By Dachima Inaka and Iida Pochi. Released in Japan as “Tsujo Kogeki ga Zentai Kogeki de Ni-kai Kogeki no Okasan wa Suki desu ka?” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.
As I look back through previous volumes of this series, I keep having to remind myself “this is a parody” more and more often, for two reasons. First, because as the series goes on the serious plotline of what the proper amount of love and distance should be between mother and child is taken more and more seriously, and that holds here as well. The other reason, of course, is that due to the nature of the plot and the over the top parody aspects, we see some really toxic abusive relationships between mothers and daughters. I mention this in passing because Wise and Mehdi’s mothers show up again in this volume to team up with Mamako, and for the most part they’re being greatly softened. I should not have expected much else – even if “sometimes you need to cut off an abusive parent” was a thing that happened very often in media like this, it’s certainly not going to happen in this specific title with the opposite message.
The book leads off with the moment we’ve been waiting for – finally, we get Porta’s mom. As was hinted last volume, she is the final of the anti-mom generals – and also one of the main developers of the game itself. She and Porta have a strained relationship that manages to be different from our other three mom-child teams. Mamako is the smothering type, Wise’s mother the ignoring type, and Mehdi gets the education mama, but Porta and her mother both compete to see who can hate themselves the most, and let me tell you, it’s neck and neck. What’s more, the latest plot to break up the game seems to work quite well – planting pins on the kids of the world so that they all try to act super independent, leading their mothers to get depressed that they aren’t needed any more. This goes double for Mamako, who knows that she doesn’t even need to have a pin to get those feelings – her baby is growing up, and pretty soon she’ll have to let him to at least a little.
If you worried the humor was gone, no fear. Shiraaase is still around to make everything hilarious, this time by making Mamako and her other mom companions idol singers, something that humiliated all the children, and all the moms who are not named Mamako, who is of course delighted. Shiraaase has also managed to find a way to weaponize her own coffin demises, which is impressive. There’s also some amusing schtick in the middle of the book, as Masato and company have to play Porta’s life-sizes board game in order to advance, a board game filled with annoying yet amusing pitstops. It’s also quite nice that, even after 8 volumes (out of 11 total), there is very little to no romance in this still. Sometimes, once or twice a book, Wise and Medhi briefly show they might like Masato, but they’re far more comfortable emasculating him instead.
So yes, as long as you don’t take this too seriously, it’s still good enough, and it was nice to see the guilty workaholic mom added to the pile. (Honestly, I thought that might be filled by Shiraaase, but her kid is only 5, so unlikely to show up in this game.) Next time around… (Noddy Holder scream) IT’S CHRIIIIIISTMAAAAAAS!!!!
Speak Your Mind