The Crown of Rutile Quartz, Vol. 2

y Surume Enoki and ttl. Released in Japan as “Rutile Quartz no Taikan: Ō no Tanjō” by DRE Novels. Released in North America by J-Novel Club. Translated by Alice Camp.

Siiiiiiigh. Great, another attempt to review a book which is “okay, I guess”. Again, it would be so easy to paste the review of the first volume here. It’s a decent read, it held my attention, the battles are well-done, and I like Slaine as a character. But it’s again using a fantasy world as an excuse to get people to read a generic military history book, and Monica, Slaine’s lover and later in this book wife, is painfully undercharacterized. The book is happy to have her there to cheer Slaine up and pat his head, as well as glare at anyone who does anything vaguely insulting to him. And that’s really about it. She reads like a prize, which, honestly, I thought authors knew better than that now. On the bright side, the court mage is shown to have another woman as her partner, and even if gay marriage isn’t legal in their country, they call each other wife and wife. Maybe Slaine should do something about that in between fighting to save the kingdom.

Slaine and Monica are now lovers, which you’d think would be an issue given her low noble status, but as it turns out the kingdom’s nobles are balanced so precariously following Slaine taking the throne that everyone’s actually okay with Monica being the Queen provided her family doesn’t get extra perks – well, at least publicly acknowledged extra perks. Meanwhile, Slaine’s reign is still regarded as “laughable” by far too many people, and so he suffers an assassination attempt, then an invasion by a noble who regards him as beneath contempt because he was a commoner… and finally by the Third Prince of the Empire, Florenz, who was behind the noble’s attack in the first place and who seems to think that invading will be easy from their impregnable fortress. Can Slaine perhaps make that fortress less impregnable?

The men in this book fare a bit better than the women, though honestly only three characters really stand out, and one of them is Slaine himself. We get two varieties of “evil ruler” here. Julius is the sort who’s actually good to his men, and goes out to fight with them, etc. The ‘noble bigot’ sort. The bigot coming because he is deeply,. deeply classist to the point where he’ll gladly go to war over it. This goes badly, mostly as Slaine has very well trained troops who know how to perform obvious sucker moves without making them LOOK like obvious sucker moves. Then we get the third prince of the Empire, who is the ‘entitled dickhead’ sort of villain, who assumes that anything he does can be taken care of after the fact provided he wins… and then when he loses literally goes mad. I did like Slaine’s idea for how to take the impregnable fortress, which felt very much like him, as opposed to “tactics that we’re supposed to handwave the enemy couldn’t think of”. More cleverness, less pushing soldiers around on a map, please.

This comes out slowly, so I’m not sure when the next volume will be. And it’s a DRECOM title, so who knows if the third is the last. The webnovel suggests 7 books in total. I’ll read the next one, though. Even though I’ll go “that was all right, I guess” at the end.

High School DxD: Mages of Career Counseling

By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

I’ve said before that this is a series where you come for the boobs and stay for the worldbuilding, but if I’m being honest this is a series where you come for the boobs, stay for the boobs, and there is also worldbuilding. This series is never going to shy away from what its readership wants. Sona Sitri plays a major role in this volume, and you’d expect a color page showing her, say, directing the combat against the mages as she does towards the end. Instead, we see a shot of her cooking in an apron and panties, whipping up cake batter in a way that leaves her covered in white goo. Needless to say, this scene does not exist anywhere in the book. I think the artist thought that this book had too much actual fighting and a lot less service, which is… wrong given that we see seven naked or near naked girls in Issei’s bed during this, but also correct. This is a more serious volume.

