Let’s Get to Villainessin’: Stratagems of a Former Commoner, Vol. 1

By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Sa, Akuyaku Reijou no Oshigoto wo Hajimemashou: Moto Shomin no Watashi ga Idomu Zunousen” by PASH! Bunko. Released in North America by Cross Infinite World. Translated by Dawson Chen.

I’m not sure if we’ve reached the point in 2024 where more villainess titles are licensed than isekai titles. Possibly it just feels that way to me as I read a majority of the villainess titles, while most isekai titles are ignored by me unless there’s a good reason. But this is definitely a book that is intimately familiar with the genre – the author has written several, unlicensed villainess series already, as well as the licensed Seriously Seeking Sister! book. The protagonist says she’s a fan of light novels, and has read villainess books in the past. She’s also backed by serious money here, so you’d think that things would go swimmingly. But as ever, it’s easier to avoid your doom than cause your doom as a villainess, and I appreciate that Mio is trying really hard to be a terrible person but just comes across as a big ol’ tsundere. It turns out being a bad person isn’t easy with a conscience.

Mio is a teenage girl who is working an extra job in order to pay for her sister’s hospital care, as she is dying of a mystery disease. Then, after stopping a purse snatcher, she is introduced to the owner of the purse, who has a deal for her. Shizuki, the rich girl Mio meets, says this is the world of an otome game! (It’s similar to Modern Villainess, in that it’s in a modern Japan but one that still has zaibatsu families.) Shizuki wants Mio to play the villainess role, bullying the heroine, making sure the heroine gets with the correct capture target, and fall to ruin. This will, for reasons not revealed in this book, save the country’s economy. In return, Shizuki will help get Mio’s sister advance treatment that might save her life. Mio thus goes all in on villainessin’.

So, I know this is a “translated into English” problem more than a problem with the original work. And I think the author did it deliberately in some ways to show off the “otome game” cliches of this world. But this book has important characters named Ruki, Riku, Ruri and Rikka. (I suspect the translator added the extra ‘k’ so that I would not lose my mind.) Oh yes, and Mio’s sister is Shizuku and her new sister by adoption is Shizuki. Fortunately, once I got past the names, this was a very good read. It’s a “we have to match the game’s plot but we keep changing it” sort of book, but this time everyone’s being serious, with nary a dumbass in the cast aside from the token “those two girls” who serve as the minibosses of Book One. A lot is being kept from Mio by Shizuki, and I for one am very concerned with her true motivations. But seeing Mio desperately try to be bad and accidentally helping the heroine out… look, I love a good Maria Campbell plot, OK? It helps that the heroine isn’t evil this time, possibly as this isn’t our original villainess either.

Assuming that we’re not introduced to Kiki, Kiko and Kiku next volume, I’m definitely looking forward to it, if only to get some answers, and see if Mio really will fall in love with the guy she’s trying not to fall in love with.

Sasaki and Peeps: Fake Family Formed! ~The Youngest Daughter Dreams of a Warm Family in This Hodgepodge Household~

By Buncololi and Kantoku. Released in Japan as “Sasaki to Pi-chan” by Media Factory. Released in North America by Yen On. Translated by Alice Prowse.

I do feel that this series might have a conclusion in mind, but it really is meandering towards that conclusion, to the point where I was actually a little bored somewhere in the middle of this volume. Which is surprising given it’s an isekai-lite book, and I usually tend to prefer those. For the most part, the bulk of this book is spent integrating Type Twelve into the main cast, which has Futarishizuka and Sasaki making decisions that make sense in a “we’re trying to save the world” sort of way, but narratively in a book makes them sort of terrible. It doesn’t help that the idea that all of this is secret is really being blown apart, with Neighbor Girl’s classmates all discussing whether aliens are real or not after spotting the huge obvious flying saucer. Each book tends to set up the next book, and I suppose that’s true here. And to be fair, the end of the volume definitely was excellent. But I’d like to know the author has a final volume envisioned.

