By Light Tuchihi and Saori Toyota. Released in Japan as “Kono Yuusha Ga Ore TUEEE Kuse Ni Shinchou Sugiru” by Kadokawa Books. Released in North America by Yen On. Translated by Matt Rutsohn.

As I said last time, it’s been hard seeing this two-volume series continue into Volumes 3 and 4. The author knows they can’t just walk things back, but at the same time a different path forward is hard to take. For the most part in this fourth volume, Seiya is much the same as he always is – verbally trashing everyone and anyone while also creating the most perfectly prepared plans. We get a lot of that here as well. He abuses another God who’s hiding a dark secret that turns out to be more embarrassing than anything else. He distrusts almost everyone else around him, including the zombie general (who Rista is too weak to send to his eternal reward) and a machine person with the personality of a meek young girl. And of course Rista supposedly spends most of the book in ‘lower than a weed’ status, even though she’s gotten to the point where she no longer wonders why he does the things he does. That said, there’s a tiny bit here and there showing other sides to him.

This applies to Rista as well, who is not simply there to be a tsukkomi anymore (though when she is called upon, she does manage to step right back into the role – the scene with the giant Rista golem is the funniest in the entire book, and reminds you that above all this is still meant to be a comedy). She follows Seiya’s orders without questioning now. Unfortunately, she also wants to try to help in a way that is not simply following instructions, and that’s what leads to danger and trouble, as she ends up cursed by the villain simply because she took the initiative for once. (She also fails hard when meeting the God of Wealth, where her need for some way to help Seiya causes her to give in to their pyramid schemes even as she knows that’s what they are.) And she knows she needs to step up despite all this, because Seiya is clearly doing too much.

In the first half of the book, we see Seiya seemingly panicking, something egregiously out of character for him, and it turns out, unsurprisingly, to have been part of his plan all along. This makes the impact much greater in the climax of the book when he falls unconscious and turns out, yes, to be genuinely unconscious. (This leads to the second best joke of the book as well, when the instructions he leaves behind are a Choose-Your-Own-Adventure style manual for every possible problem.) The villain in the book isn’t as memorable as the last few, though I will grant that she is creepy, particularly when consuming her other selves. They do leave a nasty curse on Rista, and there’s a cliffhanger suggestion that tragedy awaits (though I’m not as convinced as Rista is that she is Seiya’s Most Important Person.)

The 2nd arc ends with the next book, and it might be a good point to see whether the series is one that I should continue or not. I’m still sort of on the fence. But till then, please enjoy giant Mega Rista.

By Light Tuchihi and Saori Toyota. Released in Japan as “Kono Yuusha Ga Ore TUEEE Kuse Ni Shinchou Sugiru” by Kadokawa Books. Released in North America by Yen On. Translated by Matt Rutsohn.

Though they share few similarities except for being comedies, I was reminded quite a bit of My Next Life As a Villainess while reading this 3rd volume of a series that was clearly designed to be two volumes long. Bakarina struggled for several volumes to try to find a way forward, and this volume of Cautious Hero does the same. That said, Cautious Hero has a lot more to walk back; at the end of the second volume Rista has been told who she is, and who Seiya is, and their destiny. Even better, when Seiya is called forth as a hero once more at the start of this book, he remembers what happened, and seems to actually return Rista’s feelings! Sure, they have to save the world, but he’s powerful, she’s a goddess, they’re in love, it’s great, right? Wrong. No one is reading the series for that. And so, sure enough, by the middle of the book, love has been trodden on and Seiya is using Rista as a comedic punching bag again. Know what your audience wants.

Those who read the first two books, or saw the anime (popular enough to get the two leads a cameo in Isekai Quartet’s second season) will be surprised at the cover art, showing a grinning, not-at-all-cautious Seiya charging forward. It’s the start of a long line of bad things happening to Rista. An enemy hits Seiya with an amnesia stat, meaning he’s back to his old reckless personality… and his love for Rista has gone down. Then, after more plot stuff happens, he loses the amnesia and is back to being Seiya… but thinks of Rista as an annoying weed. Yes, we’re back to baseline there. Honestly, it’s probably for the best, as this world is, as promised, much worse than the previous one. Humanity is not only enslaved but eaten, and the beastmen rule supreme. Seiya has to rescue the slaves in the old town they used to be fron, then he has to infiltrate the palace guard and take on the lion-headed big bad, Grandleon.

