The Do-Over Damsel Conquers the Dragon Emperor, Vol. 4

By Sasara Nagase and Mitsuya Fuji. Released in Japan as “Yarinaoshi Reijō wa Ryūtei Heika o Kōryaku-chū” by Kadokawa Beans Bunko. Released in North America by Cross Infinite World. Translated by piyo.

I feel confident in saying that very few readers of this series will have gone through the same thing that Jill has. Which is good, really, because yikes, Jill once again goes through some stuff in this book. We’ve been reading the series from her perspective, and of course we know it’s a villainess-style “back in time” story, so we’re expecting a lot of fighting fate and never giving up, etc. The problem is that everyone else in the world does NOT have Jill’s perspective. And to them, this is absolute lunacy, and the Dragon Emperor is going to go mad, start a war, and destroy everything. Why on earth would they let this 11-year-old (yup, still, just assume I talked about it already) do whatever the hell she wants just because she says that the two of them are in love? Especially when that love is tested – again – and Jill is forced to once again fight for everything she’s achieved to date or else everything will be set back to the original track.

Jill and Hadis are headed off to get permission to marry from her parents, which requires essentially going through days of traps and dangerous travel because, unsurprisingly, Jill’s entire family are all as eccentric as she is. (It turns out she did the wrong test, too, because Jill is still not the brightest bulb.) Unfortunately, Jill has assumed this will mostly involve her dad saying “you can’t date my daughter, you cur!” and other wacky light novel cliches, forgetting that her family are, in fact, part of the kingdom of Kratos, and that it would be much, much easier, instead of agreeing to Jill and Hadis getting married, to start a war to get Jill away from him. Something which, to Jill’s horror, Hadis is 100% okay with.

Probably the best part of this book (aside from the ending, where Jill once again proves there’s no problem that cannot be solved by extreme violence) is how it ties back to the rest of the series. It’s paying close attention to its backstory, and has not forgotten about the other taboo subject in the series, with is Gerald and his sister starting the whole plot off with their incest. First of all, everything we’ve seen about Gerald in this new timeline makes that seems puzzling, as he just doesn’t seem the type. Then his father, who is a real piece of work, explains what’s actually going on to Natalie, who appears to be taking the role of Jill in this new timeline since Jill has abdicated. It’s not completely explained, but it’s certainly ominous, and is not helped by Faris, who appears to be about to go full evil. I also really liked the look we got at the past Dragon Consorts, and how they all tried to have a wonderful relationship with the Emperor only for it to fall apart. It weighed the tragedy and fate just right.

Assuming you kept reading past the basic premise, this is an excellent volume in the series, from an author who really knows how to make everything feel that the words “BAD END” will appear on the very next page.

Third Loop: The Nameless Princess and the Cruel Emperor, Vol. 2

By Iota AIUE and Misa Sazanami. Released in Japan as “Nanashi no Ōjo to Reikoku Kōtei: Shītagerareta Yōjo, Konse de wa Ryū to Mofumofu ni Dekiai Sarete Imasu” by M Novels f. Released in North America by Cross Infinite World. Translated by JCT.

I always enjoy it when a series with an “artifact title” manages to find a way to work it into future volumes regardless. An artifact title is when you title a book or a show after something that happens at the start that gets fixed, and you’re then left with that title even though it really doesn’t make sense anymore. See, for example, The Ideal Sponger Life. Third Loop was an obvious candidate, as the Nameless Princess gets a name at the end of the book: Angelina. As such, well, how is she nameless? This ssecond volume, though, comes up with something quite clever: people are calling her “the Polaris Princess”, but are seeing her as her title or her power rather than as a four-year-old girl. (To be fair, she’s mentally a lot older… well, kind of.) So she once again has o deal with enforcing her identity upon those who would deny it. Luckily, she has friends.

