I Could Never Be a Succubus!, Vol. 4

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By Nora Kohigashi and Wasabi. Released in Japan as “Watashi wa Succubus Ja Arimasen” by Hero Bunko. Released in North America by J-Novel Club. Translated by Roy Nukia.

Once I’ve reviewed about two or three volumes in a series, I really should not have to worry about new readers when I write these things. New readers are not going to start a title like this with Vol. 4, it’s only going to be read by those who read the first three volumes. That said, I also know there are some folks who read my reviews just as a matter of habit, and may not know about this series. So, as such, fans of the series can skip to below the cut. Everyone else: Christ alive. This volume is absolutely drenched in “ha ha, pedophilia is funny!” humor, and you cannot escape it. There’s no actual pedophilia in the volume, the humor is all “a 12-year-old has a crush on the 19-year-old guy who saved her life, and the entire cast proceed to drag him for being a pedophile (and yes, the translation uses that rather than lolicon) over and over and over again, to the point of arresting him. But, again. This series is like that in general, about everything.

The humans and the demons, after the events of the last book, are holding a peace conference. This means the arrival of Princess Sylphonia’s siblings: older brother Anzel and younger sister Remiphinia. What’s more, Remiphinia is specifically there to meet Wolfe, who saved her life three years earlier when she was kidnapped by the demon forces. She’s fallen for him hard, and tries to get advice on how to make herself attractive to him (don’t be twelve, kid). Meanwhile, the main cast do a maid cafe… including Miter, who it turns out looks really good dressed in women’s clothing. Unfortunately, not everyone wants the humans and demons to make peace, and those who desire the extermination of all demonkind may be closer than the royal family thinks…

Liz is still, of course, the star of the show. For once she doesn’t get a late in the book power-up where she gains her memories briefly. Instead, throughout the book, her true self is just seeping through more and more, to the point where she’s unable to stop it most of the time. Taking photos of everyone as maids, giving salacious suggestions on how the young princess can get her man, or just using her forgotten hero training to perform superhuman acts and save the day, the line between the Liz who’s a student at the academy and the Liz who’s a horny succubus with insane power is growing thinner and thinner. That said, I’m not expecting her to be back for good until the end of the series, so it’s mostly just tease. As for the rest of the book, if you ignore everything about Remiphinia and Wolfe, it’s fun and funny, exactly what readers want. And, if I’m being honest, most readers of this series probably laugh at the pedophilia “wacky” humor as well.

The book has a cliffhanger that will presumably tie into the next in the series, which promises to have 100% more catgirls than this book. I the meantime, if you love maids or precocious twelve-year-olds, this is fine.

From Desk Job to Death Beam: In Another World with My Almighty Lasers, Vol. 1

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By Nekomata Nuko and Cut. Released in Japan as “Saikyō Death Beam o Uteru Salaryman, Isekai o Yuku” by HJ Bunko. Released in North America by J-Novel Club. Translated by Nolan Good.

“Excuse me, sir? Can I interest you in reviewing a fantastic debut light novel?”

“Aren’t you Aqua from KonoSuba?”

“Don’t be silly, sir, I’m nowhere close to being as well-written as Aqua!”

“…uh-huh. What do you have?”

“This is a new series about a young man who’s accidentally killed by a beautiful young goddess–”

“You?”

“(clearing throat)–and is transported to a new world with fantastic powers!”

“…what makes this different from 80 other books?”

“It has laser beams and beast people!”

“There are many other books with beast people, but I’ll grant you the laser beams. So he basically has a cool gun?”

“Oh no, his lasers can also be a shield, a broomstick so he can fly, they can heal, they can clean…”

“So it’s an “I can do anything I want” power.”

“But with laser beams!”

“And he struggles to get by and goes through character growth?”

“Oh hell no, he’s far too powerful for that! Everything is solved by the laser beams!”

“…and the beast girls?”

“Are totally in love with him, of course! One is plucky and one is tsundere!”

“Two girls.”

“Two girls SO FAR.”

“And he wins them over by…?”

“By being the only person who’s nice to them! And by stroking their ears and tails!”

“Which are erogenous zones, I’m gonna guess.”

