By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Given that this series has now been running for twenty-four volumes, it’s no surprise that the current arc is seeing a lot more discussion of what has come before. This is especially true now that Kawahara has caught up with himself and no longer has to quietly edit the crappy things he wrote when he was 20 years younger. There’s a lot of interesting stuff that never really got developed in the past that can now be looked into at more leisure. This is the concept behind the Progressive series – which these books pretty much make clear have sort of usurped the original first volume as being canonical – as well as the movie, which also gets referenced here. The line between canon versions of Sword Art Online is blurring. And given that, it’s no surprise that, despite the current death game-esque plot of Unital Ring, complete with a Death Collar of sorts for Kirito, we’re still heading back to the Underworld, which may be 200 or so years into the future but still manages to ask the important question: is *he* REALLY dead?

(Man, covers always spoil, huh? So much for my trying to be ambiguous…)

Kirito is having a bit of a rough time at the moment, though honestly compared to “I am in a coma” it’s going pretty well. In Unital Ring everyone seems to be trying to kill his party. Someone has apparently dived into the Underworld without authorization, which means there needs to be an investigation. And, most importantly, it’s Asuna’s birthday and he has to get just the right present. Frankly, he’s pretty much a dumbass about that, and it’s a good thing that Argo is back in his life to give him enough hints that he can do the right thing. Argo and Alice get to spend time with Kirito in Unital Ring this volume, as Argo has finally given in and ported her character in. Good thing too, as it turns out that it’s not just SAO, or ALO, or GGO, it’s lots of other virtual reality games. Meaning we also get GIANT INSECT BATTLES!

I suspect there may be some fans who are a bit grumpy about the supposed reveal towards the end of this book. That said, “Nobody dies in Bleach” is the phrase, not “nobody dies in SAO”. There have been important characters killed off. So I think we’re allowed to give the author a bit of rope here, especially as there’s no confirmation that it *is* who Kirito thinks it is. That said, I cannot help but be reminded of the separation of Alice Zuberg and Alice Synthesis Thirty and go “Hrrrm”. Aside from that, I continue to be amused, given his reputation as the all-powerful light novel hero, how much of this book shows Kirito being mocked or screwing up. I mean, yes, he does some cool things, but that’s mostly because his human strategy guide is back. Of course, he fares better than Asuna, who has an incredibly cool battle… recapped for us as it’s offscreen. Bleah.

This arc is settling in to be another long one, but at least it has the entire cast this time, so fans should be a bit more happy than Underworld. Till next time: d’awwww. sugar maple tree.

By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

As I was reading this volume of Progressive, I wondered why I was having so much trouble remembering what had happened in the previous book, then it hit me that it’s been two and a half years since the previous book. That said, it did not take long to get back into the swing of things, because as much as I sometimes can’t remember which ones are the two main rival guilds or which player killer we saw last time, as long as I remember Kirito, Asuna, Argo and Kizmel I’m good. This book deals with the seventh floor, a summer weather floor that also boasts a beach, some lovely restaurants, and a casino where you can win big… or lose your shirt. Asuna is not all that happy about having to get involved with the casino’s machinations, but when it turns out that this will also involve the dark elves, she and Kirito are quick to help. Unfortunately, after the events of the last book, they may not get a warm welcome from the elves.

The author mentions in the afterword that the main series has Kirito and Asuna separated in the current arc (Unital Ring), so he’s very happy to have them spend the entire book together like this. Indeed, it’s the bread and butter of the series, whose fans are reading it mostly to see the two be cute and romantic. We definitely get some of that here, as despite the death game aspects of the plot the start of the book could easily be a date by the seaside. We also see that when Asuna has trouble sleeping she goes to Kirito, and being next to him knocks her right out. She may not be verbally admitting anything, but her actions speak pretty loud. As for Kirito, he reminds us again and again that he’s 14, and it feels like it. For the most part he’s still thinking that Asuna needs a larger stage to shine on (i.e. one away from him), but he also feels the need to keep her at his side. It’s cute. Argo agrees with me.

As for the non-shippers plotline, we get more of the other purpose of this series, which is the idea that this is a real world that people have lived in for centuries, rather than a game populated by NPCs. This is not to say that the NPCs can’t be cliches also, as we meet the casino’s manager (a cool collected 12-year-old girl) and her battle maid. As for Kizmel, yeah, things not going so well. Not only is there a prison br3eak sequence, but they’ve got to find a way to get the keys back while at the same time dealing with the quests they have at the casino. There’s so much going on that it’s a surprise it gets fit into one book… OK, no, it doesn’t. There’s a cliffhanger, and we’ll have to wait for Book 8 to resolve it.

Fortunately, Book 8 is on sale this spring, so we will not be waiting another two and a half years. Till then, there’s lots to read about here, but mostly what we want is the cute not-yet romance. There’s plenty of that here.

By Keiichi Sigsawa and Kouhaku Kuroboshi, based on the series created by Reki Kawahara. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

Gotta admit, this book was an absolute treat for me. After so many volumes of everyone having to fight each other, It really is fantastic seeing all the main characters team up, NOT fight each other, and work towards a united goal. There’s still lots of enemies to defeat, of course, and trust me when I say Shirley is still looking for any opportunity she can to snipe Pitohui, but for the most part this is the most relaxed and fun a SAO Alternative volume has ever been. There’s even a cute dog! That said, while I was very happy, it’s worth noting that this book is about a cast of young women who really, really, REALLY like to shoot at each other. They’re not SAO survivors, there’s no worry of real death, they just like the adrenaline rush, it excites them. As such, the ending of this book should have really been obvious. And yes, it also revolves around the cute dog.

After wrapping up Karen’s karaoke party of sad, with Elza telling everyone her life story (all lies, M gives us her true life story, though she tells him that may ALSO be lies), We hear about a new team event involving “five ordeals”. This will finally allow Llenn’s group to team up with SHINC (it’s made clear that Llenn really does regard the 4th squad jam as achieving her fight with them, despite the interruptions) as well as perpetual hangers-ons Clarence and Shirley. The ordeals themselves are introduces to us by a cute talking NPC dog (a Schipperke), who tells them it’s basically five tasks, all with different rules, different areas, and ascending levels of difficulty. Can they battle zombies, fight robots, ascend snow-buried buildings, and take on CYBER-DRAGONS?

So I feel it’s OK to mention this, as the website Does the Dog Die? is literally namechecked in the book: the dog doesn’t die. This is despite the entire final chapter revolving around the dog dying – it’s a very self-aware book, and allows us to actually get some depth to Miyu, who is allowed to be more than just the wacky comic relief here (though she’s that too, no worries). As for the rest, it’s what you expect from this series: the fights are awesome, the banter is fun, there’s a few betrayals, and the author cannot stop dragging his self-insert around like a corpse. It’s also fun seeing Llenn finally come to terms with the fact that just because she is a cute pink tyke doesn’t mean that she’s not just as scary or even scarier than Pitohui is. Seeing her wonder “wait, is this why everyone is wary of me?” may be the best joke in the book. And again, the entire relationship between Fukaziroh and the NPC dog was fantastic and even heartwarming, which is not really a beat this series is good at.

I suspect we get a Squad Jam next, but for a change of pace this was excellent. Enjoy our heroes working together in peace… even if they don’t want to really.