We’re coming up on a ten-day celebration and ritual for her older brother Kyril. Naturally, having won over everyone in the first book, Angelina will have a large role, despite being four years old. Indeed, one of the main parts of the ritual HAS to be done by her, as the Emperor, um, sort of killed off every other women in his family to ascend to the throne. As one does. That’s not the only issue she’s facing. The goddess of the Heavenly Sovereign Temple has descended for the ceremony, and she does Not Like Angelina At All. There’s also the issue of some wells in the commoner part of the kingdom freezing up… in high summer. Could this be related to the demon tribe that their nation has been at war with, who have arrived seemingly just to be jerks? And can Angelina really solve everything by gumption and cuteness?

Well, nearly. As I alluded to above, this series is not really very good at making Angelina act her age. This is not an uncommon problem with time loop or reincarnation stories that start with them as a baby – technically they should act like they’re in their thirties, but the reader wants to see her be an adorable kid who lisps when she gets stressed. But maybe that’s the way to keep her from being too OP, as it’s clear that Angelina being adorable and forthright solves almost every problem in this book. It’s how she gets gods on her side. It’s how she deals with introverted royalty, insecure priestesses, and her bodyguard and best friend. She’s weaponized being cute as a button. (Perhaps too much – I could have done without the standard “overprotective dad” joke where he worries his four-year-old girl is running away to get married.)

So yes, flawed. But honestly, if you’re hear for the cute? You can put up with a lot of flaws. And the gumption and forthrightness is also excellent.

Villainess Level 99: I May Be the Hidden Boss but I’m Not the Demon Lord, Vol. 5

By Satori Tanabata and Tea. Released in Japan as “Akuyaku Reijō Level 99: Watashi wa Ura Boss Desu ga Maō dewa Arimasen” by Kadokawa Books. Released in North America by J-Novel Club. Translated by sachi salehi.

The anime has now finished, and it ended up being a fantastic advertisement… for the manga. Great news for that, but as for the light novel, I think anyone who enjoyed the anime and reads it is not going to be anything other than pissed off. That said, I think the author, now that they are aware that this won’t be a short series, is trying to do something beyond “Yumiella is wacky and dumb” over and over again. For the first, oh, 4/5 of this book, we get a deeper Yumiella, who actually thinks and makes realizations that are actually correct. Admittedly a lot of this is because she spends a great deal of the book depressed, but it’s still a positive development. She’s dragged into politics that have been simmering since the first book, and does OK… well, till the last fifth of the book, where Yumiella reminds us who she is. Sigh. It was nice while it lasted.

Yumiella is supervising (well, not really) the building of several new structures in her territory in preparation for her upcoming wedding when she is lured to the capitol, supposedly to build cool sentai armor, but in reality to be fitted for her wedding dress. The one-two punch of having to endure the fitting and discovering that anime giant robot physics don’t apply in this world sends her into a funk, which is not helped by Eleanora – spotted in the capitol – being dragged into a dispute between the radicals and the moderates… which she only just now realizes was framed to her by those who support the moderate side. Now both sides are grappling for power, and are trying to use Yumiella’s position to get it, reasoning she is sensible enough not to punch people to death. Which is true. That is the end of the sensibility.

Let’s get the terrible out of the way first. Everything about the final bit with Yumiella and her parents is pathetic and awful and unfunny, and it does not help that everyone in the story agrees with me. Ugh. Leaving that aside, I did enjoy this. Yumiella is more sensible until the denouement, something she even notices herself. She also is starting to examine her own habits and thought processes and find them wanting, especially when it comes to observing others. That said, Eleanora is easily the reason to read this. The running gag in the book is that Eleanora, the duke’s daughter, is not the same person as Eleanora, the girl everyone knows is living with Yumiella. But that’s also very true – Eleanora has grown up. She is using her own special talents to help businesses. She’s mature enough to criticize Prince Edwin and even say that his own morose moping makes her hate him now (though she later melts down after realizing what she did). She’s terrific. Yumiella… ends up backsliding, alas.

It was nice to see the book wade back into the politics of the first two again, and it’s still fun to read, provided you completely separate it from its adaptations.