Loner Life in Another World, Vol. 8

By Shoji Goji and Saku Enomaru. Released in Japan as “Hitoribocchi no Isekai Kouryaku” by Overlap Bunko. Released in North America by Airship. Translated by Eric Margolis. Adapted by Lorin Christie.

It feels odd to call a book that is 100 pages longer than the previous books a breather volume but that’s exactly what this is. After all of the plot going on in the last three volumes, Loner Life is returning to its roots, which means get ready for a whole lot of dungeon crawling. As always, you not only need to translate this book to English (and the translation is fine, I hasten to add – a) even Japanese fans say this is incoherent, and b) Haruka is meant to sound like this), but you also need to translate subtext into text. As such, the fact that we’ve moved from “let’s clear out all the 50-floor dungeons” and have now become “hey, all these dungeons are now about 90 floors” is a cause for great concern, and even small, supposedly random things like “Haruka is asked to make sanitary pads for the girls” delves into a critique on isekai stories in general as well as a dark examination of why Angelica and Nefertiri are only concubines. There is meat on these bones, under all that narrative bullshit.

The cover has Vice Rep B, but she’s no more prominent here than any of the other classmates not named Class Rep; the artist clearly gave her a cover shot to show off her assets, so to speak. After the civil war of the last two books, everyone is back in Omui, and there’s now a passel of orphan children with them. Most of the spare time is spent dungeon crawling, partly to get spellstones so they can afford any of the many things Haruka is making, but also partly to see what the dungeons are like after they’ve already been cleared once before. The answer is that the monsters are not QUITE as strong, but they’re still very strong, and more worryingly, the dungeons are deeper now. Haruka implies that any dungeon with 100 floors is a Very Bad Thing. Meanwhile, the rest of the class is getting stronger and stronger… but they still can’t hold a candle to Haruka, Angelica, Nefertiri or even the Slime Emperor. How can they possibly protect him?

There’s another reason Haruka’s doing all this dungeon exploration: he’s reached the limit of where he can go with just skills. Even though it’s very, very hard for him to accomplish, he’s going to have to start getting stronger and leveling up. Which means having to fight using actual COMMON SENSE, rather than fighting the chaotic Haruka way. It’s actually a bit heartwarming seeing him sparring with Angelica normally – though it leads the girls to assume, now that they can understand his moves, that they can defeat him. Hardly. Speaking of the girls, I’d mentioned the sanitary pads before (and Haruka observing that all the isekai books out there never bother to go into this sort of thing in their pre-industrial fantasy worlds), but it also brings up a melancholy subplot: Angelica and Nefertiri may look human and gorgeous now, and they’re both starting to communicate a lot better, but they’re still, at the end of the day, monsters. They don’t have periods, and they can’t get pregnant. This means that they want the girls to be Haruka’s wives while they remain his concubines… because the girls CAN get pregnant.

A somewhat sexist POV to have, but then this is a book that now uses sex like a comma (how in God’s name are the PG-rated manga and forthcoming anime going to handle this?). It remains not for everyone, but I still find nuggets of gold here. And I apologize for not mentioning the water park. Or the summer festival. Next time it looks like we start a new arc, as a (maybe?) good religious faction shows up near the end. Just… not 528 pages next time? Please?

Kuma Kuma Kuma Bear, Vol. 17

By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Airship. Translated by Jan Cash & Vincent Castaneda. Adapted by Lorin Christie.

We all have things we’d like to read in our favorite series. Usually they’re things that aren’t going to happen until near the end, such as a romantic couple getting together. It could also be the climax of a series of subplots that is building far too slowly and meticulously. And I have these desires about Kuma Kuma Kuma Bear, only I suspect that I’m never going to get what I want. I want to meet Yuna’s parents. I want to flash back to her life in Japan before this one. I know that her parents are going to be absolutely the worst – they are, after all, the ones who, after Yuna offered them a ton of money to get out of her life, took the money and got out of her life. But they’ve still clearly affected Yuna deeply, and I think a lot of her current attitude towards almost everyone in Crimonia and other areas is due to this. It can’t all be “LOL, she’s a NEET”, after all. Parental neglect is important too.

