The Villainess and the Demon Knight, Vol. 1

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By Nekota and Asahiko. Released in Japan as “Akuyaku Reijō to Kichiku Kishi” by Ichijinsha Melissa. Released in North America by Steamship. Translated by Christina Chesterfield. Adapted by Arisia Santiago.

A word of warning before we begin: this is a sexually explicit book – in fact, that’s pretty much the book’s main purpose. That said, I’m not going to be reviewing the sex writing. It’s fine, particularly if you are a fan of what I believe the kids today call “dubcon”. I will say that there is, in my opinion, a bit too much of it, though honestly there’s also a bit too much of the book in general. This book is 413 pages. It’s Loner Life sized. it’s Tanya the Evil sized. That’s possibly too much, especially since I’d estimate the writing of sex scenes by themselves take up one-third of that. That said, I enjoyed almost everything about the book when it wasn’t talking sex. The exception I’ll get to, but for the most part this is a fun and amusing cast, and has a “villainess” who is having trouble just keeping up with everything.

(Don’t like the cover, which is true to the way Cecelia is described, but also makes her look like she’s been broken.) You’ve seen this plot before. Cecelia Cline has been reincarnated in an otome game as the villainess. Unlike Catarina Claes (surely a coincidence those names are so similar), she barely has time to realize who she is before her fiance the second prince is publicly shaming her and announcing he now loves Mia, a girl of much lower station. And then suddenly Cecelia is sold off to a brothel! That was fast. What’s worse, her first customer is Lucas Herbst, a duke’s son and bodyguard for the Imperial Family. Lucas has purchased her for the entire night, and proceeds to spend it… well, you can guess how he spends it. Once we get through the sex, which starts on page 20 and goes to page 58, we start to get the actual plot, and learn – surprise – that not all is as it seems, and that Lucas and Cecelia may be a couple who have more between them than just really good sex.

The weakest part of this book is Lucas – even if I did like yandere guys, which I don’t really, he’s just less interesting in general, and doesn’t have enough soft, sweet moments to balance it out. Cecelia is pretty good – most of the book is her POV, and while a lot of it is “I am freaking out in my inner monologue” style narration, we do see that she’s working hard to become a good partner for Lucas – b oth in bed and outside it. The main thing I liked, though, was the rest of the Herbst household. Lucas’ siblings are all basic variations on “smug sarcastic asshole”, only they’re both good guys, so it’s fun. Best of all are the maids, who were also my favorite part of the manga when I read it. I love assassin-style maids, and these three are also firmly in Cecelia’s corner, and not afraid to remonstrate with Lucas when he goes too far. I hope for more of them if we see a second volume.

Yes, there are at least three more volumes to this, and it was decent enough for me to pick it up. I won’t be reading it for the sex, but the sex isn’t a reason not to get it, either. Just be aware that you’d better like that “Non-Consensual/Reluctance” tag.

A Late-Start Tamer’s Laid-Back Life, Vol. 11

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By Yuu Tanaka and Nardack. Released in Japan as “Deokure Tamer no Sono Higurashi” by GC Novels. Released in North America by J-Novel Club. Translated by A.M. Cola.

I’ve mostly given up on trying to make sure these reviews don’t repeat themselves. I can manage it with books where the plot is “awkward teens in love” or “Guy with a +2 Sword of Awesome and His Catgirl Maid Harem”, but this is one of those slow life books that genuinely IS a slow life book, and it doesn’t even have the decency of being a reincarnation or an isekai. This is a game, and the only reason we know that the series will eventually end is that Yuno took two weeks off his job just to play it all the time, and eventually those two weeks are gonna end and he will presumably go back to being a salaryman. The goal here is to find new awesome things to use in the game and cute things to gawk at in the game. Well, that and to rubberneck as Yuno ends up doing ridiculous bullshit without realizing it. Let’s face it, most light novels have the reader imagine they’re the hero. We can’t even. We’re one of the schlubs gushing about the hero.

