From Two-Bit Baddie to Total Heartthrob: This Villainess Will Cross-Dress to Impress!, Vol. 1

By Masamune Okazaki and Hayase Jyun. Released in Japan as “Mob Dōzen no Akuyaku Reijō wa Dansō Shite Kōryaku Taishō no Za wo Nerau” by TO Books. Released in North America by J-Novel Heart. Translated by Caroline W.

If I had a nickel for every villainess book that I read and thought that it was clearly influenced by My Next Life as a Villainess… well, I’d have about 50 cents or so. Which is still a lot! Fortunately, most authors know that they can’t simply straight up photocopy Katarina Claes onto the villainess of the hour, even as the whole “reverse harem starring a clueless protagonist who does not realize what she’s doing to the rest of the cast” plot is present and correct. Katarina is the cheerful, empathic oblivious type. Someone like Yumiella is the stoic, overpowered oblivious type. And now we have Elizabeth Burton (a name as subtle as you’d expect from someone with the pen name Masamune Okazaki), who is also strong, and also cheerful, but goes in a totally different direction. That’s her on the cover. In the center, between the two pretty guys. Does that means this is trans? Or yuri? Well… not really? Not yet?

So yes, as is standard for this genre, Elizabeth Burton eats a horrible bell pepper one day, which triggers memories of her past life in Japan, where she was a fan of the otome game “Royal LOVERS”… where Elizabeth Burton, the fiancee of the second prince, was a minor villain who was doomed, in the second prince’s route, to be rejected and likely live her life alone and unloved. Well, that just won’t do. Unfortunately, all the love interests in this game are bishonen, so she can’t exactly compete once the heroine inevitably arrives in ten years’ time. So Elizabeth, showing a startling, terrifying lack of common sense, decides to cut off her hair, dress in a boy’s outfit, get really buff and strong, become the perfect handsome playboy, and seduce the heroine. Oddly, her family and the kingdom put up only token resistance. That said, she has a problem: the love interests don’t care if she looks and acts like a man. They’re smitten.

Is this yuri? Not really. The heroine only shows up at the very end to be the cliffhanger. What’s more, Elizabeth has put ZERO thought into this beyond “seduce the heroine”, has no plan for what happens after that, and denies at first that she’s gay… then backs off and says she’s not sure. Is it trans? Not really that either. Elizabeth, aka Lizzie, dresses and acts like a boy but uses her real name, never denies she’s a woman, and gets annoyed when other people try to call her a man. Is this a weird little genderqueer thing? Boy howdy yes. She doesn’t fall for anyone here, thought Edward (the first prince, who is the ‘beautiful but sickly’ sort) comes close to breaking her facade, but the three male love interests (I’m ignoring her adopted younger brother) certainly fall hard for her… to the point that they all dress in women’s dresses at the big dance in the hopes of attracting her. Again, while this gets some shocked stares, there are no repercussions and no real opposition to it. It’s mentioned that men will get married but have male lovers (women with female lovers is NOT mentioned, I note). Basically, this world seems very casual about a lot of things.

I spoiled myself a bit by looking at the (still ongoing) webnovel, and the second book in the series should bring us a bit more yuri as not-Maria Campbell hits the scene. Till then, temper your expectations if you want this to be anything other than “reverse harem with clueless heroine”, but the heroine herself makes it worth the read.

Young Lady Albert Is Courting Disaster, Vol. 7

By Saki and Haduki Futaba. Released in Japan as “Albert-ke no Reijō wa Botsuraku o Goshomō Desu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Ray Krycki.

Sometimes tropes are so omnipresent that I automatically assume they’ll be there, and I get tripped up when they don’t actually happen. This volume kicks off its plot when a young girl shows up, with red hair the color of Adi’s, and says that he’s her father. Naturally, my first thought was: girl from the future. This is despite the fact that she clearly doesn’t recognize Mary, Alicia, o the rest of the cast. But no, there is no time travel here. Instead we are once again dealing with a more common light novel subtrope, which is the idea that if you’re going to be a noble, you’d damn well better be a GOOD noble who cares about others. The actual backstory for this girl is more down to earth – she’s from a country that doesn’t give a crap about its poor, and it broke her family apart. This infuriates Mary and Alicia, who by their nature are shiny, honest people and can’t stand the idea of abusing power. Even if it’s justified in their head.

