By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

Having spent most of the last few Ranma reviews talking about how Ranma is essentially filled with shallow unlikeable characters who do funny things, and that the fan might get upset at a perceived lack of serious examination of them, we now get the thirteenth volume, where Takahashi shows off that, when she decides to write a longer, more serious plotline, she can carry it off. The moxibustion storyline is one of the high points of the series, showing off many of the characters at their best. Not their most noble, or most likeable, but a place where we can sympathize with and root for them.

The basic premise is that Happosai gets really pissed off at Ranma and hits him with an attack that makes him permanently weak – and when asked how to cure it, points out that he’s evil so why should he have bothered to learn the cure? (Note this doesn’t actually answer the question.) Naturally, the now weak Ranma gets attacked by all his past rivals – Kuno, Kuno’s father, Mousse, even Gosunkugi – and can’t do anything about it. You’d think Ryouga would be in here as well… but Ryouga can’t stand anyone who picks on the weak. Which Ranma now is. Ironically, this is what hurts Ranma most of all, and he takes off with his father, Ukyou and Akane to try to figure out how to fix this.

Ranma’s pride and confidence is both his strong and weak point, and having been stripped of his martial artist strength we see how intensely bound up his life is in the Art. It’s especially frustrating because of his burgeoning feelings for Akane – still mostly coming out as deflecting insults – but now that he can’t even take over her dojo he feels unworthy to even speak with her. Notably, he has no compunctions about taking Ukyou along with him rather than Akane – but that’s because Ukyou is providing food, once again he simply doesn’t see her as a romantic interest. Luckily, having heard about the fuss, Cologne comes along as well – Shampoo has returned to China, very conveniently as she’d make this storyline too chaotic – and teaches Ranma a martial arts move that doesn’t require strength in order to succeed.

There were some things in this volume I didn’t care for – getting Ryouga angry enough to attack Ranma by assuming he sexually assaulted Akane made me groan – but for the most part it was excellent, showing off Ranma, Akane, and Ryouga’s strong points. (Ryouga and Ukyou fans take note – when Ukyou sees Ryouga suffering through a nightmare, her first response is to hit him with a mallet so that he’ll sleep harder. Just sayin’.) Of course, there’s also a Vol. 14 in here, and while it’s not terrible, it does suffer by having to follow what comes before it. The strongest story in it is probably the one with Ryouga’s calligraphy martial-arts, which again shows that Takahashi can mine ANYTHING for ridiculous comedy. I also liked that Ranma said Ryouga is the only one he considers his rival – I think he’s serious, too.

We’ve seen Akane unable to swim before, but this is the first major storyline where we see she is heroically, ridiculously unable to swim – even wearing a life preserver is not enough. The two funniest storylines in the volume are also the shortest. In one, Ranma finds his panda-disguised father living it up at a mansion, and has to deal with the “weak, sickly” spoiled brat who has adopted the bear – lots of mocking of shoujo art here. As for Happosai as Santa Claus, teaching two young children how to be just like him, the very premise is horrifying, so much that even Happy realizes he can’t do this, though he ends up making himself ill trying not to be evil. The kids are adorable, and the ending fits perfectly.

So, to sum up: when she tries, Takahashi can make these characters more three-dimensional and realistic, to excellent effect. But most of the time, we see them being jerks to each other for comedic effect, and that’s fine as well.

By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

My resolve to do full reviews of the whole Ranma series as it comes out can sometimes give me pause, as this is not only a series that fights against a deeper analysis but which actively becomes worse when you treat it too seriously. Treating Ranma as shallow entertainment is something people have to do to get enjoyment out of it, due to the vast cast of unlikeable people in it. And it’s also a lot less serialized than even I remembered it being, with plots and people coming and going as Takahashi saw fit. For example, remember I was talking about Ukyou being such an important major character last time? She’s not even in this. Also, I knew Nabiki didn’t appear much in these early days, but I’d forgotten HOW little.

Ryouga is still a major player here, of course. We get a few plots involving him in this omnibus. The first, where he finally manages to go to his house and invites Akane there (with a jealous Ranma following behind) shows off all of what makes Ryouga who he is: his basic sweetness and shy nature around Akane, his stubborn pigheadedness and anger (which can verge on stupidity), his poor sense of direction (which we discover is a family trait in this story, allowing Ranma to pretend to be his “sister” and get away with it), and his plain old bad luck. In the second story, a soap that Shampoo bought as a Jusenkyo cure is used by Ryouga instead, and his attempts to take advantage of not being cursed anymore show a frightening turn, as he almost becomes a berserk stalker. Best line, after we find the “cure” is temporary like all the other ones, and Akane is reflecting on Ryouga’s unthinking brute strength: “Whoever ends up being Ryouga’s girlfriend will have to be made of sterner stuff than me.” Well, does raising sumo pigs count?

Ranma and Akane appear throughout, of course, and the volume shows off why fans of the couple love them and those who hate them (and by them I mean Akane) can’t stand it. Akane jumps to conclusions all the time (albeit in situations that simply would not happen to normal people), punches Ranma into next week when she’s angry or jealous, and refuses to admit any affection. Ranma, meanwhile, jumps to slightly more reasonable conclusions but makes up for it by having his jealousy be more obvious. And of course he refuses to admit affection even more, even when he thinks Akane is being particularly cute (The end of the “whiskers ramen” story is the first of several that show off Ranma’s handsome face smiling at Akane with genuine affection.) And of course together they make a very effective team. They’re held back by their hot bloodedness and insecurities, but if this weren’t Nerima they’d be dating by now.

