My Daughter Left the Nest and Returned an S-Rank Adventurer, Vol. 11

February 1, 2024 by Leave a Comment

By MOJIKAKIYA and toi8. Released in Japan as “Boukensha ni Naritai to Miyako ni Deteitta Musume ga S-Rank ni Natteta” by Earth Star Novels. Released in North America by J-Novel Club. Translated by Roy Nukia.

Last time I said that Book 10 felt like an epilogue, and technically this one should as well. The first 3/4 of it or so is basically everyone being chill. Ange and the others in her party are in the city, but they’re coming to visit in the fall at last, after trying several times. Meanwhile, Belgrieve has settled down with Satie and is busy trying to learn how to start a new dungeon and become a guildmaster, leaving the caring of his many adopted children to Charlotte and Byaku, the oldest of said children. There’s lots of loving descriptions of the seasons, or people watching, or reflecting on the passing of time, which we’re used to. There is one slight issue. Ishmael shows up again to greet Angeline, and unfortunately the reader is the only one who knows who he really is. So really this entire volume is being a little frustrated at all the chill and wanting to shout “hey, he’s the bad guy!” at the characters.

So yeah, Angeline is fine until she meets Ishmael, who is carrying around, for some reason, a small part of a branch from an apple tree. Touching this starts to give Ange terrible nightmares which she can’t remember afterward, but which we see some of: they’re showing how awful life was for Percival, Kasim and Satie after their party broke up, and also the occasional flashback to the same scene we’ve seen since the start of the series, a demon eating Belgrieve’s leg and destroying his adventuring career. All these nightmares are causing Ange to be exhausted when awake, and her skills are suffering. So, at the suggestion of not-at-all-secretly-evil Ishmael, they all pile in and head off to Turnera for the fall festival. Unfortunately, when there, Ishmael throws off his (very good) Scooby Doo disguise to reveal he’s Schwartz, and that all this is part of his master plan, which requires Ange to be completely, 100% broken.

Despite begging from some folks, I’m not going to reveal the big twist in this book which made me swear on Twitter. I will note that it’s not Bunny Drop, it’s a normal twist that fits in well with the book as a whole, and Ange and Bel remain daddy-daughter in the good way. But I like how it made sense. We know Ange is a demonic creation, as does she and the rest of her party, but since she’s human presenting and also a really good kid, no one really stops to think when she begins to be sick, get depressed or have nightmares “hhhrrrm, I wonder if this is due to our missing bad guy?”. And why should they? Last volume was an epilogue with a wedding! But it makes the surprise hit harder, and gives Ange and Bel an even stronger connection – for good and ill, obviously. As for the actual end of the series, it’s pretty open-ended, and we could see more if sales permit, but finally ALL the main plot points are wrapped up, so ending here is just fine.

In the end, this is a very enjoyable, fun series with a bit of dark drama in the middle and end to keep things interesting, and I also appreciate that it gives us a series with an adopted daughter being raised by her father figure that STAYS that way. Fantasy fans, or anyone who liked the anime, should read this.

Filed Under: my daughter left the nest, reviews

I Shall Survive Using Potions!, Vol. 9

January 30, 2024 by Leave a Comment

By FUNA and Sukima. Released in Japan as “Potion-danomi de Ikinobimasu!” by K Lanove Books. Released in North America by J-Novel Club. Translated by Hiroya Watanabe.

Again, I am trying to figure out the ideal audience for this series. First and foremost, it needs to be someone who is there for overpowered girls doing whatever the hell they want however the hell they want it, with money and powers being no problem. This is the core of all three FUNA light novel series. Secondly, you need to be really tolerant of underaged girls being cute. There’s no real fanservice in these books (which there has been in MMAA), mostly as the art style is so cartooney and abstract, but but it’s pretty clear we’re meant to go “aaaaaw, cute girls” for 200 pages. And, of course, the core audience has to enjoy seeing men get completely humiliated. This is especially true of Potions, where entire arcs consist of nothing but “completely destroy that guy who did me wrong until he cries and passes out”. If you are all three of these… well, you should also be reading Kuma Kuma Kuma Bear, but yes, Potion Girl is right up your alley.