The other major plotline in this volume is that Mary Albert is pregnant. This is a happy surprise for her and Adi, but it’s also something they want to keep under wraps for the time being, as there are certain people who will make far too big a deal out of it. Like, new national holiday big. Fortunately, this strange little girl arrives and proceeds to distract everyone as they try to figure out whose child she is (I appreciate the fact that everyone knows Adi is so in love with mary that there’s no way it’s his secret child). Unfortunately, when they find out her exact circumstances, a field trip is in order. Which also consists of her brothers. And Patrick and Alicia. And Parfette and Gainas. And they all converge on one unfortunate lord who believes wholeheartedly that breeding is everything and poor people deserve to be abused. The odd thing is that he believes it to an extreme degree, rather than just being plain old evil about everything.

One thing I really appreciate about Mary Albert is that, despite being reincarnated in an otome game, etcetc., and being generally a very nice person, she is allowed to *behave* like an arrogant villainess, snikping and grumbling at people and acting like she’s going to let out with an OHOHOHOHOHO any moment – though she never does so. In a world with ditzy villainesses, acting villainesses, villainesses with PTSD, it’s nice to see one who doesn’t have a complete personality change even as she plots her doom. Actually, the plotting her doom thing seems to have gone well and truly tits up in this book, as her brothers renounce their claim to the head of the family, leaving it for her. This is unsurprising, but I think she’ll do a good job. I do appreciate how, even now that we’re close to the end, she still cares a lot about what happens to her fantasy fried chicken restaurants, and worries now that she’s given it to twisted friend 31 and twisted friend #2. (I worry as well.)

The next book is the last. I’ll miss this series, one of the first villainess books to come out in Japan. It was overshadowed by Bakarina, but Mary Albert accomplished a lot more. I wish her and her husband and her second and third wives well. What, they’re not her wives? I feel evidence suggests otherwise.

The Evil Queen’s Beautiful Principles, Vol. 2

By Reia and Haduki Futaba. Released in Japan as “Akutoku Joo no Kokoroe” by Kadokawa Books. Released in North America by Airship. Translated by Faye Cozy. Adapted by Abigail Clark.

I will admit, the direction of this second volume surprised me. I was expecting there to be a lot more struggle against the evil families who were behind her parents’ death. I was expecting at least one betrayal from a close ally I got none of that. If anything, her revenge was nearly pitch-perfect. But what I’d forgotten is that this second volume is also the final volume, which means that the revenge can’t be the point. The point is Luxeria’s own character growth, and also whether this book turns out to be a tragedy or not. It’s touch and go for a while, and you can argue that the resolution is a bit out of nowhere. But I think it’s thematically appropriate. A queen who has been unable to trust anyone, whose only friend was damaged because of her, whose true love she had to (supposedly) kill. The big question is here not will she get her revenge, the big question is whether she’ll survive it.

After the shocking coronation events, Luxeria is determined to continue investigating the other marquess houses to find out what skeletons they have in their closet, and also to prove what she already knows – that they killed her parents. That said, there are also more dangerous things going on. Children are getting kidnapped all over the land, and it might have something to do with the mysterious circus that’s always in town when it happens. Some of the marquesses are garden-variety assholes, one of whom is so banally evil that his own wife, on finding he’s been arrested, gives all the evidence they need to execute him, then drinks poison so she can end her terrible life. Worst of all,. there’s still the fact that Luxeria’s magic is slowly killing her, and all the allies that she has around her can’t save her because she’s mind controlling them into forgetting she has symptoms at all.

The title is not just for show here. The queen absolutely goes to town on everyone who was plotting against the royal family, be it actual assassination, or merely garden-variety apathy. The heads of family, and all their relatives, are executed. One or two folks turn evidence against their families, so she lets them live, but they have their identities magically changed, and they can’t even reveal their new self to their best friends. And this all weights heavily on her. Even as she is surrounded by people who are helping her, who share her hopes and dreams, who love her, she cannot help but see herself as walking a path to damnation. There are odd moments in this book where she just starts laughing maniacally out of nowhere, like a stereotypical “villainess”. But that’s what she thinks she is. She wants to feel exultation that she’s managed to avenge her parents, but she just feels empty. It’s all performative. Fortunately, thanks to the two people closest to her (and oh my GOD I wish we had an OT3 here, but alas), the worst case is avoided, but this book gets pretty dark.

It ends happily, though. Probably a little TOO happily. But hey, I’ll forgive it, since it’s the last book. Short and not-so-sweet.