Category Archives: unshelved

NYCC 2015, Day 1

The first day of NYCC, as always, bore very little resemblance to my posted schedule, but was also highly entertaining. It began with even the press line outside and going around a block, but there was no issue making it to my first panel, which was about needing diversity in comics. The moderator was a librarian, and the audience seemed to be composed primarily of librarians as well. The panelists were Karen Green, a curator at Columbia University; Eric Dean Seaton, who has directed numerous TV comedies, including That’s So Raven; Vishavjit Singh, creator of Sikh Toons, who came to the panel wearing his own Captain America outfit – with turban; Ivan Velez from Milestone Comics; and, arriving late, Alex Simmons from Archie Comics and Blackjack.

It was noted right away that most comics – still – are white males, and that most of the panelists didn’t see themselves reflected in any comics they read as a kid. It reinforces the idea of the minority reader as Other. This is mostly referring to Marvel and DC Comics, of course, as well as the very white Archie Comics. Even children’s books back in the 60s and 70s weren’t all that diverse. And, of course, there’s still the problem of people of color being written in only to be killed off. Even science fiction in the future is very white. And male, as women have little to relate to as well. Karen mentioned Little Lulu, but pointed out that’s for young kids.

The creators were also asked if they suffered prejudice in the creation of their work from others in the business? There was an obvious reluctance to get into specifics, but it was described as being like the only minority in a white office – you feel “surrounded by the enemy”. There’s also myopia by choice – one creator was told their title would only sell in Bed-Stuy and Watts.

Vish Sihngh also talked about his experience in a post-9/11 world, where he could not even leave the house for two weeks without getting screamed at by others, just because of his beard and turban. He wasn’t even a cartoonist then, but when he saw the famous ‘spot the terrorist’ editorial cartoon, he decided to try his hand at it. He discussed dressing as a Sikh Captain America after a piece in the Seattle Times when he discussed a Sikh superhero was met with anger. He dressed in his costume and walked around Manhattan – people loved it, even people in uniform. When the costume came off – e was attacked with slurs again.

So, how do we diversify? This is a media problem – the world is diverse, the media is white. Alex discussed Archie Comics interviewing him and talking about diversity – they had “that one guy” for every minority. Alex pointed out that all of their background, nonspeaking characters were white kids. Creators these days have the imagination, it’s editors and publishers that are reluctant. And readers, even at NYCC, sometimes want only Marvel or DC or they don’t care.

Q&A brought up the old “there are only 7 stories” myth, and how that’s a load of bull – and patriarchal. DC and Marvel continued to come under fire, particularly for the lack of financial and copyright support they show to creators. Karen pointed out that back in the 30s, these companies were all created by Jews trying to assimilate, which is one reason they tend towards the whitebread. Crowdsourcing was also mentioned, though it was recommended you try to build a body of work first. Some audience members ran into the “SJW” problem – they felt when they started to discuss diversity they were tuned out as making a political statement. Lastly, the panel did note how far they’ve come – there are villainous people of color, allowed to be evil. And there’s also Ms. Marvel. A very satisfying start to the con.

After that, my ankles hurt, so I found a room and collapsed into it. It turned out to be Dark Horse, though I arrived late. They did have an announcement of some interest to manga fans – Lone Wolf and Cub is getting a new 2100 series, by Western creators, along the same lines as the manga but with a modern bent. There’s a new Tomb Raider series by Mariko Tamaki, author of This One Summer. And they’re teaming up with Kitchen Sink to do giant Sin City omnibuses with more art and extras. They also announced they have licensed the Moebius Library, though actual titles are not ready yet.

Tor’s panel, moderated by John Scalzi, was less about the books his panelists had written and more about a “Would you rather” style game show. John is an excellent raconteur, so this was a fun change of pace. There were elephants.

Dark Circle, formerly Red Circle, is Archie Comics’ superhero line, currently being rebooted with darker, grittier stories. The creators were quite happy to be allowed to get as dark as they like, and allow the old titles such as Black Hood and The Shield to deal with more up-to-date issues like obsession and patriotism. They’re also starting a new YA comic called The Web, about a teen cosplayer who finds she has superpowers. I’m not a dark and gritty fan, but it did sound interesting.