Still in the dwarf village, Yuna decides to go watch the trials and (naturally) ends up taking the trial herself, as she accidentally arrived about 8-9 hours too early. Unfortunately for the dwarves, the trials basically are designed to match the level of the person taking them, which means Yuna’s is insanely difficult – and also mentally wearing, as she’s forced into combat situations that are poor matches for her, then forced to face herself (see the cover art), and finally forced to rescue Fina from a deathtrap, something which causes her to flip out a bit. After doing this and getting the pots and pans she came there for, she returns to Crimonia – with Lilyka, who’s basically being told to stop being tsundere and go get her man, something she finds easier said than done. The rest of the book is basically “Yuna does cute things”, at least till the end, when she’s on the floating island and sees a remote ship. Are we finally getting to fantasy Japan?

As always, the most interesting scenes in the book are the ones where Yuna is thrown off her game. Facing a version of herself is less interesting, though I was amused at her realization that it’s annoying to fight someone who does this. More interesting was the last battle. I suspected that it wasn’t the real Fina (somethng which is later confirmed), but Yuna doesn’t know that, and seeing her caught in the old “water slowly filling a tank” trap causes her to completely panic – which is, of course, the point of the trials, which remind the person taking them that remaining cool in battle is what you need to do, even if your loved ones are in danger. Yuna here basically admits she sees Fina as her younger sister, which is fine by me, as Fina’s still ten. I do wish Yuna would stop insisting she’s not gay every volume, but that’s a separate issue, and it’s not unique to this author.

If you enjoy picking through “cute bears doing overpowered things” series to find the nugget or two of depth, this sure is that.

RVing My Way into Exile with My Beloved Cat: This Villainess Is Trippin’, Vol. 1

By Punichan and Canarinu. Released in Japan as “Akuyaku Reijō wa Camping Car de Tabi ni Deru: Aibyō to Mankitsu Suru Self Kokugai Tsuihō ” by DRE Novels. Released in North America by J-Novel Heart. Translated by sachi salehi.

Sometimes you can tell that a story is not written by a first-time writer. One of the best ways is when a story has a totally ridiculous premise (such as this one), but knows that it cannot merely coast on just that premise for the entire book. There’s some good thought given to the world building. There’s ‘level ups’, but they’re minimal, and mostly just serve to show us where things are in the vehicle. There’s bad people, but they’re just selfish idiots, not puppy-kickers. Sure enough, this author has a few (unlicensed) series under their belt, and seems to specialize in Villainess titles. That said, the villainess part is not really the reason to read this – our heroine’s exile happens in record time. No, this is for fans of Slow Life books, because our heroine loves outdoor camping, and now that she is freed from this awful otome game, she is going to CAMP SO HARD.

Mizarie Kraphtia, who has the best Obvious Villainess name since Yumiella Dolkness, is publicly shamed and has her engagement broken by her fiance the Prince within the first two paragraphs. This comes as a complete relief to her – her entire life she’s been abused for having a “dark” magic element and black hair, and even getting her family to feed her has been tough. She avoided the heroine of the game she was isekai’d into, but ended up getting railroaded into the plot regardless. So now that she has the opportunity to flee, she does so, using the secret skill she’s been hiding from everyone since she first discovered it. She summons… a camper van, which allows her to drive the hell out of the country and away from the startled Prince (who was already preparing to reduce her exile to “do all my work for me”) and finally live a real life. It’s time to start fires, cook chicken, and discover new kingdoms that won’t abuse her.

This book revels in its genre, but also revels in pointing out the flaws inherent in it. Mizarie is hated and abused for her dark magic and hair… but is still engaged to the Prince, for some reason. But as I said, the book drives away from its villainess origins at 200 MPH, preferring to dig into the nitty gritty of what it would be like to explore a fantasy world with what amounts to an all-terrain vehicle that’s also a camper van. (The title says “RV” in English and “Camping Car” in Japanese, but I call the series “Camper Van Villainess” in honor of the classic alternative band Camper Van Beethoven, author of Take the Skinheads Bowling and other light classics.) Eventually we do get to more traditional isekai tropes, like the guy left for dead by his selfish party, the adventurer’s guild handing out F-ranked missions, and a monster that prove almost too much for our heroine… at least until she uses the camper van to hit it off a cliff.

This isn’t deep, nor should it be. It’s fun, and relaxing, and its heroine is also fun and relaxing. The second volume is due out in Japan this month, so I hope we’ll see it before too long.