Don’t Disturb Me and Him, Please

By Asuka Katsura. Released in Japan as “Soko Wa Bokura No Mondai Desu Kara” by Ohta Shuppan, serialized in the magazine Manga Erotics F. Released in North America by JManga.

I… am not sure where even to begin. What the heck was this? Not since Sasameke have I been left with such a feeling of vague confusion and disgust. This one didn’t have quite the kick in the balls ending that Sasameke did, but it certainly matches it for weird gag humor out of nowhere and appalling over-the-top grotesqueries being presented as comedic. Which, to be fair, works at first, but as the manga goes on and tries to also have a real plot, the flaws inherent in the entire work become more apparent.


Given that the manga actually tries to have a plot, I suppose I should sum it up. Yaeko is a high school girl who reacts cutely whenever she’s tormented (or, more accurately, reacts in a highly amusing way), and thus has always been prey for perverts who want to dress her up, strip her, seduce her, or just rape her. Including her family. And her best friend, who in fact rapes her at knifepoint in the first chapter. While escaping said best friend by running nude through the streets at night, she’s helped by Rokuro, a gorgeous man carrying a teddy bear… who happens to match the description of a guy who’s been propositioning little kids around the neighborhood. After a series of misunderstandings, she injures his right hand, only to discover he has a high-stress job that absolutely needs doing. And so she moves in with him to be his right hand while it heals.

The reader, honestly, is meant to identify with the perverts here, as Yaeko’s reactions to everything are the best part of the manga. They are so over the top it goes beyond comedy into farce, and she frequently will be dressed as, say, a soldier or a Greek Statue for one panel only. She’s obsessed with proving that Rokuro is a lolicon, to the extent that she tries to frame him by going to a park and telling kids to pose for photos (realizing, a bit late, that this makes her a pervert – she’s even wearing the standard manga pervert outfit). Her complete lack of common sense is what drives the humor, along with her need to scream almost every line.

Sadly, Rokuro is not nearly as interesting – or indeed interesting at all. In the final chapter, we get an attempt at a backstory that explains his retiring personality and his tendency to chat up little kids, but for most of the story he’s a non-entity who exists to make Yaeko panicked and insane. He has a faux-girlfriend who (naturally) has a shotacon complex, who mostly seems to inhabit the manga so that the two of them have a third character to bounce stress off of. (Yaeko’s best friend, for obvious reasons, doesn’t fit this description. Which is a shame, as she was easily the most appalling (and therefore funny) part of this whole manga.)

I suspect this worked better serialized, but even them I think I’d be exhausted by the end of 20 pages or so. The author is better known for Blood+ and La Portrait de Petite Cosette, neither of which I believe are anything whatsoever like this. It has little to no internal logic, tries to tack on a heartwarming ending that is then ruined by both its heroine and hero, and is amazingly offensive at times (and by at times, I mean most of the volume). I will admit that I laughed at first at many of the situations, but by the time the final chapter rolled around, I was exhausted. (There were also several typos and misspellings, more than usual for a JManga release.)

I can’t possibly recommend this, as it’s bad, but if you’re in the mood to stare at your screen with your mouth open, you may want to try Chapter 1. If nothing else, it’s very different from anything else JManga has put out, and indeed any other Manga Erotics F titles I’ve seen.

Did you enjoy this article? Consider supporting us.

Speak Your Mind