Then came the big Attack on Titan announcement panel, which was standing room only. And for good reason. No, not a 2nd anime season; an anthology of Titan-themed stories, done by Western creators. Just the fact that Kodansha in Japan signed off on this is amazing. The creators already announced will boggle your mind – Faith Erin Hicks. Gail Simone. Scott Snyder. Cameron Stewart. This will be out in the Fall of 2016, and will have a broad remit – prequels, humor, tragedy, the main cast, original characters – it’s a true anthology. Oh yes, it’s also full color. This was a truly big announcement, especially for this con, and I can’t wait.

After that I felt a bit under the weather, so sadly missed a few panels, including Crunchyroll. They had some manga announcements. Gugure Kokkuri-san already has an anime on CR. The manga runs in Gangan Joker, and is a supernatural comedy. Cuticle Detective Inaba, a GFantasy title, is also a supernatural comedy, and as silly as its name implies. The big news for me, though, was Arakawa Under the Bridge, a truly bizarre comedy from the creator of Saint Young Men Arakawa is a seinen title from Young Gangan, and had two anime series. I can’t wait.

That’s it for today, and I hope to be feeling better tomorrow, as there’s lots more to do.

A Preliminary NYCC 2015 Schedule

Last year’s NYCC plans bore laughably little resemblance to what I actually did, due to the long lines for absolutely everything. Let’s see what I’m interested in, regardless of whether or not I’m able to attend it. And they remind everyone they do not clear rooms.

Thursday, October 8:
11:00 – 12:15 We Need More Diverse Comics (1A05)
1:45 – 2:45 The 7 Archetypes of Comics Shops (1B03)
4:00 – 5:00 Attack on Titan panel (1A18)
5:15 – 6:15 Sir Terry Pratchett (1A18)
5:15 – 6:15 LGBT in Comics (1A21)
6:45 – 7:45 Crunchyroll Industry Panel (1A24)
8:00 – 9:00 Fangirls Lead the Way (1B03)

Yes, obvious conflict there – not sure how packed Titans and Pratchett will be, and I also really want to see the LGBT panel. The comic shop one is simply as I get my manga at a great local shop in New Haven, so am interested to see if manga comes up. And there’s two good break points to tour the DR and meet people. You’ll notice I’m not doing the Kishimoto panel – I just never got into Naruto, and going to a Main Stage panel requires a lot of hoop jumping.

Friday, October 9:
11:00 – 12:00 Star Wars: A Galaxy of Fandom (1A24)
12:15 – 1:15 Viz Media Panel (1A24)
12:30 – 1:30 Gay Manga Panel (1A05)
2:45 – 3:45 Banned Comics! (1B03)
4:15 – 5:15 Archie Comics (1A05)
5:30 – 6:30 Vertical Comics (1A05)

Not sure I’ll get into Star Wars, but Viz will also be packed, so… Conflict with the Gay Manga panel, sigh. Archie will also be hard to get into, if past years are a good example – 1A05 does not look like a very large room. A surprisingly early night!

Saturday, October 10:
11:00 – 12:00 Yen Press (1B03)
12:15 – 1:15 Kodansha Comics (1A01)
1:45 – 2:45 Clueless 20th Anniversary (1A10)
2:45 – 3:45 Women in Geek Media (1A01)
4:15 – 5:15 Food and Comics (1A05)
7:45 – 9:15 Doctor Who Fan Screening (Empire Room)

I see Yen’s in the tiny room again. Going from Yen straight to Kodansha will be tough if there’s a line.

Sunday, October 11:
12:00 – 1:00 Heroic Counter-narratives (1A05)
2:30 – 3:30 Culturally Queer (1A24)

There’s a Classic Who panel as well, but it’s at 4pm, and there’s just no way, I’ll be fried. In any case, that’s a lot of stuff I want to see. I hope to be able to meet everyone there!

License Roundup – SDCC/Otakon

Summer is always the biggest time for new announcements, and after a huge license post for AX, I took a break to find my newsfeed drowning in new licenses for SDCC, Otakon, and various other places. Let’s see what’s coming soon, OK?

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Yeah, I’m starting with Udon Entertainment. Known over here in North America mostly for their deluxe expensive artbooks, and the occasional foray into children’s titles, Udon quietly blew everyone’s mind at SDCC with the announcement of the Rose of Versailles manga, thought to be one of the impossible licenses (you know, like Legend of Galactic Heroes). Originally running in Shueisha’s Margaret back in the 1970s, if you’ve seen any anime that has a woman with a sword, it’s influenced by this. It is, even with all we have to get through, the most important title we heard about at these two cons.

