Management of a Novice Alchemist, Vol. 1

By Mizuho Itsuki and fuumi. Released in Japan as “Shinmai Renkinjutsushi no Tenpo Keiei” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Sean McCann.

It’s been a while since I’ve come at a light novel series from this direction. Lately, the Japanese companies are getting clever, and getting an English-language company to license a series several seasons before the anime is announced, so that the anime can drive up sales of the book. But when Management of a Novice Alchemist came out in the Fall of 2022, the novel and manga were both absent here, meaning the anime was many people’s first exposure, including mine. Well, “many people” in quotes. This is not exactly Chainsaw Man. There was a small following who enjoyed a mostly laid-back series with the occasional monster battle. And now, a year and a half later, we have the novels, and good news! The same vibe carries through to the books. That said, the anime either added a lot to the start of the series, or else it was brought in from future books. Sarasa’s past is not important here. The shop is all.

Sarasa Feed has just graduated from the Royal Alchemist Academy, and is now able to call herself one of that rare profession. Her master decides to give Sarasa a gift to celebrate her graduation (and also her saving and scrimping to buy the ludicrously expensive 10-volume Alchemy Encyclopedia) and gets her her very own shop at a low low price, where she can start selling potions and remedies. There is one slight snag – the shop is in the middle of a very remote village. And is a bit of a fixer-upper. That said, the core of it is still excellent, and Sarasa is an orphan girl who’s spent her entire life surviving on pluck and guts, so Sarasa settles in, cleans up, orders furniture, and opens shop. Soon she has a shop assistant, a girl two years younger than her 15 (the age of maturity here), and she’s able to find a nearby city where… well, at least one of the shops is not there to rip her off. Most importantly: Sarasa is a totally normal, ordinary garden-variety alchemist. And not an insanely talented terrifying prodigy at all.

Sarasa is pretty much THE main reason to read this. Her matter-of-fact, blase narration sucker punches the reader as well into underestimating her, but we do notice right off the bat that she spent her entire school life studying and making no friends, that her mentor is a Master Alchemist revered the world over, and that she’s not only terrific at alchemy but, when she physically strengthens herself, can easily lift huge logs and take out grizzly bear monsters. She is essentially Twilight Sparkle as a human light novel girl. Two warnings, though, which the anime watchers noticed as well. First, this is another series where the lead cares far more about breast size than I ever will (she’s relatively flat, of course), and it does not go away. More importantly, Sarasa believes everything has a cost, and she will be enforcing that, even if you bring in an adventurer who’s lost an arm and is on the verge of dying. We do not do things out of the goodness of our heart here. Well, mostly. She is a bit of a softy. But the girl still owes Sarasa a huge amount of money for saving her life.

If you liked the anime, you’ll like this. If you never tried it, this is a good one for girls who say they’re typical but are anything but, misers, and a slow life that really isn’t.

My Stepmom’s Daughter Is My Ex: “Within Arm’s Reach”

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This is the first volume taking place after our main couple have gotten together… again… and as you can imagine, it’s leading up to one big scene. That said, it certainly does meander before it gets there. This series has always played with viewpoint – from the start, the main chapters alternated between Mizuto and Yume, usually with some variation on how they used to be in love but are older and wiser now. As the series went on, we got more and more viewpoints from the POV of other characters, such as the best friends of our lead couple, or the rest of the student council. And honestly, with this volume I think we may have finally gotten an answer to the question “how much is too much”. I think everyone in the entire cast with the exception of Isana gets a look in here, and it makes the book too scattered. It’s only in the final dramatic battle/love scene that it settles down – ironically, when the POV switch is at its worst.

Mizuto and Yume are now a couple once more, but there is a slight problem – they’re still stepsiblings. As a result, they have to hide their relationship from both their parents and from everyone at school. The latter is only slightly successful – Minami and Kawanami figure things out pretty fast – but it does mean that there are a certain amount of repressed feelings that are happening. And, of course, this book also takes place around Valentine’s Day and White Day, with all the plots that you’d expect with that. We get another couple getting together here, despite some truly amazing amounts of self-hatred and loathing to get through in order to accept it – and as for Minami and Kawanami… it may be a bit longer, but they’re making real prgress as well. As for Mizuto and Yume, their parents taking an extended away trip means that they may finally be able to go all the way this time… provided this does not turn into Kaguya-sama: Love Is War again.

