By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

In my review of the 2nd volume I mentioned that it wrapped up the first arc in the series, to which I can only say: oops. That said, I am absolutely not complaining. This may not be the final book in the series (there’s at least two more out in Japan), but it’s definitely The Payoff. Following directly on from events in the last book, it has tons of conflict, but it’s all character-based and 100% understandable. It gets into worries about isekai/reincarnation journeys that I always love to see in those books, and also delves into the past of this kingdom and why trying to change it in the future is something that’s going to be very hard and yet absolutely necessary. Basically, this book is everything you wanted to see in this series wrapped up. Anisphia has come a long way from the Chaos Gremlin of the first book. (Not to worry, the anime starts next week, and from what I’ve seen, they’re hammering on that aspect.)

After the events of the last book, Algard has been sent off into exile, meaning that there’s only one really obvious candidate in line for the throne: Anisphia. She proceeds to put on a brave face, buckle down, and accept her fate in a way that devastates everyone around her, because they all know her far too well. This includes Euphyllia, who knows her better than anyone and refuses to accept Anisphia giving up her happiness and becoming a shell of her former self. To that end, she goes searching for a way to bypass Anisphia and find another heir to the throne… and finds there is another way, but it would involve a ton of sacrifice of her own. With both Anisphia and Euphyllia playing a weird game of chicken in trying to sacrifice their own love and joy for the sake of each other, who’s going to blink first?

As I mentioned above, my favorite part of the book was the look at Anisphia’s interiority, particularly something that she’s been half in denial about this entire time. She may have abdicated early in her life, but being a Princess is a very important part of her, and a reason that she’s constantly working herself to death. She also finally confesses to Euphyllia that she’s a reincarnation, and talks about her life back in her other world… as well as what that means to her current self. We’ve seen reincarnation isekai (particularly “villainess” titles) have our reincarnated heroine “overwrite” the original personality when they regain their memories, but here we see Anisphia’s horror at the very idea of doing that. And there’s also the fact that she was reincarnated as a royal that needs to use magic to rule but one who can’t use magic. That unfairness drives her, and also nearly breaks her. Spoiler: there’s a lot of crying in this.

But there’s kissing as well, and I was amused at the book dancing around the fact that the obvious solution is joint rule, but that would involve the country acknowledging their relationship, and I don’t think we’re quite there yet. That said, this was the best in the series by far. I don’t know if I want to see it adapted in the anime – if it is, the anime will have been quite rushed – but it’s a must-read for yuri fans.

By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

This is one of those books that starts slow but picks up speed as things go along. It’s essentially the second half of the first “arc” in this series, and we see Anisphia and Euphyllia dealing with the two remaining dangling plot threads: the man who kickstarted everything by publicly denouncing Euphie, and the young woman who was theoretically the cause of that. And any fan of villainess books will know that both of those plotlines are things that we’ve seen before. That said, this book does have an interesting twist that I don’t think we’ve really come across in regards to the “heroine” role. As for Anis’ brother, that’s a lot more serious plotline, and both he and Anis are forced to face up to the fact that the actions they take have far broader consequences than either of them would have liked. Although I think Algard already knew that, since… well, he has an agenda.

The book starts with Anis being forced to do a lot of things she doesn’t want to do. This includes having a conversation with her mother, who is determined enough to break past Anis’ eccentric behavior, as well as the Ministry of the Arcane, who know that Anis took down a dragon recently and want the dragon’s remains for their own use and not hers. In addition, Anis is trying to clear Euphie’s name, which means figuring out why otherwise sensible young nobles were so willing to go along with this public shaming, and what sort of hold Lainie, the former commoner who everyone has an opinion on, has over them. This will involve consulting one of Anis’ “bad friends”, Tilty, a noble who is essentially just as eccentric as Anis, if not worse.

The book’s first really good scene is at Tilty’s place, where we work out what’s up with Lainie and why she inspires the people around her to do emotionally unstable things when she’s around. It’s the sort of plot twist I’d have been incredibly impressed with if the color pages at the start of the book had not 100% spoiled it. Lainie herself is more sympathetic than I was expecting, especially once she comes to terms with the sort of person she is now. As for Anis and her brother, that’s the other really strong part of the book. Algard’s behavior is nightmarish, but it all stems from Anis’ hands-off, “I don’t want anything to do with royalty I just want to study magic” attitude, and even as she points out that he can’t act the way he is because he’s the prince, she understands that she essentially did the same thing. The question of succession is very much up in the air at the end of this book, and I hope it somehow gets resolved in a way that does not remove the yuri from this title, even if so far that’s pretty slight.

So yes, solid second volume, and it suggests that Anis is going to have to get more involved in the lives of those around her, even if it means less magical research. That said, I do hope we get a bit more “magic nerd” stuff between Anis and Euphie in the 3rd book.

By Piero Karasu and Yuri Kisaragi. Released in Japan as “Tensei Oujo to Tensai Reijou no Mahou Kakumei” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

We’ve had enough villainess books by now that everyone knows the “Stations of the Canon” so to speak, and so therefore it warms my heart to see that we don’t have to dwell on them forever. One of our heroines, the reincarnated princess (who is NOT the villainess in this story) gains her memories of her life in Japan, discovers she’s in a fantasy world, and rushes off to go learn magic!… and then twelve years pass. As for the supposed villainess, we hit the high points in the by now traditional scene. Her fiance shames her in a public setting. Every other guy she knows is also sneering at her. She’s innocent, but no one believes her. No offense, but we’ve done this. And then our princess smashes through the window on her magical science broom, immediately realizes that this is a villainess shaming story, and yeets the villainess out the window with her. No time for that, there’s SCIENCE to be done!

Anisphia, aka Anis, is the titular princess. In a land where magic power is strongest in the royal family, she can’t use magic at all. But that’s not going to stop her dreams. She removes herself from succession, retires to a side mansion, and proceeds to use her vague knowledge from Japan and sheer GUTS to make tools that work using magic but that can be wielded by anyone… including her! For the most part, this has meant kettles powered by spirits, etc. But she has grander plans, and needs an assistant, preferably one who is a magic savant. Enter Euphyllia, aka Euphie, the duke’s daughter and fiancee to Anis’ younger brother. Having just been publicly shamed in front of most of nobility and dumped by her fiance, Euphie’s marriage prospects are near zero. So why not let her assist Anis in creating new tools? And if they have to fight a dragon too, well, so be it.

The manga of this series is coming out in a month or so, and I’m not sure how well it’s going to work, because so much of Anis and Euphie depend on the reader hearing the inner narration. Anis can seem like a ball of chaos, and she is a lot of the time, but there is real method to her madness, and deep down she’s desperate for the magic that everyone else has. As for Euphie, it’s rare we see the “villainess” (she’s nothing of the sort) so broken by having her engagement called off, and she spends most of the first half of this book feeling miserable and like she failed everyone. Seeing her gradually come into her own is a huge treat. As for the “yuri” of the series, well, though the word “lesbian” is not used, Anis has stated that she likes girls and will not marry a boy, which is close enough, probably. She freely admits one reason she wanted Euphie as her assistant is she’s gorgeous. I suspect once the two work out their issues romance will blossom quickly.

There’s still a lot left unresolved at the end of this book, most notably Anis’ younger brother, the instigator of all this, as well as the baron’s daughter who has “otome game protagonist” written all over her. But honestly, I’m not here for the villainess vibe. I just want to see Anis and Euphie hang out together and invent new things. A definite winner.