In more modern manga news, Udon also has the license to Steins;Gate, the annoyingly punctuated manga based on an anime series. It’s a 3 volume series that ran in Media factory’s Comic Alive. And, in a complete 180 from typical Comic Alive stuff, they’ve also license rescued Sugar Sugar Rune, which came out back in the Del Rey days but has since fallen out of print. It ran in Kodansha’s Nakayoshi.

Sekai Project is a translator.publisher mostly of visual novels (such as Clannad, which comes out this October), but they too have decided to enter the manga business, with another anime tie-in. Gate – Jietai Kare no Chi nite, Kaku Tatakeri runs in Alpha Polis’s eponymous magazine, and is 7+ volumes. Not sure of too much about it, but the artist clearly likes drawing ‘wartime’ stuff, judging by past titles.

As is traditional during con season, Seven Seas announced a title online, as they don’t do cons. Secret no Mukougawa is 3+ volumes, runs in Comic Alive, and is the only thing the author has done not tagged in Manga-Updates as ‘Borderline H’. Which is not to say it isn’t trying hard.

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Vertical had three new licenses to discuss. One is a big cult favorite, though I’ve found it difficult to get into: Mysterious Girlfriend X, a 12-volume series that ran in Kodansha’a Monthly Afternoon, and has been available digitally on Crunchyroll. It’s well-written and cute, but there’s a big drool fetish in this series that’s hard to get past if it’s not your thing.

The title I find most interesting is Kami-sama ga Uso o Tsuku, a one-shot that also ran in Afternoon. It apparently features soccer, which always sends warning bells in my head ever since Sasameke. That said, I think this may be more along the lines of Vertical’s recent quiet teenager drama titles. The author may also be known to older fans for Immortal Rain, a Tokyopop title.

And we also have Devil’s Line, a 5+ volume series that runs in Morning spinoff Morning Two, which fans may recall is where Saint Young Men began. I suspect this title will do very well for Vertical, as it has vampires. (resets ‘days since running gag’ counter to zero)

Kodansha announced a few things as well. At SDCC the news was they were releasing Kosuke Fujishima’s Paradise Residence. This has been running for a few years, but it’s always been taking breaks as the artist was more involved with his main title – a little thing called Oh My Goddess!. But that’s over with, so he can now get back to his girls’ dorm manga, which has run in both Afternoon and its sister title good! Afternoon.

emeraldas

Kodansha had hinted, after Rose of Versailles was announced, that they too had a classic manga announcement, and it ended up being Leiji Matsumoto! Queen Emeraldas will be two hardcover omnibuses, and comes from the 1978 shonen manga that ran in Kodansha’s Weekly Shonen Magazine. If this sells well, maybe someone can get Harlock or Yamato (both Akita Shoten, I think), or perhaps Viz can try Galaxy Express 999 again. Please let it sell well. Space opera manga is desperately needed.

Soredemo Boku wa Kimi ga Suki is also a shonen title, running in Bessatsu Shonen Magazine. It seems to be a romantic drama.

Lastly, Complex Age looks intriguing. The story of a 34-year-old newly married woman who loves to dress up in costume, you’d think this would be more suitable for Kiss or Be Love, but it’s actually a seinen title, running in Morning. This will apparently come out here in a larger format, and I’m really interested.

Viz is the last publisher to talk about, and they had a couple of exciting titles to talk about. The biggest is Oyasumi Punpun, an Inio Asano title that has long been desired by fans, particularly after Viz released Solanin and What a Wonderful World. It’s 13 volumes, ran in Young Sunday, then when that died moved to Big Comic Spirits, and is incredibly well written and incredibly bleak. I suspect this will get a nice Viz Signature treatment.

heiress

I always love seeing titles from Hakusensha’s LaLa DX, particularly as its schedule lends itself to shorter series. Ojou-sama no Untenshu is only 2 volumes long, but should fit right in with those who love Shojo Bat. It also takes place in the Taisho era, and seems really cute.

Lastly, I would be remiss if I did not mention, if only for Melinda’s sake, that Viz will release a Takeshi Obata art book sometime next year, with Death Note, Hikaru no Go, and Bakuman no doubt included. Art!

Which of these has you most excited? (Rose of Versailles for me, though there’s some competition.)