I will admit, I was schnookered by the author. The moment the two of them decided that this was going to be some sort of contest to see who admitted to wanting to have sex first, I was fairly certain that they were going to end up just doing nothing till their parents came back. But no, for once the two have semi-matured enough – and are prepared enough to buy nice lingerie and condoms – that they actually do end up getting past the competitiveness and having their first time. The sex, as you can imagine, is elided rather than explicitly described, but the elision is actually very clever, relying on the swapping narrative POV to give us the rhythm of two lovers coming closer and closer to a climax. Also, as with the previous sex scene in this series, the first time is not necessarily “the best sex ever” – it’s typical first sex – but they’re both happy, which is all that matters.

That competitiveness may end up returning after the cliffhanger ending to this book, though thankfully it will be in the classroom rather than the bedroom. I just hope we can get back to primarily being Mizuto and Yume’s narration.

Fake Saint of the Year: You Wanted the Perfect Saint? Too Bad!, Vol. 4

By kabedondaikou and Yunohito. Released in Japan as “Risō no Seijo? Zannen, Nise Seijo Deshita! Kuso of the Year to Yobareta Akuyaku ni Tensei Shitanda ga” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Rymane Tsouria.

It has gotten to the point where it’s rare that we get a modern light novel that is NOT based on a pre-existing web novel in some way, shape or form. Which makes sense – the light novel is still booming in Japan, and it’s much easier to take an author who’s gotten to the top of the rankings on Narou and edit their work into something for the mainstream than to rely on things like competitions and the like. And there’s nothing wrong with the end of this series. Fake Saint of the Year ends with this volume, and it’s a perfectly decent ending that makes thematic sense, gives a hint of romance for those who want to snatch at it while heavily implying it’s not happening, etc. It ticks the boxes. It’s just… the book ends at page 115, but the Afterword is not until page 278. That’s right. Get ready for Side Story Hell.

After dying at the end of the last volume, Ellize had expected that everyone would move on with their lives and enjoy the happily ever after. There are just two problems with that. First of all, everyone is so utterly devastated by her death that they’re in abject misery, and one or two have tried to kill themselves to “join” her. Meanwhile, guess what’s not quite as dead as expected? Well, all right, Ellize did foresee this, but she also thought that everyone would be able to take care of the remnants of the witch as they’d be on the top of their game. Instead, an entity that feels on negative feelings is facing off against grieving shells of what they used to be. Ellize sees this because, rather than going to the afterlife, she ended up back in the apartment of a dying Fudou Nito, who has to help Ellize come to terms with the fact that this isn’t a game, and that she is, in fact loved.

As said, the end of the book itself is fine. I thought it wrapped everything up nicely, had a couple sacrifices that made sense, and didn’t make Ellize wander too far out of her “I am a piece of shit” characterization beyond real character development. Unfortunately, we then get two lengthy side stories. The first has Ellize, post-ending, traveling to an alternate world… the one of the actual game, the one where Eterna dies. It’s the ending she always wished she could fix, which is why she made all those changes in her own timeline. Now she gets the chance to fix it. It’s like reading someone tagging AO3, only in real life. In the second story, Ellize discovers a rift that leads to modern-day Japan, and does eventually close it as it’s dangerous… but not before she goes back there, eats delicious food, buys modern bread so she can make French Toast back home, and meets up once more with Yamoto Tamaki… while also creating complete chaos, as she’s walking around looking like the most gorgeous woman in the world, and also a very recognizable video game icon. This was even more pointless than the previous story.

So yeah, I get that you can’t just release a book that’s Slayers-length these days, but sometimes side stories aren’t really needed, right? Overall, despite my issues with Ellize’s narrative voice and self-loathing (which ends up saving the day, to be fair), this was an OK villainess series.