Reborn to Master the Blade: From Hero-King to Extraordinary Squire, Vol. 10

By Hayaken and Nagu. Released in Japan as “Eiyu-oh, Bu wo Kiwameru tame Tensei su. Soshite, Sekai Saikyou no Minarai Kisi ♀” by HJ Bunko. Released in North America by J-Novel Club. Translated by Mike Langwiser.

This is a big old sucker punch of a book, telling you that straight off the bat. And this is clearly deliberate by the author. The first half or so has us following Inglis and company to meet with the Highland’s leader, so that they can try to get Eris repaired, as well as see whether anything can be done about Rin. And despite the island, erm, falling out of the sky onto the oceans, which is surely not an ominous sign, they have a good time. Then the second half of the book hits, and you are reminded of the earlier volumes in this series, which shows the Highland folks to be horrible monsters. That’s still mostly accurate, it has to be said, though a cliffhanger shows there may be even more inner strife than expected. All of this seems designed to build character – for everyone except Inglis, of course. She doesn’t need character development. She just has to hit things.

For those of you full of hope, I have to make you sad: that cover is an utter lie. Inglis stays in her six-year-old body for the entire book. There *is* a beach scene, and we get Inglis wishing they could do it again when she’s back to normal so that she could get a gorgeous swimsuit, but it doesn’t actually happen. That said, the other three girls are attractive, and everyone is being given the deluxe tour. Leone gets an upgrade to her rune, which is now a Special Rune, which I hope does not turn out to be something she regrets later on. As for Liselotte, she apparently has such amazing compatibility with hieral menaces that they offer to make her one. She declines. As for Eris… well, she’s basically the equivalent of a Type-40 TARDIS in a world of far sleeker and more powerful machines. But it’s OK, the totally trustworthy Highland folks will fix her.

I’m gonna spoil a couple of things here, so stop now if you haven’t read it yet. Good book, will read more, but very much a book of two halves. The second half begins when a merchant ship arrives with a princess from Venefic, who is being delivered to Highland to be a hieral menace, but is far more concerned about all her followers, who were also taken up in the ship. So Inglis and the others go to try to rescue them. Yeah. No. Instead we find that most of what makes the Highland Nation go is the equivalent of Soylent Green, as humans are being taken and essentially ground up into pure mana. I actually went “Urgh” out loud. Speaking of hieral menaces, there’s a reason Liselotte has such a good affinity, and it’s not a good one – the hieral menace sent by the pope seems awfully familiar… in fact, she looks just like an older Liselotte. And has the same name as her late mother. Nothing is confirmed, but come on. This also throws everyone off their game.

Honestly, the star of the book may be Rafinha, who suffers more than the others as she tends to see things in terms of black and white, and is finding that in a situation where all the solutions are bad, nothing makes her happy. She can’t even count on Inglis here, as Inglis does not really care even if everything goes to hell as long as she gets fights. Rafinha wants peace. Possibly she’ll get it in the next book, but I highly doubt it.

7th Time Loop: The Villainess Enjoys a Carefree Life Married to Her Worst Enemy!, Vol. 5

By Touko Amekawa and Wan*Hachipisu. Released in Japan as “Loop 7-kaime no Akuyaku Reijou wa, Moto Tekikoku de Jiyuukimama na Hanayome (Hitojichi) Seikatsu wo Mankitsusuru” by Overlap Novels f. Released in North America by Airship. Translated by Amy Osteraas. Adapted by Vida Cruz-Borja.

The best part of this book I already quoted on Twitter: it’s Arnold pointing out how utterly ridiculous the premise of this series and all others like it really is. They’re going back over the party that began this series, one which, 5 volumes in, is a lot more suspicious than it felt at the time, and he says, and I quote, “A one-sided dissolution of an engagement in a public venue isn’t something that should happen in the first place.” To be fair, a lot of other authors agree, and this is hardly the first book showing the whole thing is a setup. But it’s always fun seeing Rishe be very clever and then finding that Arnold has already worked this out months ago and was waiting for her to catch up. Because yes, Rishe’s denunciation turns out to have been orchestrated by outside operators, and its goal was – you guessed it – to cause war between Arnold and literally everyone else.