Does the book succeed at walking everything back? Partly, I’d say. Some of Seiya’s treatment of Rista, while horrible, does cross the line into funny, particularly his use of her as a periscope. The reader is, I think, meant to infer that his feelings for her are not rock bottom but that he’s faking that stat… but if so, he’s really good at it – even the old Queen at the end takes back her “he loves you deep down” speech after he’s appalling once more. Where the book does succeed, as always, is with Rista, who does not remember her life as Tiana, but that doesn’t stop it emotionally affecting her, particularly when she finds Tiana’s mother held prisoner and being tortured. Rista’s frustration and resolve waver constantly throughout the book, but at the end, her honest exhortation to Seiya actually gets through to him and makes him do the right thing. It was nice to see.

Of course the world’s not saved yet, and even stronger bad guys are on the way. Fans of this series had better be prepared for more of what the anime did best – comedy slapstick violence. That said, there’s enough character development in Rista to make this a series still well worth reading.

By Light Tuchihi and Saori Toyota. Released in Japan as “Kono Yuusha Ga Ore TUEEE Kuse Ni Shinchou Sugiru” by Kadokawa Books. Released in North America by Yen On. Translated by Matt Rutsohn.

This is very much a book of two halves. The first half is very much like the first book. They’re still trying to fight demon generals, Seiya is still rude and appalling, Rista is still screaming at him (and also lusting at him), etc. It’s funny, though not as funny as the first book, and I am reminded why I thought it would be hard to sustain over a long series. Then halfway through Rista realizes, as they head towards a major battle, that Seiya did NOT say “I’m perfectly prepared”, and everything turns very dark very fast. Normally that would be a disaster in a series like this, which is supposedly a lighthearted comedy. But in this case it’s so well-handled and emotionally draining that I have to applaud. We also get Seiya’s backstory, which I had suspected earlier, and it makes sense. And we also get Rista’s backstory, which was far more of a surprise. You will forgive the lack of humor.

This is not to say that the front half of the book is not funny. It might actually be better animated – the anime is airing as I write this, and there’s something about Seiya throwing Rista around like a rag doll that cries out to be seen and not read. We meet Rosalie, and if I said “daughter of the emperor and swordswoman” you can probably guess her entire personality from there. She and Seiya clash immediately, and he’s far more obnoxious towards her than even those who know Seiya are expecting (the reason for that comes later). Seiya needs to learn some more new tricks, and so gets bow and arrow training from a very thirsty goddess (making Rista jealous) and additional training from the goddess of Destruction, which involves being naked in bed together (and leaves Rista infuriated).

But then comes the second half, and I will try not to spoil everything but do have to talk about some things. You know that things are taking a turn for the dark when you see an old man cheerfully holding his wife and child’s severed heads in a bag, and it has to be said that Seiya is undone more by humans turning bad than demons. He then tricks Rista and the others into staying behind while he fights the Demon Lord by himself – because (as I’d guessed), this is not his first isekai, and in a previous world he was far more typically charge ahead and get things done so as to save the most people. The horrifying result of this means that he tells his future summoned self (who does not have memories of this) to be super, super cautious about everything. Fortunately, Rista finds out about this, and the ending, while relatively tragic, is also inspirational – the “I’m perfectly prepared” line will leave a lump in your throat this time.

This book feels like it could have ended here very nicely. The world is saved, but Seiya is “dead” and Rista needs to be punished for using her goddess powers on full blast to help him, a forbidden act. They are thus sent back to Seiya’s first world, now a hellish nightmare run by the Demon Lord. The series does go on, of course, though I’m now less concerned with whether the author can keep up the madcap humor as to what happens when he returns to it. Still, props to this excellent second book, which is not nearly as funny but very emotionally satisfying.