Private Tutor to the Duke’s Daughter: Illusions of History

By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

Private Tutor to the Duke’s Daughter is hardly the first Japanese series to feature what are, for want of a better term, “battle maids”. They’ve been around for as long as there have been anime. Generally speaking the key two aspects of battle maids are that they are ludicrously good at combat, but also incredibly proud of being maids, also to a ludicrous degree. That said, Leinster maids also have one very important aspect to them, one that can even get in the way of maid duties or combat: they like to watch Allen and Lydia be sweet together, and gush over it. In essence, they are us, because that’s exactly what I did in the last book, and in the parts of this book that feature the same thing. Oh, yes, and as if that weren’t enough, some of the maids are also orphans, kids who were discriminated against, or in one case a literal experimental child soldier. None of that matters, though, as long as you can protect Lydia and take video of her being tsundere.

When we left off, Allen and Lydia had just lost to a hideously powerful vampire woman, who fortunately had to leave before she could take care of them once and for all. Now they’re recovering their strength, trying to research vampires, protecting the boy that everyone seems to want to kidnap, and of course Lydia is also putting in the “you’re in love with me, right?” press every second of every day. (Allen’s response is ambiguous, as you can guess, but it’s clear he’s mostly lying to himself.) Unfortunately, the vampire’s reason for leaving them was to help the Church make sure this war absolutely starts, and by the end of the book they’ve pretty much almost succeeded. While back on the Southern Continent, everyone is trying to assault an impregnable castle, and they will need to combine all their “in love with Allen and badass” powers to make it happen.

Tina, once again, gets some stuff to do but is not the focus, though that should change by the next book. The main narrator here, aside from Allen, is Lynne, who has always suffered a bit from being “smaller, more sensible Lydia”, and indeed her big spell is Firebird, only this one is not backed up by an ancient hard to control spell. Lynne, like the rest of the female cast, is mostly defined by “being in love with Allen”, and you get the sense they’re all doing this not so much to save the country as to not disappoint him. Caren also gets a lot to do here, and she and Lynne have a final confrontation against a smug Church kid, and Lynne, Caren and Tina are headed off to the City of Water for the next book. Stella is still suffering from Magical Plot Device Disease, but she’s better at being a general anyway. Only Ellie suffers, as it’s frankly clear that the story has outgrown her since Book One, but the author hasn’t the heart to get rid of her, as she’s simply too nice. (And clumsy, but only around Allen. The girls know how to abuse tropes in universe.)

So yes, after a huge arc, we’re getting another huge arc, as this war (or near war) is not ending anytime soon. If you enjoy watching girls beat the shit out of people and pine for a perfect guy, keep reading, you’ll get more of it.

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 14

By Toshio Satou and Nao Watanuki. Released in Japan as “Tatoeba Last Dungeon Mae no Mura no Shonen ga Joban no Machi de Kurasu Youna Monogatari” by GA Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

I was somewhat surprised when I read the afterword to find that the 15th volume of this series is supposed to be the last. Honestly, this felt like the sort of series that could go forever, even if it did feel like it was wrapping up all the plot points. But here we are, with the penultimate volume, and the focus this time is definitely on our main Big Bad, Eve. She’s always been a fairly dislikable figure, even in the bunny suit, and the prologue we get here hammers home why she’s far more loathsome than anyone else in the cast could ever hope to be. That said, we get the next best thing: to see the narrative treat her almost as badly as the other characters in this series. (I say almost. Marie is still the worst. Sorry, Marie.) Almost every single woman in this cast has humiliated themselves because they’re in love with Lloyd, after all…

A prologue gives us the full story of what we already know: Eve has possessed the body of Vritra’s daughter Asako, who has the same incurable disease Eve has, and has been running amuck in said body since the very start of this. Now she’s blackmailing Vritra to finish her new, adult body… though when it’s finally revealed, everyone notes it’s a bit too bling for anyone to really appreciate. In the meantime, a summit is being held to accuse Eve of her crimes, held in Eve’s own country… except the king and queen are sending Lloyd and Maria as their representatives, knowing that Lloyd is a secret weapon that can defeat almost any evil plan. That said, I don’t think anyone expected this evil plan to go off the rails in QUITE this way…

