Monthly Girls’ Nozaki-kun, Vol. 5

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By Izumi Tsubaki. Released in Japan as “Gekkan Shoujo Nozaki-kun” by Square Enix, serialization ongoing in the online magazine Gangan Online. Released in North America by Yen Press. Translated by Leighann Harvey.

It’s a stretch to say that reading this series can teach you the ins and outs of how the manga industry works – this isn’t Bakuman, or Even a Monkey Can Draw Manga. But when it’s able to be mined for humor, anything is game. And so we get things like Nozaki trying to draw his shoujo heroine as a superdeformed character, or having a mascot for the series, much like Yukari’s endless tanukis (which litter the cover of this volume, so I can’t even make my tanuki joke at the end of the review). We also get a hilarious look at cover art, where the artist likely has to work with a different editor. There may be a seasonal theme. You may have to try to translate your editor’s art, which shows at a glance why they edit and don’t draw manga. So things are learned, but the humor comes first.

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This series does not have plot and character development per se, but there are some amusing chapters that make it look as if things might develop. Mikoshiba discovers the tragic truth behind Wakamatsu’s crush on “Lorelai”, and is as horrified as you’d expect. Waka, meanwhile, continues to think that Kashima is a guy, though the beach episode may have cleared that up – it’s left up in the air. Actually, the beach episode is probably the highlight of the volume – the anime actually adapted it into a later OVA as it was too good not to animate. This features the famous “those are just lumps of fat, aren’t they?” line, Seo stealing the drawstrings of all the boys’ swimtrunks, Kashima and Mikoshiba continuing to be endlessly attractive to the same sex, “I’m wearing that lame pink bra you picked out!”, and more.

As for romance, as you’d expect, it’s status quo. Nozaki-kun is about the comedy. This volume, though, does show how natural Hiro and Kashima are with each other when she’s not driving him to violence, and has some lovely Seo/Waka tease, which is really all she wants from Waka at the moment. The majority of the shipping here, though, is Sakura’s seeming one-sided crush on Nozaki. She even admits to Mikoshiba she’s now too scared to confess as she knows it will just be used for manga fodder. She tries changing her attitude in order to get him to notice her more, but that just makes him worry. In the end, as we know, being herself is the best, even if it means Nozaki is still his oblivious self. The sweetest chapter in the book is the final one, where we flash back to Sakura first falling in love with Nozaki – as you’d expect, it was as much from him being a giant loser as it was his looks – and how she unconsciously influenced his heroine for the manga.

Nozaki-kun remains a wonderfully hilarious title, and now has finally gotten away from the anime, so fans of that will want to pick it up to read new material. Go read it, or the tanuki will be sad. (Oh look, I got to work in the joke anyway.)

Re: ZERO ~Starting Life in Another World~, Vol. 2

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By Tappei Nagatsuki and Shinichirou Otsuka. Released in Japan by Media Factory. Released in North America by Yen On. Translated by ZephyrRz.

I always enjoy it when the second volume of a new series is stronger than the first, and that’s exactly what we have here. Subaru has managed to finally defeat death and get out of that crossroads, thus proving he is better than Robert Johnson. Now he’s recovering at the castle of Emilia’s eccentric mentor, who is apart of a series of strong new characters, including sarcastic twin maids, a grumpy loli that Subaru promptly labels as such, and, sadly, a new save point, as about 1/3 of the way through the book, Subaru dies… again. Only this time he dies in his sleep, and now has a harder job: figuring out who’s killing him and why.

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Of course, the book does still have its faults, chief among them still being Subaru. I mentioned while I was reading the series that he reminded me a bit of Bugs Bunny, mostly in the way that he enters a situation he knows very little about and responds with glib sarcasm and tsukkomi retorts. This makes the book a breezy, fun read, but at the expense of realism a bit – Subaru’s one-liners still feel overwritten, in a way that, say, the twins’ abuse does not. He’s doing much better when he’s emotionally stressed or panicking, which means the second half of the book is much stronger. Of course, this also means he’s failing downwards – he goes from blithely befriending everyone, to running away, to holing himself up in his room and avoiding everyone. Finally he even gets protection from a magic user, which saves him, but… at what cost?