There is a new character introduced in this volume, thought he turns out to be related to two old friends. I’d forgotten how long the Principal Returns storyline ran before it was finally revealed that he was Kuno’s father, but it makes sense, given he seems to be just as divorced from reality as his children are. He went to Hawaii to study discipline techniques, and much of his behavior is stereotypical Hawaiian, but the teachers point out that he was always over the top even before this. And on his return, he’s obsessed with giving everyone old-fashioned school haircuts – shaved heads for boys, “pudding bowl” for girls. This leads to a giant melee battle, a frequent appearance in this series, as everyone searches for the coconut that can free them from this fate. (Nice lampshading when a man-eating tiger is set upon the students: “What part of this is Hawaiian?”

Of course, no one should be thinking about whether Kuno and Kodachi’s mental trauma is a result of their father’s upbringing, any more than they should worry about Genma being a horrible father, Akane punching Ranma so hard he flies several blocks, etc. Don’t analyze the series, just laugh along with it. It’s a lot of shallow, shallow fun. That said, join us next time for a plotline that is at least a little more serious, and takes over half the omnibus to resolve.

By Rumiko Takahashi. Released in Japan by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

This particular omnibus is very illustrative of the perils and pitfalls of being a Ranma fan, both in terms of its ongoing tendency towards “everyone is terrible, comedy trumps everything”, and in terms of the fact that it was written in 1980s Japan, and is, shall we say, a little less than progressive. We’ve already seen Ranma’s treatment of Shampoo fall into the typical Chinese stereotype, complete with broken English. Now in this volume we get two characters introduced as boys who may (or may not) turn out to identify as someone else. I’m not asking a 1980s ‘aquatranssexual’ comedy to be progressive on LGBT issues, but even for that time this is pretty bad. But let’s begin with brighter stuff, and the first of our two gender-confusing newbies.

Ukyou Kuonji is the last of the major Ranma cast members to join us, even if her role decreases as the series goes on. She’s also the last of the major antagonists in the battle to win Ranma’s heart, one that begins the moment that she realizes he never knew she was a girl, and he actively calls her the “cute fiancee” to Akane’s “uncute fiancee”. She’s a lot like Ranma, which makes them very believable as childhood friends, and clearly her chasing of him has less to do with her family honor and more due to the object of her “revenge fantasy” becoming a crush.

She also provided fandom with what seemed, at the time, to be a more “reasonable” choice than the hyperviolent Akane (note how violent Ukyou is in her introduction and the Tsubasa chapters), and thus became very very popular among fanfiction writers, who were frustrated by Akane and Ranma’s denial, and Akane’s tendency to hit Ranma, which was taken very seriously. Not that Ranma really returns any affection – even if he does enjoy teasing and mocking Akane, he does pick up when she’s seriously hurt and works to correct it. This doesn’t really happen with Ukyou, though he at least offers to let her get revenge for the idiocy his father perpetrated. (Also, asking a 6-year-old to choose between a friend they knew for maybe 3 weeks and food – wtf?)

(As for Ryouga and Ukyou, a very popular fan pairing, I will remain mostly silent, except to note that within minutes of meeting Ryouga, Ukyou is screaming at him in frustration.)

This volume also sees a very funny Kuno and Kodachi runaround, which balances Akane and Ranma’s love/hate relationship just right, as well as a beach episode featuring Happosai and Cologne (who ran into each other in their youth – big surprise), which does not get the balance right. Mousse returns, and has a Jusenkyo curse now to boot – one which he immediately tries to give to Ranma (or Akane – he claims he’s just bluffing about cursing her, but I doubt he’s care much if it happened). I’ve talked before about my dislike of Mousse, but I will note with amusement Shampoo’s rejections of him are immediate and incredibly blunt. Mousse is not a man that will take a vague answer. “Shampoo, do you hate me so much?” “Yep. Hate you.”

And then there’s the introduction of Tsubasa Kurenai. I believe we’ve seen the last of Tsubasa in the manga, though I think he becomes a recurring character in the anime like most of Takahashi’s one-shot antagonists. Tsubasa is from Ukyou’s old school, and is chasing after her out of love and to destroy Ranma, the one she is engaged to. Tsubasa’s gender reveal comes right at the end (which leads to some awkward translations – in Japanese, it’s much easier to hide gender pronouns) and for about a chapter and a half they think he’s a girl – and a lesbian. Then we also have the fact that Tsubasa makes a cuter girl than Ranma in her girl form – something that deeply stings his pride. (It’s also explicitly mentioned here, by the way, that the entire school bar Kuno knows Ranma can change.)

So Ranma decides to “date” Tsubasa. The line that is the worst in the volume comes after Akane tells (male) Ranma she assumed he was taking Tsubasa on a “girl-girl” date. He responds that he’s “trying to set her on the correct path”. There really isn’t much that I can add here except “ugh.” Takahashi frequently uses “uh oh, they may be a lesbian” for comedy, and yes, I realize Takahashi uses absolutely everything in the world for comedy, but this doesn’t mean she shouldn’t be called out on stuff like this, particularly when it makes the cast look homophobic. The whole thing isn’t helped by a wacky reveal ending where we see Tsubasa is just a guy who likes to cross dress, and Ukyou tells the others “I thought everyone knew that already”.

So, for me, this omnibus consisted of one excellent to good first half, and a mediocre to bad second half. The danger of omnibuses. Next time we’ll meet another incredibly annoying antagonist, but at least he’s more fun than Happosai. And surprise, he’s another abusive, horrible father! Find out why the Kunos are not just another insane brother and sister duo, but from a family of insanity!