The Oblivious Saint Can’t Contain Her Power: Forget My Sister! Turns Out I Was the Real Saint All Along!, Vol. 3

By Almond and Yoshiro Ambe. Released in Japan as “Mujikaku Seijo wa Kyō mo Muishiki ni Chikara o Tare Nagasu: Imadai no Seijo wa Anede wa Naku, Imōto no Watashi Datta Mitai Desu” by Earth Star Luna. Released in North America by J-Novel Heart. Translated by Dawson Chen.

It’s never a good sign when I’m checking Amazon Japan to see how long a series has left to go. Fortunately, this series looks like it ends with the 4th volume, so I guess I’ll finish it. It’s not doing anything wrong per se, and doesn’t have random slavery or the usual light novel turnoffs, but it’s a damp wet towel of a book. Our heroes hear of a setback, think of a plan, and the plan, for the most part, goes swimmingly. The bad guys are really bad, the good guys are really good, with the exception of Teodore being a standard “glasses sadist” for laughs. There are one or two exceptions, which I’ll get to later, but if I’m being honest, the most interesting and exciting part of the book was when this volume’s antagonist snaps and decides to start choking Carolina to death in front of royalty and hundreds of people. Dumb, but exciting.

Carolina’s father arrives with bad news: Archbishop Mills is on his way to the kingdom and wants an audience with Carolina, likely to try to get her to come back to Celestia. Unfortunately, they’re not quite ready to reveal how powerful she is to the world yet. So they try several stopgap measures. She puts off her decision while she “thinks about it”, they investigate the bishop for his horrible crimes (can’t have a light novel without a Church of Evil, though in this case it’s just one Bishop of Evil), and create a Saint for their own Empire. Unfortunately, while they get enough support to do this, they can’t just make it Carolina, especially since her power is a secret. There’s going to be a magic competition. And her main opponent is Monica, the noble girl who despises her.

So there are a couple of bits that weren’t too bad, most of which revolve around accepting that sometimes people change, and sometimes kids can’t change situations because they’re kids. Marisa and Owen both had terrible childhoods that left them with many regrets, and indeed we saw Marisa’s younger sister of terrible in the last book. But they need people to vote for their new Saint idea, and that means she has to talk to her OLDER sister, who also treated her like crap. Then she finds… her sister happily married, and love has softened her, and she deeply regrets what she did and apologizes. Marisa really doesn’t know how to take this. As for Owen, it turns out that his brother’s disinterest was not that in the slightest, but just a massive miscommunication, and now the two of them are getting along again. Now, both of them credit Carolina for basically making them nice enough to reach out and make amends, but I’m used to perfectly pure heroines.

I didn’t mention Flora at all, but the final volume has basically one question: will she be saved or will she die? We’ll find out. Bet the answer is the obvious one.

The Otome Heroine’s Fight for Survival, Vol. 2

By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

Fans of this series may be surprised that I’m reading the second volume of this book, but they’ll be even more surprised that I’m looking forward to the third. It’s rare I get a series I enjoy so much which is filled with things that normally annoy me. First of all, Villainess fans must be going nuts reading this, as there’s really very, very little of the actual otome game plot here, though we do meet another villainess (more on her later). There are stats. So many stats. I raised my endurance stat +2 just reading this volume. And of course this is an incredibly dark book in which we meet a cast of about twenty new minor characters and by the end of the book almost all of them are dead by the hands of our heroine, who perhaps does not quite deserve that moniker anymore. They even get little backstory flashes right after they’re killed to make it more tragic. So why do I like it? It’s compelling.

Having survived, barely, her life and death battle at the end of the first novel, Alia is now apprenticed to a dark elf named Cere’zhula, who was also the master of the woman who tried to kill Alicia and take her “heroine” place back at the start of the series. Alia ends up actually confessing almost off of this to her new mentor, and ends up being a much better apprentice, if somewhat… eccentric. Unfortunately, only a few months in, a nasty guy shows up and tries to blackmail Cere’zhula into doign an assassination job for him. Rather than get used as blackmail fodder, Alia offers to do the job herself… and then discovers that the Assassin’s Guild don’t trust her a lick. So, I mean, she goes through with the initial “kill these mooks’ test, and then does the actual dangerous assassination job, but she has a far greater goal in mind: killing the entire guild, who are now her enemies.

