By Saki and Haduki Futaba. Released in Japan as “Albert-ke no Reijō wa Botsuraku o Goshomō Desu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Ray Krycki.

Sometimes tropes are so omnipresent that I automatically assume they’ll be there, and I get tripped up when they don’t actually happen. This volume kicks off its plot when a young girl shows up, with red hair the color of Adi’s, and says that he’s her father. Naturally, my first thought was: girl from the future. This is despite the fact that she clearly doesn’t recognize Mary, Alicia, o the rest of the cast. But no, there is no time travel here. Instead we are once again dealing with a more common light novel subtrope, which is the idea that if you’re going to be a noble, you’d damn well better be a GOOD noble who cares about others. The actual backstory for this girl is more down to earth – she’s from a country that doesn’t give a crap about its poor, and it broke her family apart. This infuriates Mary and Alicia, who by their nature are shiny, honest people and can’t stand the idea of abusing power. Even if it’s justified in their head.

The other major plotline in this volume is that Mary Albert is pregnant. This is a happy surprise for her and Adi, but it’s also something they want to keep under wraps for the time being, as there are certain people who will make far too big a deal out of it. Like, new national holiday big. Fortunately, this strange little girl arrives and proceeds to distract everyone as they try to figure out whose child she is (I appreciate the fact that everyone knows Adi is so in love with mary that there’s no way it’s his secret child). Unfortunately, when they find out her exact circumstances, a field trip is in order. Which also consists of her brothers. And Patrick and Alicia. And Parfette and Gainas. And they all converge on one unfortunate lord who believes wholeheartedly that breeding is everything and poor people deserve to be abused. The odd thing is that he believes it to an extreme degree, rather than just being plain old evil about everything.

One thing I really appreciate about Mary Albert is that, despite being reincarnated in an otome game, etcetc., and being generally a very nice person, she is allowed to *behave* like an arrogant villainess, snikping and grumbling at people and acting like she’s going to let out with an OHOHOHOHOHO any moment – though she never does so. In a world with ditzy villainesses, acting villainesses, villainesses with PTSD, it’s nice to see one who doesn’t have a complete personality change even as she plots her doom. Actually, the plotting her doom thing seems to have gone well and truly tits up in this book, as her brothers renounce their claim to the head of the family, leaving it for her. This is unsurprising, but I think she’ll do a good job. I do appreciate how, even now that we’re close to the end, she still cares a lot about what happens to her fantasy fried chicken restaurants, and worries now that she’s given it to twisted friend 31 and twisted friend #2. (I worry as well.)

The next book is the last. I’ll miss this series, one of the first villainess books to come out in Japan. It was overshadowed by Bakarina, but Mary Albert accomplished a lot more. I wish her and her husband and her second and third wives well. What, they’re not her wives? I feel evidence suggests otherwise.

By Saki and Haduki Futaba. Released in Japan as “Albert-ke no Reijō wa Botsuraku o Goshomō Desu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Ray Krycki.

Over the course of this series, we’ve had the original book, with the plot of the otome game, where Mary has to try to avoid… pardon me, create… her own doom. Then we had the second book which brings in the plot of the sequel, where she has to figure out how to interfere in a plotline that never involved her at all. And of course there is the anime adaptation, which ended up bringing in a THIRD woman trying to change things who runs up against the force of nature that is Mary. But most of those have been along the same lines. The heroine (really the antagonist) is defeated, and ends up, mostly, being won over by Mary. But what if we had a guy end up in the world of the game? A guy who is a minor son of a minor house in another country, not interacting with the plot at all. And he sees Mary defying her fate, and gets really pissed. Is the world of this otome game tough for a mob?

Mary is suspicious. Supposedly her brothers have revealed to her a necessary part of becoming the next head of the family, which involves touring other countries and showing that you have the right stuff to be a leader of the nobility. She’s suspicious because their supposed book looks an awful lot like a sweet and fun “take a vacation with our beloved sister” plan instead. Still, whatever. She’s happy to go to the nation of Feydella and meet her aunt and uncle. That said, she’s slightly less happy with the customs of the country, which is fine with men and women having multiple lovers, and thus everyone is hitting on her. Constantly. Worst of all, a minor noble accosts her and says that he knows her secret – she remembers this is a game and has been using her prior knowledge to manipulate things for her benefit.

The climax of this book is not unexpected, but it is rather clever, as it relies on something that I’d forgotten about this series. In general, for “I remembered my past life” sort of books, either characters remember almost from birth or at a very young age, or they remember right before the plot of whatever main plot they’re the villainess for has begun. And Mary is the latter – she only remembered her past life right before Alicia started school. She’s been worried about what everyone might think of her if she tells them the truth about her past life, mostly as the mob guy knows how to prey on insecurities. But, as Patrick points out, if she got her memories when she met Alicia, that means that all the time before that she was the ‘real” Mary Albert… and she’s always been like this. There was no change of personality whatsoever. Past life or no, Mary is ultimately a kind and clever (if daffy) heroine who attracts good people to her like flies. Which also means the antagonists of the other game and anime. But does NOT mean mob boy, who I suspect we won’t see again unless it’s in a comedy stinger.

So yes, good book, very satisfying. I think we have two more to go in the series, and there’s a limit to what new plots we can come up with. We’ll see what’s next.

By Saki and Haduki Futaba. Released in Japan as “Albert-ke no Reijō wa Botsuraku o Goshomō Desu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Ray Krycki.

I am pleased to say that the antagonist of this new volume is not a new heroine or villainess fro yet another spinoff of the original game this world is based around. No, we’re going back to first principles here. Remember how this series began in the first place? With Mary Albert trying to cause her own doom because she knew that her family becoming too powerful would lead to bad things within the kingdom? Well, um, she failed, if you recall. And thus, well, her family, as well as Patrick’s, have gotten so insanely powerful, at least in the minds of some of the lesser nobles, that the worry is that soon there be be no need for those lesser nobles. And since attacking Mary Albert has, well, worked very badly for the last four books, it’s time to try to do the next best thing: go after Alicia, who even Mary says lacks any behavior at all that makes her a royal.

I appreciate that this series knows how to have the broadest possible caricatures of characters and yet also use them seriously for plot purposes. One of the best things about Alicia has been that she’s basically a bullheaded puppy who only cares about Mary (and Patrick, if she’s forced to admit it), but now it’s come back to bite her, and seeing her cowed and doing her best to learn manners (even if she’s quickly distracted) is something new. Likewise, Mary’s desires to exile herself and start her own fried migratory bird stand are all very well and good, but there’s a reason that her brothers have been absent from the last four books. We finally meet them… and they’re exactly what you’d expect from a couple of opposite personality twins who are also siscons. If I told you just that sentence, you could write all their dialogue. Marty may not want to be, but this book makes clear she NEEDS to be the next family head.

And she manages to win the day without ever really changing at all. Sure, she does end up giving in and throwing her hat into the succession ring, mostly to save Alicia, but the rousing speech that she gives at the climax amounts to one giant tsundere hair flip, thrown at the (increasingly pathetic) oppositional lords. And there’s even room for the sensible straight men of the series as well. OK, Adi is not always sensible, but he does the detective work here, which involves Mary’s old drill hair, believe it or not. And Patrick and Gainas help to remind everyone WHY Mary is so powerful and influential – every family and house that tries to go up against her becomes an ally, and they all (remotely) rally to her here.

So yes, no worries, Alicia is the princess, and she’s allowed to tackle hug Mary again. And Mary might be the next head of the family, but she’s still far more interested in croquettes and etiquette. Still a very fun series.