“…only the tails?”

“How about slavery?”

“No slavery!… sort of.”

“?”

“OK, the beast people are treated like crap, and it’s legal to kill them, and they’re barely paid anything, and they are worked to death.”

“…so slavery without the actual slavery.”

“Oh, and there’s a bad guy! He’s horrible, a real loathsome person with no redeeming features!”

“Well, we know how much I love those guys.”

“Right?!”

“(stare)”

“(clearing throat) Anyway, you always talk about things you liked, what about it?”

“So we’re assuming that I read this while you were prattling on?”

“Yup!”

“The idea of a man that is so depressed about his current life that, when offered a new life, decides “no thanks”, is interesting…”

“Isn’t it?”

“…that is, until you brainwash him into only thinking of it occasionally because he’s too busy being obsessed with lasers and beast girls.”

“And collecting!”

“And collecting, yes, because apparently the whole book was based on the “pick three random words and write a story about it” meme.”

“Anything else?”

“The identity of the main villain – his actual identity, that is – made me smile for reasons that would spoil it, and his grand plan was grotesquely overblown to such an extent that I was briefly impressed, at least until our hero proved that there’s nothing he can’t defeat with the power of lasers.”

“And?”

“That’s it, really. I ended up being reminded of Rearguard, but Rearguard reveled in its ridiculousness, whereas this is content to merely be a run of the mill OP fantasy.”

“…really, that’s all you got?”

“I guess if pressed, I could say that reading it made me decide to write a review in this format. Will that do?”

“Hrmph. See if I bring you “The Boy Who Ruled the Monsters” in a month!”

“…yeah, I was planning on skipping that anyway.”

“Waaaaaaaaahhh! Kazuma, Sean’s being mean to me!”

“I thought you weren’t Aqua?!?!”

Raven of the Inner Palace, Vol. 7

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By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason. Adapted by T. Burke.

Probably the most startling thing about this final volume of Raven of the Inner Palace is how little Jusetsu is in it, and when she appears, it’s not really her actions that save the day, just her actual presence. She’s spent her life being a vessel for a higher power, and being involved in a God vs. God battle is something that she has to get dragged into or else bad things will happen. But it’s not what she herself wants. Honestly, I think she’s still flailing around trying to figure out what she wants until this final volume, and it’s not saving the day and unleashing her inner raven. Nor is it headed back to the palace to deal with the unstated romantic feelings she and Koshun have dealt with since Book 1 – that ship has run aground already. That said, we do get to see the resolution of a ship, sort of – the trouble is that it’s Jusetsu/merchant marine life. Which, refreshingly, is not what anyone was expecting.

This book is essentially divided into two plotlines, one on and going to the island, and the other up in the mountains. They’re actually mostly completely separate. We already know about Jusetsu, who needs to somehow get past an underwater volcano exploding to get to the island so that she can reunite the two halves of the raven. She’s got to do this despite the turtle god resorting to threats, more threats, and possession in order to win the day. The other half of the book is still drenched in Saname family drama, which we already got a heaping helping of in the last book. Ko has been sent by his father to use the mountain tries to incite a rebellion, which won’t succeed, but will mean that they’ll have to kill Jusetsu in order to calm everyone down. If you think this makes no sense, well, it doesn’t make much sense to Ko either, but it’s hard to go against Daddy.

I’ll be honest, this book was not quite the big finale I was hoping for. As noted, Jusetsu is just present rather than active for the battle, which makes sense but is dramatically unsatisfying. Likewise, there’s no rebellion, because in the end the stability of the country is more important than an old man trying one last time to exercise his power. And yes, Koshun has almost been the co-protagonist of the series, and so seeing him so uninvolved in the finale – he doesn’t leave the palace – makes sense but is dramatically unsatisfying, the second time I’ve typed that. I did like Jusetsu’s career choice – she can’t stay in the palace, after all, especially not with an Empress and two kids from other wives – and so traveling the world and seeing other cultures makes sense. And I’m delighted she takes her entourage with her – I love Jiujiu.

So yes, something of a mixed bag finale, but overall this was a good series, and a worthy addition to “intrigue in the inner court of the emperor” genre.