There is one big reason to read this new book. Just as, in the first book, the main enjoyment was the relationship between the heroine and the first “villainess”, Elena, here it’s between Alia and another villainess, Karla. And while Elena stands a chance of actually surviving the books, Karla may actually end up being the final boss. To be fair, her backstory is essentially “Sakura Matou with less rape but more torture”, but she is absolutely a hoot, absolutely a psychopath, and bonds IMMEDIATELY with Alia, who she not only sees as a kindred spirit (she’s right there, Alia is not remotely an empathic person) but also as someone who will be able to kill her – and not kill her so she dies pathetically, like her family could have done, but kill her so that her death has MEANING. She’s absolutely horrible, and I can’t take my eyes off her.

By the end of the second book, Alia seems done with Assassining, at least for now. Where she’ll end up, who knows, but the 8th in the series just came out in Japan, so it will be a bit. This is dark as pitch, but I’m sticking with it.

From Two-Bit Baddie to Total Heartthrob: This Villainess Will Cross-Dress to Impress!, Vol. 1

By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

If I had a nickel for every villainess book that I read and thought that it was clearly influenced by My Next Life as a Villainess… well, I’d have about 50 cents or so. Which is still a lot! Fortunately, most authors know that they can’t simply straight up photocopy Katarina Claes onto the villainess of the hour, even as the whole “reverse harem starring a clueless protagonist who does not realize what she’s doing to the rest of the cast” plot is present and correct. Katarina is the cheerful, empathic oblivious type. Someone like Yumiella is the stoic, overpowered oblivious type. And now we have Elizabeth Burton (a name as subtle as you’d expect from someone with the pen name Masamune Okazaki), who is also strong, and also cheerful, but goes in a totally different direction. That’s her on the cover. In the center, between the two pretty guys. Does that means this is trans? Or yuri? Well… not really? Not yet?

So yes, as is standard for this genre, Elizabeth Burton eats a horrible bell pepper one day, which triggers memories of her past life in Japan, where she was a fan of the otome game “Royal LOVERS”… where Elizabeth Burton, the fiancee of the second prince, was a minor villain who was doomed, in the second prince’s route, to be rejected and likely live her life alone and unloved. Well, that just won’t do. Unfortunately, all the love interests in this game are bishonen, so she can’t exactly compete once the heroine inevitably arrives in ten years’ time. So Elizabeth, showing a startling, terrifying lack of common sense, decides to cut off her hair, dress in a boy’s outfit, get really buff and strong, become the perfect handsome playboy, and seduce the heroine. Oddly, her family and the kingdom put up only token resistance. That said, she has a problem: the love interests don’t care if she looks and acts like a man. They’re smitten.

Is this yuri? Not really. The heroine only shows up at the very end to be the cliffhanger. What’s more, Elizabeth has put ZERO thought into this beyond “seduce the heroine”, has no plan for what happens after that, and denies at first that she’s gay… then backs off and says she’s not sure. Is it trans? Not really that either. Elizabeth, aka Lizzie, dresses and acts like a boy but uses her real name, never denies she’s a woman, and gets annoyed when other people try to call her a man. Is this a weird little genderqueer thing? Boy howdy yes. She doesn’t fall for anyone here, thought Edward (the first prince, who is the ‘beautiful but sickly’ sort) comes close to breaking her facade, but the three male love interests (I’m ignoring her adopted younger brother) certainly fall hard for her… to the point that they all dress in women’s dresses at the big dance in the hopes of attracting her. Again, while this gets some shocked stares, there are no repercussions and no real opposition to it. It’s mentioned that men will get married but have male lovers (women with female lovers is NOT mentioned, I note). Basically, this world seems very casual about a lot of things.

I spoiled myself a bit by looking at the (still ongoing) webnovel, and the second book in the series should bring us a bit more yuri as not-Maria Campbell hits the scene. Till then, temper your expectations if you want this to be anything other than “reverse harem with clueless heroine”, but the heroine herself makes it worth the read.