Sweet Blue Flowers, Omnibus 1

By Takako Shimura. Released in Japan as “Aoi Hana” by Ohta Shuppan, serialized in the magazine Manga Erotics F. Released in North America by Viz. Translated by John Werry.

The reason for the somewhat awkward ‘omnibus 1’ up there is that I’ve already reviewed the first volume of this series back in April 2014 when DMP did a somewhat aborted digital release of it. But now we have a handsome paperback of the first two volumes, with a new translation and looking excellent. As for the series itself, it’s odd coming at it now after so many of the series that came after it have done the same thing. The average reader interested in yuri may well ask what they can get from this they aren’t getting from Bloom Into You, or Kiss & White Lily for My Dearest Girl, or even Citrus (well, OK, don’t bring Citrus into this). The biggest answer, of course, is that this is written and drawn by Takako Shimura, and thus is simply well-crafted, with characters whose school days and intimate lives are laid out in sometimes crushing precision by an expert.

One thing that sets this series apart from other ‘girls fall for other girls at a school’ series is that we’re dealing with two different schools. Akira (sailor uniform school) is bright, bubbly, a bit overearnest and not particularly interested in romance at all, at least not at first (though the arranged fiancne of one of her friends seems interested in her). She’s just reunited with childhood friend Fumi (apron-like dress uniform school), who was a big crybaby back in the day and, well, still is. She’s also in love with her cousin, and therefore somewhat devastated when said cousin ends up marrying a guy. She’s quick to rebound, though not with Akira – even though she slowly realizes over the course of the book that Akira was her real childhood crush, she’s now head over heels with Yasuko, who is a charmer and a Takarazuka type if ever there was one. Unfortunately, Yasuko also has issues in her life, namely a crush she used to have on a male teacher. So that’s not likely to work out either.

As you can see, this tends more towards the melodramatic side of the scale, at least when you write out what’s actually going on. As with Shimura’s other classic, Wandering Son, though, it doesn’t feel overwrought as you read it – the emotions feel real without attempting to drown the reader, and everyone reacts (mostly) sensibly. You’ll also note that I mentioned men a few times – even though both schools our heroines attend are girls only, this is not a series where men simply never pop up. And sexuality is not precisely binary either – Yasuko’s somewhat exasperating family note the fact that Yasuko dating Fumi means she’s bisexual now, and we see a few examples of the classic ‘I’m in love with a girl while in school but I will ‘grow up’ and marry a guy’ trope which is, well, very indicative of real life in Japan, though that’s starting to change.

So yes, Sweet Blue Flowers is absolutely worth reading and checking out, both if you like yuri and if you like Takako Shimura. It’s also only four omnibuses, so shouldn’t devastate your bookshelf too much.

Sweet Blue Flowers, Vol. 1

By Takako Shimura. Released in Japan as “Aoi Hana” by Ohta Shuppan, serialized in the magazine Manga Erotics F. Released in North America digitally by Digital Manga Publishing.

DMP’s digital only line of books has been cruising along for some time, with a broad selection of BL, hentai, and obscure shoujo titles to choose from. Lately they’ve pulled a couple of fan favorites out of their hat, as they announced Kimagure Orange Road, the old-school 80s romantic comedy that was a huge influence on North American fandom (in both good ways and bad), and Aoi Hana, released here as Sweet Blue Flowers, which is a yuri manga by the creator of Wandering Son, Takako Shimura. It ran in the oddball magazine Manga Erotics F, and to a certain degree feels similar to Wandering Son – we’re introduced to a cast of schoolgirls, two of whom are clearly the leads, and discover their psyches, problems, and crushes.

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Our two leads are Akira, who is bubbly, straightforward, and easy to get along with, and Fumi, who is tall, cries a lot, and starts off the volume devastated to find that her cousin, who had been sleeping with her, is getting married to a guy and hadn’t told Fumi as she’d have taken it badly. Which she does. Fumi tends to be an emotional wreck for most of this volume, but to be fair she’s going through many things that would leave a delicate persona an emotional wreck – besides her cousin, there’s the reappearance of childhood friend Akira in her life, and recalling just how much Akira meant to her as a child (I suspect these two are the ‘end couple’, but who knows?), and her tentative relationship with cool beauty Yasuko, who seems to be hiding a secret relationship from her past.

The fourth member of our ensemble is Kyoko, who has a fiance already picked out for her (male), but clearly has a giant crush on Yasuko. She’s also there so that Akira can bounce ideas off of, as Akira and Fumi are at two different schools, though the two schools quickly end up working together on a stage play. If Fumi is emotional leaning towards tears, Kyoko is emotional leading towards anger, and I do wonder if we’ll see her blow up at some point in the future. As for Akira, she’s not sure what to think, especially when Fumi comes out to her, but resolves to be supportive like a good friend. There’s no indication that Akira has any romantic feelings towards Fumi as of yet – she seems more the level headed older sister type, though a bit flakey to truly fit that role – but we’re only at Volume 1 of 8.

As with Wandering Son, Shimura’s manga is matter of fact about both its school life and its relationships. I’m not sure how much of this is meant to be the akogare ‘it’s just a phase’ type of teen girl relationship seen in many Japanese manga – certainly the three ‘Greek chorus’ girls we see with our heroes fall into that pattern – but Fumi’s past and present relationships are treated with seriousness and a depth of sadness – it’s really clear that Yasuko is not the true love she was looking for either. It’s easy to see why this series is beloved, and I look forward to seeing Fumi’s growth in future volumes.