We pick up where we left off, with KKR trying to organize the downfall of that one scummy merchant guy. Which they proceed to do, and then they go after someone else who Kyoko hired to manage her store while she was away but who turned out to be sneaking a peek at her stock to try to replicate it. And then they go after the guy who hired the guy to do that. And then they go after the guy who employs THAT guy. It is a TAD ridiculous. More annoyingly, at least for the KR part of KKR, Kaoru disguises herself as the new girl she’s trying to make into a holy saint, does ludicrously impossible things while saying “I’m not suspicious”, and then assumes no one will say anything. This is said to be because of her soft nature, and fair (she was upset an innocent guard had his tendons cut), but overkill. Which, admittedly, is what the plot of this book is.

Pardon me if I get back onto a high horse I have gotten on before, but the orphans in this book drive me ding dong up the wall. It’s possible that they’re meant to be a parody of this trope – Potion Girl is so bonkers most of the time it’s hard to tell what it wants us to take vaguely seriously – But man, I hate the way this series, and FUNA’s other series, and, yes, Kuma Bear, treat orphans as “yay, child workforce!”. The implication is that with wages and benefits, they’re much better off than they were before. But the side story here shows the kids genuinely traumatized by the very idea of not working every hour of every day for their “savior”, and going so far as to frame work activities as “playtime” to slip through a loophole in Kaoru’s rules. This is meant to be amusing, but all I could think is: these kids need a therapist.

No FUNA series goes quite as hard as Potion Girl in terms of making you grab your head and shake back and forth. Recommended for those who know.

Filed Under: i shall survive using potions!, reviews

Is It Wrong to Try to Pick Up Girls in a Dungeon?, Vol. 18

January 29, 2024 by Leave a Comment

By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by GA Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

There’s no getting around it, this book is punishingly long. Not just because it’s 500 pages, though that is absolutely the case. It’s because it operates on the usual way that Omori writes giant action set pieces, which is to say “always darkest just before the dawn”, where the first part is the darkness, and the second part is the dawn. And because this is about 500 pages, it means we get about 175 pages of “darkest” in this book, which is a whole lot of time spent watching every likable character in the entire series getting the shit beaten out of them by Freya Familia. After a while I was tempted to do a search of the digital text I was reading for “Lyu”, because, not to spoil too much, but she is noticeably absent from the first half of this book. Which… is for the best, as apparently there was a whole Lyu side-story in this book originally, but it would have made it 650 pages, so the publisher said no.

It’s a battle royale between Freya Familiar and Hestia Familia. Unfortunately, Loki’s team has been forbidden from participating, and Ais has been forbidden from even SEEING Bell till this is over. As a result, once again, no one wants to team up with Hestia except her immediate friends and allies, even though the entire city is furious at Freya Familia for the events of the previous book but none of them are furious enough to be part of what is obviously a losing battle. The guild has basically said “this will end with Freya taking Bell, deal with it”. The battle itself is “hide and seek”, where all the involved Gods are wearing flowers and hiding, and the opposing team has to find them and remove the flowers. Of course, Freya Familia being who they are, they figure out a way to turn it into “beat the shit out of everyone” anyway.

Of course, the payoff is worth it. There are so many “punch the air triumphantly” moments in the back half of the book it’s impossible to list them all, with my favorite probably being the complete participation of the waitress staff at Fertility. We’ve been slowly getting everyone’s backstory over the last few books, so it’s wonderful to see it pay off, but the main reason that it works is because of Freya. Or rather, Syr. The issue here is not so much dissociative identity disorder but rather a milder version of what Sayo did in Umineko, and the resolution is that Freya has to accept that she and Syr are in fact both part of the same individual. No one wants to save Freya, frankly, except the misguided ones in her family. But there’s a TON of people who want to save Syr. The best moment in the book is the last scene, featuring a callback I had honestly forgotten about (I mean, it’s been 17 months since the last book) and a giant ball of heartwarming.

The idea that this is going to have a school arc fills me with dread, but at least it should be shorter. Till then, we’re done with this epic arc, and Freya is gone. Sort of. In a good way.

Filed Under: is it wrong to try to pick up girls in a dungeon?, reviews
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