A Tale of the Secret Saint, Vol. 11

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Michelle McGuinness.

There’s a fascinating moment towards the start of this book where, in front of most of the Saint candidates and several doctors and patients, Fia once again does something completely and utterly ludicrous in terms of her magical power. It’s meant to be played for comedy, and it is funny, but it also reminds you what an anomaly she is. Those gathered don’t see her as a Saint, as she’s supposed to be for this competition, or as a Knight, which she insists she is, but as some sort of monster or cryptid. They rear back, and some literally run away. It’s a reminder of just how different she is – and you could say how far downhill the country has come in three hundred years, but while that’s true to an extent, let’s remember what the Secret Saint Zero books have taught us, that Serafina, in her own time, was ALSO ludicrously powerful above all of the other Saints. She’s just that terrifying. (And hilarious.)

We’re still in the middle of the first round of the Saint competition, and Fia is doing what she does best, which is “helping” all her fellow candidates by doing things that no one else could do as if it was nothing. In my review of Book 10 I mentioned that she failed to cure a man who lost his legs, and theorized that would wait till Book 11, and I was absolutely correct. She’s also winning the Saint candidates over to her side – the three from the last book are in her corner, of course, but even prickly Priscilla, who has really disliked Fia until now, starts to falter in the face of her goodness and niceness. Fia doesn’t have a political bone in her body. Which is good, as it means she’s not getting influenced by any of the political wranglings going on here, but also bad, as God, she’s such a dumbass.

If you’ve read my reviews of the last few books you can skip this entire paragraph, but here I go again: God, I hate the way these books are paced. I also dislike that the last third to quarter of every volume is short stories, but I think I wouldn’t mind that as much if things were not moving so glacially in the main storyline. Look, this is a good series, I like it. And yes, it’s very popular in Japan, and has an equally popular spinoff. The anime even starts soon. But come on, I don’t want to be reading it in 2032. I want to resolve the plotlines, bring in the demons, have Fia confront her past, figure out at last which one is really Sirius reincarnated (I *think* it’s Cyril, but…), and have everyone live happily ever after. Loner Life has an even slower pace, but at least it’s nearly 500 pages per book. Make things happen!

After Secret Saint ZERO 6, of course, which should be around in a couple of months. Till them, please stand in awe of the weirdness that is Fia.

Private Tutor to the Duke’s Daughter: Tales of the Royal Academy

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi 0” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

I had tied myself in a bit of a knot trying to figure out what the header for this review should be. See, this is Volume 0, a common conceit for Japanese manga and light novels that want to do a prequel but sound cool. But it’s also getting a 2nd volume, out in Japan later this week, so it will be Volume 0-2? In any case, then I remembered that I used the subtitles for my reviews anyway so it didn’t matter. In Japan this came out the same day as the 20th volume of the main series, but you know that’s not how we roll here. But we do finally, at last, have the first meeting between Allen and Lydia. Sort of. Amusingly, the VERY first meeting between them is skipped, in order to give the book a more exciting opening scene grab showing the two of them teaming up for the first time. It doesn’t matter, we know why we’re here. For the harem. Which, yes, includes Zel.

The cover features a young Lydia, making a face that we don’t really see at all in this book. The wraparound has Stella, Tina, Ellie, etc. asking Lynne about the time Allen and Lydia were at the academy. From there we cut to the entrance exam, where Allen and Lydia are forced to fight against the headmaster in order to get in. This is fine, though. Lydia can’t use magic, but she has her swordplay, which ends up basically hitting away all magic. Allen, of course, is Allen. Both of them do very well… in fact, they do better than Princess Cheryl, which is controversial, albeit not to Cheryl or her father. Once in the academy, Allen has to deal with the usual prejudice and bullying, as does Lydia to a smaller degree. They also meet Zelbert, who is mysterious and yet somewhat pathetic right from the get go, and honestly comes across as just another character who immediately falls for Allen, just like Lydia and Cheryl. The four of them then get to take on a diabolical dragon conspiracy…