Yes, that’s a new tamed monster on the cover. After leveling up the bit of the sacred tree that he planted at his farm, he finds it summons a demon… a demon who is immediately, and really easily, tamed. She’s called (of course) Lilith, and she’s just as goofy as she looks, but she also helps Yuno with some fairly useful skills. He also manages to figure out a really obscure way of evolving his olive treant, who now becomes another wood nymph, which is to say a cute… well, a cute non-binary child. (There is a literal debate about Olea’s gender on the series’ equivalent of Reddit.) He manages to traumatize Alyssa even more just by telling her about the completely ordinary things that he’s done, which of course are anything but. And he has five of his tamed monsters create things to put up for an auction… not realizing that they will sell for ludicrous amounts to fans of Yuno and his crew.

There is a cliche in light novels that all a romantic lead has to do is be nice to a girl once and she will immediately fall madly in love with him. Here, in a series with no romance at all, we see how it actually works when you have a genuinely nice, selfless hero. At one point Yuno triggers an event where he’s thanked by the Gnome Chief for being so good to Olto, and that they should help each other grow. No one else got this event ending, and we find that’s because no one has raised the affection level of their tamed anything more than Yuno has. And he does this by involving everyone in his daily life, helping them when they need it, helping them fight, and caring about their opinions more than his own (except when they try to dress him in tacky yukatas). He cares about his tamed monsters and sees them as a family, not as cute NPCs, not as pets, and not as glorified fetishes. It makes a difference.

So yeah, still enjoying this series that is nothing but watching a guy game real good the only way he knows how.

Brunhild the Dragon Princess

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By Yuiko Agarizaki and Aoaso. Released in Japan as “Ryu no Hime Brunhild” by Dengeki Bunko. Released in North America by Yen On. Translated by Jennifer Ward.

No, this isn’t a direct sequel to Brunhild the Dragonslayer, and thank the Lord that the author decided against the weird “Brunhild wanders through Hell” plot they mentioned in the afterword. In fact, this takes place long before the first book. That said, you will find the cast of characters familiar. As if this was a Tezuka series, we see the main characters of the first book recast in the second book, as if they’re a company of actors. That said, there’s a totally different plot for the characters, and a lot of the thing that we thought we understood from the first book are upended here. The first book was about Brunhild’s revenge against humans. This definitely isn’t. Also, while the first book was more a Wagnerian tragedy, I think this one swings more Greek. It’s still a tragedy, though, believe me. Brunhild was voted the series least likely to get a 4-koma spinoff manga. That said, it is, like the first in the series, a VERY well written tragedy.

Brunhild is a priestess whose family works closely with the royal family. She lives in a kingdom that is protected by the Divine Dragon, who will keep everything peaceful and happy provided that a) no one leaves the kingdom, and b) he gets sacrifices every month. This is a problem, as the current priestess, Brunhild, is an all-loving sort who will even pick up dying children on the street and nurse them back to health, so the fact that she has to give seven people a month, mostly orphans that no one will cry over, to the dragon is a bit upsetting. She tries to talk the dragon out of the sacrifice, but he absolutely does not agree. Then she makes the mistake of staying behind to see what happens. Something if going to have to be done. And all Brunhild has is her manservant (who she picked up when he was dying on the street), her bestie Sigurd (the royal prince), and Sigurd’s good but kinda stolid guard Sven.

It’s hard to talk about this book without spoiling some very good things, but I will do my best. It’s divided into four chapters, and each of them essentially ends up upending everything we thought we knew about where this story was headed. There’s also a lot of great themes here, such as the desire to be able to trust allies and friends versus the feat that they will betray you in the end (which, trust me, gets zigzagged throughout this book), what love is and how someone can be deeply in love and never realize it just because they don’t understand what trauma is, and how sometimes you need to try to achieve an impossible dream, even if you fail badly and end up regretting everything. This book is just as dark as he last book, but it reads very easily. You’re really rooting for them to defeat evil and save everyone and… well, there is more to this series, I guess.

Yes, next time we get another book in the timeline of this country with more Brunhild. Just not this Brunhild, or the one from the first book. I’ll still be looking forward to reading it, though.