We do learn a bit more about the world we’re now in here, though it’s a bit limited as the entire book remains right around the castle that the bizarre Roswaal lives in. His appearance and manner of speech scream out “I am secretly evil”, and while it would be refreshing if that proves not to be the case, I’m not holding my breath. Fandom, however, seems to have fallen in love with the two maids – well, to be more accurate, with one of the two maids. Ironically, Rem gets the lesser focus in this volume, as Subaru finds it far easier to bounce off the more outwardly vindictive Ram than her meeker, but just as vindictive sister. An afterword tells us that the two maids are based off Ran and Lum from Urusei Yatsura, redesigned for the modern age. Given much of this volume implies they are more than they seem, don’t be surprised if horns come up in the next book.

And there will be a next book to resolve this, as this has a cliffhanger ending – well, really, the opposite of a cliffhanger ending, but I meant metaphorically. I assume that Subaru will learn he can survive more than 3 deaths, and we’ve also found that even if he gets past the predestined time of his death, horrible things can still happen. We also learn, in the creepiest scene in the book, that he’s not allowed to tell anyone about his power. Basically, Subaru has his work cut out for him, but I suspect he will blunder into success somehow in the third volume. This is an excellent read, depending on your tolerance of the hero being flip every other line.

Oresama Teacher, Vol. 21

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By Izumi Tsubaki. Released in Japan by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz. Translated by JN Productions.

I have a confession to make. While I love Oresama Teacher, and try to recommend it to everyone I know, I love some parts of it more than others. And I must admit that whenever the narrative turns its attention back to Mafuyu’s old stomping grounds and her underclassmen delinquents, I groan a little. Mostly the reason is that the cast has become nightmarishly huge – check out both the character sheet at the start of the volume and the relationship chart at the end – but the East High/West High guys aren’t as well defined as Midorigaoka’s cast. Kangawa may be the exception, and I’m glad he’s here at the start, but the beginning of this volume, revolving around Mafuyu pretending to be a boy so that Sakurada (a boy who likes to dress as a girl) can let down another guy who’s fallen for “her”. Mafuyu looks bored, and so are we.

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Luckily, the rest of the volume is back at Midorigaokoa, and proves far more interesting, as a new as yet unrevealed antagonist is setting out to go after the Student Council and blame “Super Bun”, which of course means Mafuyu. Her secret identity isn’t threatened, at least not yet, but she’s offended at the very idea of someone using Super Bun for nefarious purposes. Also tying into this is the cliffhanger for Vol. 20, where Hayasaka seems to have almost figured out Super Bun’s true identity. Of course, now that there’s a doppelganger running around, that’s all gone to hell. Speaking of doppelgangers, the most intriguing choice this volume was to have Mafuyu, unfamiliar with the concept, end up being rather terrified of discovering just who it is impersonating her – what if it really IS her evil twin?

The titular teacher also takes a backseat in this volume, with Takaomi reminding Mafuyu how easy it is to impersonate Super Bun but not doing much beyond that – he doesn’t seem to care much about what’s going on as long as it doesn’t impact his bet. Also uncaring is Hanabusa, even though the culprit shoves him down the stairs and breaks his arm and leg. Hanabusa is pretty unflappable to begin with, but this is a bit unusual even for him. I have a suspicion that whatever the explanation for this is, it will prove to be far less threatening than we’d expected.

Despite evil doppelgangers, there’s still plenty of humor to go around, though not quite as much of the standard ‘tsukkomi’ variety. Shibuya and Komori’s budding relationship is still adorable, and the fact that the Public Morals Club has been shunned to an extent also makes life difficult for Yui’s relationship with Wakana – though sadly not for the reason everyone expects. As for Mafuyu, aside from Kangawa’s one-sided crush, there’s no romantic movement here at all. But this is not really a romantic manga, even though it may end up with a pairing. It’s a comedy with lots of kicking ass, and that’s what you get here in Vol. 21, same as you did in Vol. 1.