I’m in Love with the Villainess: She’s So Cheeky for a Commoner, Vol. 2

March 17, 2024 by Leave a Comment

y Inori and Hanagata. Released in Japan as “Heimin no Kuse ni Namaikina!” by GL Bunko. Released in North America by Seven Seas. Translated by Kevin Ishizaka..

This is a very good second volume in this spinoff series, which sets out to show us Claire’s changing views in more depth and also flesh out some of the minor characters. It succeeds, but there’s also a feeling here that this is the middle volume of a trilogy. A lot of things we know will pay off in the third book are bubbling under here, but the lack of a real climax to the book does make it a bit unsatisfying. That said, overall I’m quite happy. This book reminds us that the goal for the visual novel Rae finds herself in is revolution, and that it’s still lurking. The anime, by necessity of only getting through Manaria, was barely able to touch on this, and Claire’s ignorance and tsundere stubbornness made it a wee bit unsatisfying. That changes here. Claire is learning how the commoners live, and how the commoners die. And she’s also learning how nobles live and what they do to keep that lifestyle. And she hates it.

Claire is having a bit of trouble warming up to her commoner classmate, who confesses her love but who Claire can’t take seriously. Perhaps things will change with the arrival of Manaria from the Sousse Kingdom, who Claire “greatly admires” and had a massive crush on as a child when she was is despair over the death of her mother and also thought Manaria was a boy. The result of Manaria’s visit will change her relationship with Rae forever. We then see Claire and Rae travel to Rae’s hometown, where Claire eats commoner food, has a pathetic attempt at learning to swim, and fights off undead pirate ghosts. Finally, back at school, they deal with Yu’s real gender, and how the Church is tied up in all of this. Claire’s social consciousness is growing by the day, and she knows that things cannot stay the way they are.

Claire’s POV is still the best reason to get this, but I must admit my favorite part of the book is the development of “Those Two Girls”, aka Loretta and Pepi. Both of them get a tremendous amount of character building in this book. Loretta is being potentially married off to someone involved in human trafficking, and also is forced to deal with the fact that commanding an army in real life, as opposed to supervised by her family, means she is sending some people out there to die. Pepi, meanwhile, also discovers that her family is up to their neck in bad things, and things are too dangerous for her to confide in either Claire or Loretta. It doesn’t help that Pepi has realized that her feelings for Loretta are romantic in nature. The only one who remains in a holding pattern in this volume is Catherine, who continues to stay in her dorm room, doling out advice to Claire and ominously foreshadowing her own fate. Clearly this will pay off in the final book, but it does not here.

It does, however, really make me want to read the final volume in this series. It was 14 months here between Vol. 1 and 2, hopefully it won’t be as long between 2 and 3.

Filed Under: i'm in love with the villainess, reviews

The Evil Queen’s Beautiful Principles, Vol. 1

March 16, 2024 by Leave a Comment

By Reia and Haduki Futaba. Released in Japan as “Akutoku Joo no Kokoroe” by Kadokawa Books. Released in North America by Airship. Translated by Gigi Li. Adapted by Abigail Clark.

Even if it didn’t also have the same artist as well, I think that readers of this new series will quickly realize that the author is the same as Accomplishments of the Duke’s Daughter. In fact, the author straight up admits that the idea for this series came about when she thought “what if Iris’ world had magic?”. The book tries not to go along the same lines, and indeed Luxeria’s story is a lot darker and more tragic than Iris’ (well, at least Iris rewriting her own story). But after the time skip, you gradually see that this is another woman who likes to surround herself with super competent servants and colleagues who she has also, in adventures we hear about but do not see, “recruited” from various circumstances. And there’s also a lot of “how do we create a better, more equal kingdom” worldbuilding here, as everyone knows that things need to change but actually making those changes is difficult and takes a while. That said… yeah, this is darker than Duke’s Daughter.