Type Twelve wants to learn more about humanity from Hoshizaki, and has decided the best way to do this is to pretend to be a family. Hoshizaki is the mother, Sasaki is the father, Kurosu and Abaddon are her older siblings, Elsa (returned from isekai land) is the next door neighbor who’s always dropping in, Sasaki is the family pet, and Futarishizuka is the crotchety grandmother, a role she takes to with gusto, to be honest. They go shopping, they buy a house – well, OK, Type Twelve steals a house – and they go to the amusement park, which Futarishizuka, with the reluctant help of Sasaki, tries to depress the robot so that she’ll give up and return home. Everything changes, though, when Kurosu says there’s a new death game coming to a mysterious island, and she wants their help in going after the big prizes that come with said game. Alas, when they get there they find that things will not go that well…

As noted, the death game is the best part (the worst part may be when Kurosu, running away from interaction with her classmates, comes across her teacher screwing her bullied classmate, and she just sort of stomps away in a fit of pique that she’s not able to get that with Sasaki). They arrive assuming that everything will be much the same as the previous games, but not only is everyone on the angel AND demon teams now trying to kill her and Abaddon specifically, but there are also a lot more random elements. A psychic is killing people because he can, the magical girl rips a hole in reality to go kill psychics, and Type Twelve has to literally blow herself up 9she gets better) to save the main cast. And, oh yes, the entire death game has been co-opted by rich assholes. Because of course.

I greatly enjoy this series when it’s being ridiculous, but when it’s down to earth it can sometimes lose me. The next volume… has everyone going to Kurosu’s school. Oh well, we shall see.

Observation Records of My Fiancée: The Misadventures of a Self-Proclaimed Villainess, Vol. 1

By Shiki and Wan Hachipisu. Released in Japan as “Jishō Akuyaku Reijō na Konyakusha no Kansatsu Kiroku” by Regina Books. Released in North America by Hanashi Media. Translated by Ethan Holms.

I am, frankly, a little sick of every new villainess book forcing me to say how much it reminds me of My Next Life As a Villainess. And given that this book stars a dumbass who everyone loves, that’s a trap that I want to avoid. So let’s try something else. You know the works of Sarasa Nagase? The kind where the clever heroine has to think on her feet and not let her guard down for a minute or else fate will slot everything back into place and she’ll be killed? And this is helped along by an evil but equally clever heroine? This series is the mirror opposite of that. Both the villainess and the heroine are desperately trying to NOT fight fate, for reasons that we don’t really find out in this volume, but the problem is that they are both not particularly clever, so fate is constantly changed so that things are better. Congratulations on falling face first into success.

While visiting his fiancee on her eighth birthday, the Crown Prince Cecil is rather surprised to hear her say that she’s actually a villainess, and she will do her best to grow up to be a fantastic one so that he can dump her and her family will fall into ruin. And she can go ‘GAH!”. (The “GAH!” is very important!) Cecil is baffled by all this talk of “otome games” and “routes”, but he finds Bertia amusing and interesting, which frankly almost nothing does as he’s the most jaded ten-year-old in the world. Each chapter in the book is “one year later”, and we see that Bertia’s schemes and plans do things like tell everyone where those trying to overthrow the country really are, or making sure that people get together with their true loves, or telling Cecil enough information that they can stop a deadly plague. Isn’t she actually sweet as pie? Why does she want to be a villainess? And what’s with the new girl named (sigh) Hironia?

I read the first volume of the manga when AlphaPolis put it out here, and reviewed it in a Bookshelf Brief where I mentioned Cecil was who interested me most. That goes double for this first book, though Bertia is also interesting for reasons that I don’t think we’ll get explained till the next book. Cecil regards Bertia as a fun toy when he’s a kid, but as he grows older and grows to appreciate her as a person… he’s still not quite there. It’s mentioned many times that Cecil is fundamentally broken, and that gets more clear as we get closer to the climax, when we realize that Cecil has never expressed any affection for Bertia besides “you are my fiancee”, and that he doesn’t really get that he’s fallen in love with her at ALL. We never get Bertia’s POV, for reasons that, again, I think will make more sense in Book 2, but I think she has realized her feelings, but is desperate to avoid them for the sake of the greater good.

This is a series that will end next time, though I think there’s a sequel that Hanashi Media has also licensed with their marriage. Till then, this is a fun Villainess book that starts off very wacky and gets increasingly less so as the book goes on.