It can be easy to forget that both Allen *and* Lydia are dealing with vicious bullying most of their lives, and with Lydia there’s also emotional abuse from her extended (though not immediate) family. Lydia’s tsundere nature is here in full effect, but the arrogant confidence that she has through most of the main series is completely absent, and without Allen (who she falls for literally immediately), she simply falls apart. We joke about Allen’s dry, deflecting reaction to everyone and everything, but his narration also masks the fact that Lisa and the maids are incredibly, pathetically grateful to him for helping their shut-in daughter to achieve great things. As for Cheryl, she certainly gets more to do here than the main series, and she’s also the secondary narrator when Allen’s not around, but she mostly fulfills the function of “the normal one”, so lacks as much of an impact.

Honestly, reading this book makes me feel like a Leinster maid – not that I’m suddenly a combat expert, but that I want to take the Allen and Lydia stuff, record it, and rewatch it endlessly. Fans of the series should eat this up.

Spy Classroom: Monika’s Thin Veneer

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By Takemachi and Tomari. Released in Japan as “Spy Kyoushitsu” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Nathaniel Thrasher.

Don’t worry, this is still Erna’s arc. I’m sure she’ll get the next cover. But each of these books has featured one of the main characters going beyond, finding new ways to live, new ways to be a spy, and new ways to cope with what they are inside, and then getting ushered off the stage for a while. Last time it was Sara, who spends this volume in prison, being tortured. (I was going to bitch once more about how fiction makes people believe torture works great, but the convoluted plot this series always has makes it work.) And this volume it’s Monika, who gets what may be the best “big action scene fight” we’ve seen in this series to date, and makes the most of it. Because she’s up against Nike, who is strong as hell, smart as hell, and angry as hell. This is a good matchup for Monika, then, who is also strong, smart, and angry. And, as it turns out, they may have even more things in common.

We pick up where we left off, with everything being terrible. Sara is in prison and getting the crap beaten out of her, and we hear that she’s revealed the names of her companions. Erna has PTSD after dealing with Nike, a mental block that makes her natural twitchy mess of a self even more of a twitchy mess. And Annette… is Annette, I’m afraid, no matter how much Erna might be trying to make her see the virtue of not being a psychopath. Fortunately, there are more allies. There’s Sybilla, who accomplishes a hell of a lot in this book by just going around, helping people, and talking to them. There’s Thea, who does what she does best – having amazing sex in order to advance the aims of her nation. And there’s Monika, who sees that Nike has made Erna scared and decides that the best solution to this problem is to kill Nike. Easy peasy.

I remain impressed at how this series is handling Monika’s sexuality. It’s a core part of her character. Its illegality in her nation means that suppressing it, keeping her feelings inside, is not only natural to her but what is the right thing to do for her. And she recognizes that in Nike as well, recognizes a fury and drive that stems from a repressed love for another woman. They’re kindred spirits, and Nike even says that she’s incredibly upset Monika isn’t on her side. (There’s also Thea, who sleeps with both men and women in this book, but her arc is more about “enjoying sex is not only part of my job, it’s also great, and I’m not a slut because I have it.) I also appreciated that – finally! – we got a flashback to Monika’s heart to heart with Lily. Monika being Monika, she triers to do the “let’s pretend it never happened” thing, but Lily doesn’t want to do that. She realizes that she hates it when guys leer at her because of her body (can I read this as a tacit critique of most Spy Classroom artists – she gets more skeevy fanart than the other girls combined) and the only thing holding her back is her inexperience with love at all. Basically, I like that this series makes LGTBQ issues part of the intrinsic plot without making the romance the point or making it for fanservice.

The author says the 5th SS collection is next, but bad news, we already had that one. As a result, we have to wait to see when Yen schedules 12, which I think wraps up this arc. Good luck, Erna! And your increasingly small number of allies!