We open with our protagonist, Luxeria, stabbing her groom with a sword on their wedding day in front of the rest of the wedding party. We then track back a bit to see how we got to that point. Young Luxeria is commanded by her family to go live in a tower by herself. She’s delighted by this, as her overpowered magic allows her to see into people’s hearts (and also mind control them a bit), and she dislikes how it makes others uncomfortable. She’s supplied with a maid, the one girl out there who seems to be immune to Luxeria’s powers, and the two settle in and become good friends. Unfortunately, this kingdom is a monarchy but also has five strong marquess houses that have a lot of power. This means that they make an attempt on her life, put the maid into a coma, and kill her parents, the king and queen. Kinda sucks. Oh yes, and she’s a Japanese reincarnation, because of course she is.

I was expecting this to be a typical villainess book where the evil is just a bunch of misunderstandings, but no, Luxeria is out for revenge on those who killed her family and is determined to exact it. Of course, she does not want to exact her revenge while also destroying the country, which is where all that worldbuilding I mentioned above comes in. Actually, I think a flaw in this volume is that I want things to go a bit more slowly. We meet several of her underlings here, but the story of how she got them to work for her instead of against her (her main spy was trying to kill her, in fact) is not told here, but instead we just get a “ha ha yeah those were the days”. The relationship between her and her tragic groom is… also not handled well, mostly as he’s barely in the book. The relationship between her and her maid Alicia is the best thing about the book, and I hope the trust the two have in each other is not broken in the second half.

This was apparently not as long as Duke’s Daughter, so will wrap up in the next volume. I’d recommend it for fans of the earlier series, or for those who want a complete set of villainess books featuring characters called Alicia, of which there are many.

Filed Under: evil queen's beautiful principles, reviews

The Otome Heroine’s Fight for Survival, Vol. 1

March 15, 2024 by Leave a Comment

By Harunori Biyori and Hitaki Yuu. Released in Japan as “Otome Game no Heroine de Saikyō Survival” by TO Books. Released in North America by J-Novel Club. Translated by Camilla L.

This is another one where I had a different idea of what it was going to be like before I read it. When I typed up the premise in Manga the Week of, I said it was an Otome Game Reincarnation Meets Survival Game. Which… is not inaccurate per se, but I think fans of both genres are going to find this a little less than what they were hoping for. For otome heroine fans, while there are multiple reincarations and a villainess to go with our heroine, it only becomes relevant at one point in the story. As for the survival game, that comes right at the start and then is mostly setup for future volumes. As for what this actually is, well, it’s an attempt to tell a “dark” otome heroine story, featuring a heroine who learns how to kill in order to survive. That said… it’s a stat head book. If you’re the sort who can’t get enough of people raising their STR stat +1, you’ll be in clover.

Alicia, an orphan who is trying to live like a plucky young girl despite the orphanage being a Pit Of Evil, is accosted one day by a madwoman. She says this is actually an otome game, and Alicia, the heroine, is destined to be the secret daughter of nobility and end up at a school with multiple men vying for her. The other woman tries to use a magic crystal to transplant her soul into Alicia’s… which only partly succeeds, then Alicia, being a desperate 7-year-old, kills her. Now that Alicia has the woman’s knowledge of this world… and, it’s hinted, a healthy dose of nihilism… she returns to the orphanage, where she was about to be sold to some pedophile, kills the old woman running it, and flees. As she walks through the forest and cities of this world, she gradually works out how magic really works in this world, self-trains, gets help from a few allies, and gradually grows incredibly overpowered. Despite this, she never loses her new personality.

As you can likely guess, someone’s been watching a lot of the “dark magical girl” shows and thinking “hey, I can do that”. And, to be fair, they can do it pretty well. The usual complaining about stats aside (and believe me, it’s very annoying), Alicia, later Alia, is an interesting protagonist, whose influx of memories from the woman who attacked her helps to ward off accusations of her being nothing like any other 7-year-old out there. The same applies to Elena, the future Villainess of this world, who is also, separately, trying her best to avoid her fate in the game. Frankly, the meeting between Alicia and Elena is the highlight of the book, and the final scene may not be yuri (they’re both too young, leaving aside their mental age), but it’s fraught with doomed Birdie Wing-style dramatics, as one pledges to do one (and only one) thing to help the other no matter what, and the other promises to kill one (and only one) person for the other no matter what. It was damn cool.

That said… again, hope you like stats. I’m definitely reading the 2nd book, though, which may have a new cast, given our heroine fakes her own death at the end of this one.

Filed Under: otome heroine's fight for survival, reviews
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