Issei is back from the dead, though most of the girls around him are still traumatized by his death, to the point where EVERYONE is sleeping in his bed at night. Meaning he has to sleep in a chair. Yeah, sorry, still no sex here. In the mean time, stuff continues to happen even though Issei is recovering and Draig is still inactive. He has to train to get better, as to the rest of Rias’ peerage. They’re all being buried in offers to work with mages, and they have to filter down to the actual good offers, which includes a former enemy, Le Fey Pendragon. And there’s a war between vampire clans, and one of them shows up and tries to bully and blackmail Gaspar into joining them or else his childhood friend will fall into darkness. Needless to say, that really does not go over well, and Rias and Kiba head off to negotiate with the vampire clans in Europe. Which means they’re not there when rogue mages kidnap Ravel, Koneko and Gaspar…

Generally speaking fantasy light novels tend to start off with mages in Book 1, then work their way through vampires, and finally end up with angels, demons, and wars in heaven. High School DxD is not afraid to do things ass-backward, of course. Nor is it afraid of asses, though Issei prefers boobs. Seriously, though, this is a clear transitional volume, setting up the table for the plot that will likely carry through the rest of the series (which ends at Book 25, though yes, there’s a “sequel” that just continues it). We get to see some characters show off their talents. sometimes comedically (poor Asia, though at least Issei promises to be with her forever), and sometimes seriously (Ravel, who makes it as clear to Issei that she is in love with him without saying the words, and he reacts… like Issei would, of course. “Please be my manager forever” will have to do for now). And there’s a really cool final battle, and some cool new bad guys, who are very bad, and also related to the cast – literally in one case.

So yeah, we’re back and ready to go!… what? More short stories next time? Oh, *half* a short story volume. I have no idea what that means. Anyway, next time I hear Irina gets something to do. Looking forward to that.

Rascal Does Not Dream of Santa Claus

By Hajime Kamoshida and Keji Mizoguchi. Released in Japan as “Seishun Buta Yarou wa Santa Claus no Yume wo Minai” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

You know, Rascal Does Not Dream turned into a horror series so gradually, I didn’t even notice. Oh sure, each volume has had its share of horror and suspense – far more than you’d normally expect from a high school romcom. Starting with Mai potentially disappearing and Sakuta’s horrible scars, each volume has sometimes looked deep into the abyss. But I don’t think we’ve had a volume lean quite so hard into actual horror than this one. Even Vol. 6 and 7 was meant to be a tragedy, not horror. Here we get the ongoing Touko plot blending into loss of identity, and over the course of the book we realize that it’s not just Nene who’s dealing with the loss of identity, but A LOT of other people. And now they’re all invisible Santas. And they’re trying to kill Mai. As I said. Creepy as hell. Sakuta manages to resolve the immediate issue this time around, but only by getting physically injured to protect his love. Also, the ending is not reassuring.

Sakuta has a Christmas dream that Mai is singing at a concert, then announced publicly that she is Touko Kirishima. What’s worse, a whole lot of other people had similar dreams. Other, more disturbing dreams are also happening. Kaede dreamed she had reverted to her alternate self again. Futaba dreamed that she and Kunumi were on a happy date together, which is ominous given that he’s still together with Kamisato. And Mai… didn’t have a dream at all. It all has to relate to the Santa-wearing Touko, and Sakuta spends most of the book looking into Touko, as well as the girl he thinks she is, Nene. The answer to how to solve her problem is a lot closer to Sakuta than he thinks, but… is that really the actual problem? Is he just treating a symptom? And what’s with the dream of Mai getting injured and falling into a coma?

As I said, there’s a lot of scary stuff here. Particularly the ending, showing Mai surrounded by about 100 Santa-clad Toukos that no one else seems to be able to see. I did enjoy the wrapup on Nene’s plot specifically, but it also made me wonder how she and all the other Toukos are meant to reintegrate into society after having “vanished” for about 10 months. The book, unsurprisingly, decides to elide over that. I also enjoyed seeing the friendship/codependent helper relationship that he and Ikumi have, is only because it’s just nice to see him have someone reliable to talk to who can help deal with everything even when no one else can. And, honestly, that may end up tying into the next book. Because anyone who thinks the next book is not going to start with Mai saying that she’s Touko is fooling themselves. The whole volume is a setup for that.

There are two books to go, and they come out only two months apart (the final one is in October in Japan), so Yen may wait and try to release them the same way here. The identity of the antagonist is not hard to guess (hint: what major girl hasn’t got a cover yet?) but I have no idea how it’s going to resolve. In the meantime, there is fun banter here, I promise, but it’s getting thin on the ground.