Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense, Vol. 14

By Yuumikan and KOIN. Released in Japan as “Itai no wa Iya nano de Bōgyoryoku ni Kyokufuri Shitai to Omoimasu” by Kadokawa Books. Released in North America by Yen On. Translated by Andrew Cunningham.

I’m sure I’m not telling you anything you don’t know when I say that this series entirely revolves around its star. Maple is why people read this series, and for the most part Maple is omnipresent throughout this series. Even the PVP events have been heavily Maple-centric, and several books have mostly just featured her and Sally taking over the narrative for 2/3 of the pages. So it was something of a surprise to see that this is easily the most balanced book in the entire series when it comes to the increasingly huge cast. Oh, don’t get me wrong, Maple is here throughout, and gets several things to do that cause people’s jaws to drop. But she’s hanging out with a bunch of other people who also have ridiculous moves, and not just the folks from Maple Tree. This is a book that spotlights its cast so much that even Frederica, who has made her entire name in this series by being second-best to Sally and whining, gets to be cool and powerful.

We’ve started the new PvP event. On one side: Maple Tree and the Order of the Holy Sword, plus a lot of other guilds who, honestly, are there to be cannon fodder. On the opposite side, we have Flame Empire, Rapid Fire, and Thunder Storm. Oddly, Maple is the one on the fire side, with all the monsters, while fire expert Mii is on the human side. What follows is a series of battles, usually featuring our main cast taking care of business pretty easily, followed by a back half of a big battle royale, where our main cast have a much harder time, and the correct answer may be “when is the correct time to run away without getting killed?”. And worst of all, this is a two-parter, so we don’t even get the closure of knowing who won in this book.

So yes, there’s less Maple in this book, but that’s not to say she doesn’t get her usual moments. For those who want “cool Maple”, the shot of her, with both white angel wins and black demon wings, wearing her halo and standing on a ledge looking like the wrath of God, is a treat. For those who love funny Maple, combining the Sheep Mode with Mai and Yui to give hapless players a rapid transit system is well worth the money. Speaking of Mai and Yui, it’s become pretty clear that after Maple and Sally, they’re the most dangerous ones in the party, and they too get “oh my GOD!” moments here that are both awesome and yet still kind of funny. (Every Mai and Yui joke is a variation on “when all you have is a hammer”.) This is a 100% game book, with not a Kaede or Risa to be found anywhere, and it moves at a fast pace. Even Pain manages to be interesting!… OK, that’s a lie. The author isn’t *that* good.

So yes, very Maple, much fight. Bring on the conclusion.

Nia Liston: The Merciless Maiden, Vol. 4

By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

I will admit, as I was reading this new volume about a small little girl beating the absolute hell out of things she has no business beating, I could not help but think of Do-Over Damsel, which has an anime running this fall and also features lots of this sort of thing. They even have similar “this is vaguely creepy but doesn’t quite cross a line, but I’m watching you” characters. That said, whereas with Jill I tend to really enjoy it when she finally lets loose and lets violence be her answer for everything, with Nia there’s no question that the magivision has become more interesting to me. There’s simply not much about Nia murdering ancient giant crabs by punching them a few times that I can say anything about, beyond “nice punch”. But if she’s being manipulated by royalty (again) or trying to think of things to get ratings besides outrunning dogs, I’m intrigued. And, so far, those are the two plots – though that may change soon.

Nia is a bit grumpy at the start of this book. Relia has stolen Nia’s thunder with the paper play show, and everyone in the school is talking about it. That said, she’s not frustrated enough that she won’t help Hildetaura come up with her own popular show – even if the extent of Nia’s help is “let me ask my brother to be clever for me”. Her greater concern, though, is earning that one billion. Adventuring is earnin g tons of cash, but tons is not enough. As a result, she and Lynokis take a trip over the holidays to a different country filled with expensive monsters that Leeno – or rather, Leeno’s child assistant – can murder without destroying their value as a carcass/magic corpse. Unfortunately, doing feats no one has been able to do in a hundred years attracts the wrong kind of attention.

Possibly the most interesting part of this book was the occasional “had I but known” hint that implies things are going to go very badly for Nia at some point in the future, implying she may have to flee the kingdom. Certainly, while she can quickly take action when her future is definitely being threatened, she is otherwise completely uncaring about being manipulated by the two royal princes in order to get what they want – and, let’s face it, Nia’s best resource is her position as Nia Liston, not her secret super strength. She’s a celebrity, and outrunning dogs is all very well and good, but that’s just more important than punching crabs. Unfortunately, a lot more crab punching may be needed to get that tournament, so I suspect we’ll be getting more fighting next time, though it’s also possible that the politics that threatened in this book overflow at last.

This was a decent volume, but again, I’d like a bit less “Nia hits things”, please.

Saving 80,000 Gold in Another World for My Retirement, Vol. 6

By FUNA and Keisuke Motoe. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 6 is the equivalent of the Japanese Vol. 7.)

I seem to recall that in earlier reviews of this series, I would applaud the very rare effort to give Mitsuha some depth, such as her reaction of grief when discussing her family in the first book, etc. Anyone who has been following later volumes of this series will, I think, agree with me when I say that depth is the last thing I want now. That honestly applies to all three FUNA series, I think. As they’ve gone on and gotten bigger and bigger, it’s clear the author knows exactly what their skill set is, and it’s writing a cartoon. Not a Japanese anime-style cartoon, but like a Hanna-Barbera cartoon with Mitsuha as both Dick Dastardly AND Muttley. Not only do we not take Mitsuha seriously, but none of her allies take her seriously. The only ones who do take her seriously are the ones desperately trying to either curry favor from her or sabotage her. She destroys those people.

The bulk of this book continues to take place in Vanel, as the royal family finds out that Mitsuha holds grudges forever (though the third princess manages to find a way around this, in one of the funniest scenes of the book). She deals with a rival company breaking into their warehouse and stealing their merchandise, and then decides that the best thing to do is to start a society of cute teenage noble girls, get them to bond with each other over a shared goal (get Mitsuha’s makeup, which she starts to introduce here), and make then the biggest force in the country, as they also end up funding a relief column for one of their members whose barony is experiencing a famine. Meanwhile, back in Yamano County, she’s building entire islands just so she can trade as a tax dodge, and once again setting up a young girl to run it so they can get better marriage prospects.

As with all FUNA series, if you scratch at the core of this you find “I want to write about cute 8-13-year-old girls, but not in a sexual way, just in a cute and empowering way”. Potion Girl and MMAA also do this, with the “gimmick” being the lead is always a reincarnate in a permanently 12-year-old body. Mitsuha’s not a reincarnate, and is 18, but her looks are basically the same thing. And the goal of 80K Gold seems to be to get all these little girls running the economy. After 7 volumes they’re all store owners, merchants, etc., finding better ways to transport goods and Mitsuha can barely keep up with them, to the point that she needs to invent a better sugar here so she can make rum to use as a bribe. Honestly, this volume is best when it’s making fun of Mitsuha and itself – her tendency to monologue for pages on end about her grand plans are now shown to be her saying them all out loud without realizing it, which reminds me a lot of Elgala from Excel Saga. And honestly, this series sort of fits in with the vibe of Excel Saga. We’re even siding with a villain. (Mitsuha. Mitsuha is the villain.)

As always, if you don’t read everything by this author, don’t read this. If you do, it’s good.