So yeah, this is one of those books that’s eclipsed by its best scene, which overwhelms the rest. Don’t get me wrong, there’s some funny stuff here, and even a bit of drama, but the interrogation of Eve, and her responses to same, is pitch-perfect. Eve, of course, is baffled that she’s behaving this way, possession or no, but it makes sense: inside her rests a 17-year-old girl whose dream it is to be rescued by a prince on a white horse, and Lloyd ticks every single box imaginable. Of course love was going to come into the equation. And I appreciate that it’s the possession talking, because that’s what makes it funny rather than creepy – Eve herself may be influenced by this, but when push comes to shove, she literally concusses herself to stop it and move on with her evil plan.

So yeah, now Eve has a new superpowerful body, looks like she stepped out of a Donki, and is headed off to take out Alka and her village of oveerpowered superpeople with her anti-superperson serum. I’d be worried, except, well, Lloyd. Also, who (snicker) will Lloyd end up with (guffaw) in the end? (Come on, we know this is not resolving jack.)

My Happy Marriage, Vol. 6

By Akumi Agitogi and Tsukiho Tsukioka. Released in Japan as “Watashi no Shiawase na Kekkon” by Fujimi L Bunko. Released in North America Yen On. Translated by David Musto.

Reading this volume of My Happy Marriage felt so different from all the previous volumes, it was absolutely like a breath of fresh air. Oh, don’t get me wrong, the other volumes are also excellent. But there’s always been this sense of suffocation to the events, a feeling that we’re waiting for the other shoe do drop. Frequently it has dropped, so we’re absolutely correct on that stage. Here, though? It’s only at the start, where Miyo is about to ,make a very dumb decision. Once she’s warded off that, though, everything unfolds exactly the way that it should. She seeks out allies, gets them to help her, researches her powers so she can use them better, makes peace with her mother, and heads off to go rescue her man from the hellish prison that he’s incarcerated in. And this works, because the climax is not “will Usui win or will the good guys prevail”, it’s “will Miyo stop hating herself and let love into her heart?” Spoilers: she does.

Miyo starts off this book by thinking the only way to do things is to just walk up to Usui so that she can get Kiyoka somehow. Fortunately, he’s powerful enough, even in prison, while being tortured, and with gift suppression all around, to create a familiar to stop her and tell her that she should actually go and gather allies to do this properly. The familiar also looks like Kiyoka as an 8-year-old boy, which leads to the cute moments of this book, as she finds him adorable, calls him Kiyo, and even lets him sleep in her bed – something I fear she will regret later when she realizes how familiars work. In any case, she goes to visit the Usuba patriarch and gets the complete story about what happened with Usui and her mother, then she goes to Kiyoka’s parents to ask his father to help her gather gift-users, and she gets Kiyoka’s military crew. Then it’s time to go do a prison break.

As I said, if you’re reading this for the thriller aspect, you may be a bit disappointed. Everything goes almost embarrassingly well, due to a combination of Miyo’s dream powers and Kazushi’s ability to hit people very hard. They literally walk into the prison because, due to everything that’s happened in the last couple books, there aren’t enough soldiers Usui trusts to guard it and also beat off the diversion that’s being fought outside. Even the one bit where things look bad happens exactly as expected – if you’re surprised at what Arata did, I’m so sorry, you must not read very many of these series. But the true climax of the book was Usui trying to talk Miyo into joining him in ruling the world, and Miyo snapping and screaming at him. That was wonderful, I will be so happy if it gets animated. Miyo may also have super powers and come from a terrible family life, but she is using her powers to make herself happy, not impose herself on others. Something Usui doesn’t get.

This isn’t the last book, and the author promises the happy marriage is imminent (though the blurb for the next volume suggests a snag). Fans of this series will love this.