga to read after you’ve taken in something heavy. All cat lovers should enjoy this.

Invaders of the Rokujouma!?, Vol. 4

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

I’m not certain if this is deliberate or accidental, but so far in Rokujouma each starring heroine has been the one featured on the PREVIOUS cover. Sanae features on the cover of Book 2, and gets most of her development in 3. Theia features on the cover of 3, and gains the most development (and a rival) in this book. And, judging by the cliffhanger ending, the next volume will focus primarily on Yurika, who’s on the cover of this volume. Of course, given this is a harem comedy with a large cast, everyone gets something or other to do in this book. But there’s no doubt the main thrust is the play that Theia writes using her own planet’s history, and how much it resonates with some of the cast. And, as I noted above, we get another candidate for the throne as well, who seems to be the mad scientist type, and is perfectly OK with killing others if she can get away with it. Fortunately, this is a comedy.

The other beneficiary of this school play is Harumi, who is a knitting club member rather than a drama club member, but everyone agrees that she has the look and feel of the princess that Theia has “creates”. The gag, of course, being that she only turns into a good actor – only identifies with how the princess is feeling about being separated from her knight – when it’s Koutarou who’s playing opposite her. In fact, it feels like a bit more than a gag, and there are hints that there may be some serious reincarnation or something similar going on here. Of course, this makes for a great excuse to have Koutarou, also not a Drama Club member, play the Blue Knight, which allows Theia to give him rigorous knightly training with a suit of armor that fits him abnormally well. I;ve often said that Vol. 4s tends to be the ones where the plot is greatly expanded as the publisher tells the author it won’t be cancelled immediately, and that seems to be the case here.

The others don’t get as much to do – though I noted that Yurika saved the day without anyone realizing it again, a running gag that suits her misfortune. We do see that after the events of the previous volume, everyone is getting along much better – aside from the occasional abuse of Yurika because, well, that’s what happens to her – there’s little jealousy or typical harem antics going on here. I suspect the ship here may end up being a poly one (in fact, many of J-Novel’s current licenses have legal or implied polygamy – coincidence?), but it’s handled well enough, and poly ships also help to avoid all that “who is best girl?” nonsense. Rokujouma is never going to win any awards for originality or good writing, but it’s like a good beef stew, a meat and potatoes sort of book you can read anytime. Recommended to fans of the genre.