Rishe and Arnold are taking in the opera, which Rishe has been looking forward to. Two surprising events happen: the leading lady collapses, and Prince Dietrich, Rishe’s old fiance, is also present at the event. Rishe is delighted to get closer to Sylvia, the opera singer, who has a reputation for a string of love affairs (and is thus highly amused at a very virginal Rishe) but also finds herself falling in love for real with one of Arnold’s guards. As for Prince Dietrich, he’s mostly an object of scorn and mockery throughout the book, having supposedly run away from home to get away from his beloved Mary, who it turns out has taken over from Rishe in trying to get Dietrich to learn how to be a good prince. That said, is that really the only reason he’s there? And is there really a spy in their midst?

The other best scene in the volume has Rishe and Arnold, walking the battlements in order to try to figure out the best way for a spy to get in, accidentally running into Arnold’s father. They only see each other from a distance, but Rishe can immediately sense the murderous aura, and her first reaction was to try to draw Arnold’s sword in order to protect him – never mind that he’s a better swordsman than she is. I expect the series will end with that final confrontation. Other than that, Arnold continues to soften up, finally giving in and realizing that things work out best when he just lets Rishe do whatever the hell she wants – though he does give her extra sword lessons so that she can properly hit flying arrows out of the air with one. Honestly, of all the couples in villainess books, this may be the best power couple.

The anime had just been announced when this came out, and it’s since aired and was a relative success. And the 6th book is out in Japan as of the end of last year, so hopefully we see it soon, cause this remains terrific.

After-School Dungeon Diver: Level Grinding in Another World, Vol. 1

By Hitsuji Gamei and Karei. Released in Japan as “Hōkago no Dungeon Diver: Nihon to Isekai o Ikiki Dekiru Yō ni Natta Boku wa Level Up ni Isoshimimasu” by GCN Bunko. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

So much about this book just made me angry. I probably could have saved myself a lot of grief if I’d just read the afterword first. The author states they just wrote this for shits and giggles, as opposed to the two titles that they clearly took seriously (The Magician Who Rose from Failure and The Magic in This Other World Is Too Far Behind!). And sure enough, everything about this has a feeling of “eh, this sucks, but lol” to it. The After-School premise is pointless since we never once see our protagonist interact with anyone from Japan this entire book. The level-grinding isn’t really true either, since he refuses to let the guild raise his rank (despite a high level) because it will force him to actually assume responsibilities. Even the art is sketchy and not that good (Sorry, Irina the Vampire Cosmonaut fans). And that’s not even getting into the cliches of this genre, which are dripping from this book’s every orifice.

Sometime before the events of this book, Akira and a friend of his tried to come up with a way to get isekai’d… and it worked! Now he can go back and forth as he pleases between Japan and this other world, which is made up of dungeons and guilds, you know the drill. As our book begins, he spots an elf… pardon me, long ears… girl who has been enslaved by a group of humans. Unfortunately, the group of humans has also been killed by a nasty floor boss, leaving Akira to kill the boss and rescue the girl. He can even get her slave collar off, which is supposed to be impossible. She promptly falls for him, in a “mild tsundere” style. Later, he meets a “tail girl” (beast girl) who is running from something that I can’t describe in this review without it becoming 18+, and he saves her too. She immediately also falls in love with him. Despite all this, he maintains an “I don’t care I just do what I want” attitude the entire book.

It would be quicker to list the things that didn’t make me groan and hold my head in my hands. Akira is that combination of “smug coolness” and “I will save everyone but pretend I’m not” that is super aggravating. Scrael the long-eared girl goes back and forth between “it’s not like I want to go adventuring with you or anything” to naked bathing with him and being surprised that this arouses him. Eldrid is basically a golden retriever in a human-ish body, and thus her immediate love for Akira is a bit ergh. He has a mage mentor who hides in his shadow all the time, who gives him dangerous assignments to help him grow and offers rewards like “I’ll let you feel me up”, which he takes. There is a serious side story about a young potion maker trying to survive in the cruel city, which just makes me angrier because it’s well written but is then followed by “lol, all Japanese okama are sexual predators!” as a gag. Oh, and the other world is gaga over soy sauce. Wait till he brings in mayonnaise.

Everything about this is meant to appeal to the lowest possible denominator. If that’s you, go nuts. As for me, I even feel less happy about the author’s other two series now.