Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 10

By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

This is one of those books where the color pages spoil… except, of course, they don’t. Anyone reading this series has been waiting for Red to propose to Rit since the first book, and the fact that it’s now happening gets a “finally!” rather that annoyance at the plot being given away. More importantly, that’s not really the focus of the book, it’s more of an epilogue. The focus of the book is wrapping up the Van plotline and going into those Elf ruins one more time. There *is* a big spoiler for that, so I’ll wait till after the cover art to discuss it. I will note that, unfortunately, the author and his Japanese audience are once again at odds with the English speakers I’ve seen. Ruti being a brocon does not interest us. We want Ruti to give up and get married to Tisse. Sadly, that won’t be happening. Expect more incest subtext in future books.

In the aftermath of the battle with Van, he’s at a loss for what to do next. And Red and company also want to investigate those Elven ruins again, though Ruti and Tisse are not allowed to come along given that last time they went there Ruti tried to kill everyone. So instead we get a team of eight: Red, Rit, Yarandrala and Danan as Party A, and Van, Lavender, Esta, and Albert as Party B. Together they will try to figure out what the hell is actually going on in those ruins, what it’s meant to do for the hero, and once again try to figure out exactly who benefits from a war between humanity and demons, and what the Blessings are supposed to do. Unfortunately, in order to do that, they may have to fight God.

Which I was expecting, honestly, but not this soon. Honestly, light novels that have the Church or God as the villains are as common as muck, and this series has not shied away from the concept. That said, there is a bit more nuance here, at least in regards to the Church and those in it. (The God of this book can go jump in a lake. He sucks.) We see a push and pull throughout the book of trying to work with your blessing even if it means going against what you believe, and that there has to be a balance in order to have someone be happy. Van isn’t sure what that will be, which is why he heads off at the end of this book to find out what being a hero is for him. Red and Rit’s is getting married, with children being brought up several times as the next step after that. And then there’s those who get a blessing like “Cardinal” or “Priest”. Are they required to side with God and oppose folks like Red and Ruti?

We may find that out next volume (hi, cliffhanger!). Will we get a wedding next time? Probably not. But I suspect it will be a BIT more of the “Quiet Life”.

Reign of the Seven Spellblades, Vol. 10

By Bokuto Uno and Miyuki Ruria. Released in Japan as “Nanatsu no Maken ga Shihai suru” by Dengeki Bunko. Released in North America by Yen On. Translated by Andrew Cunningham.

Longer than usual content warning here: with this volume, the rating for these novels rises from Teen to Older Teen, and the content bears that out. There’s sexual references, discussion of a horrific sexual assault, discussion of a graphic and horrific torture and murder, a graphic amputation scene, use of a swear word that is far less problematic in the UK than in the US, and, worst of all, I’m going to have to discuss that series about the boy at the wizarding school with the scar again. Reader discretion is highly advised.

When I was about halfway through this volume, I pretty much knew what I was going to be talking about. There would still be a content warning, of course. After all, there’s not only a relatively explicit sex scene between Oliver and Nanao here, but also Leoncio is in this, so there’s a lot of talk of big dicks here. Oh yes, and Miligan is called a cunt. To be fair, she absolutely deserves that one, especially because I’m sure it’s in the British English sense. But yeah, the front half was filled with things to talk about. The “polycule” that our heroes have become, and how much I love it. Katie’s backstory was jaw-dropping, and really deserved me talking about it, as well as the fact that almost everyone has written her off as next to snap. The fights were all awesome, the election results were terrific. Teresa is growing up, and she hates it. That was great. . And I saw that the last half of the book was ALL battle against one of Oliver’s targets. Meh. A lot of fighting. Won’t have much to say.

Kee-rist.

I do appreciate that the series does give a real backstory and sympathy to some of its antagonists. We get Demetrio Aristedes’ backstory here, and like a lot of this series, it involves idealistic attempts to make things better turning into something horrific and tragic. That said, his backstory is dwarfed by what we finally get in this book: Oliver’s life to date. We get some adorable and heartwarming scenes with him and his parents, because gut punches don’t work if everything has been bad from the start. We get the brutal, graphic death of his mother, and see how she was betrayed by one of her closest friends (and oh boy, that’s a can of worms I can’t even get into in this review, it will have to wait.) We get his adoption by the Sherwoods, which unfortunately is because their patriarch sees him as an experiment rather than as a person. We see that, on the cover with Oliver and Demetrio, is Shannon Sherwood, and possibly wonder why she’s give n such an important placing. And then we find out why. Of all the horrific scenes in this volume, the flashback of Oliver being drugged and mind controlled to rape and impregnate Shannon is the worst, and it really throws their relationship into sharp relief. Oh yes, and there is, of course, Yuri. Whose story ends here, but at least the way he goes out is one of the few triumphant moments in this pummeling book.

Sigh. So OK, let’s talk Harry Potter. This series has been compared to those books from the very start, but we’re now ten volumes in, and “oh gee Guy and Katie sort of have a Ron and Hermione vibe” is not only the least of the comparisons, but also mostly wrong. It’s at its most obvious in this book in the flashback to the torture scene, when Darius, Oliver’s first victim from Book One, takes point to be the first to torture Chloe to death, and he revels in it in a way that HAS to remind people of Severus Snape. There’s also a definite James and Lily vibe to Edgar and Chloe, though (because this series glories in subverting Potter as much as it pastiches it) what the two of them do for Oliver is far darker and more interesting. I’m not sure where this series if going to end up, but there is absolutely no way it’s ending up with the next generation of the cast going off to school 15 years later.

As with Eighty-Six I am very concerned, and half convinced, this will end with nearly the entire cast dead. Hell, a lot of them will deserve it. With Eighty-Six I’m hoping that the main couple will make it out OK, but Seven Spellblades has a much higher bar to clear. I’ve joked before about the main six being a polycule, but it’s made explicit here. They’re family. They’re probably all going to be lovers soon (Oliver and Nanao are mostly there, only held back by his past trauma). They have a bond that deserves to live on. I desperately want them all to survive and make the worst a nice place. A swell place. A place where magic kids can play stickball in the street with their athames without fear of being consumed by anything. It’s not going to happen, I am aware. But God, it’s a great dream. Let these kids stop suffering.

Bibliophile Princess, Vol. 7

By Yui and Satsuki Sheena. Released in Japan as “Mushikaburi-hime” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Tara Quinn.

I suppose this was inevitable. Bibliophile Princess is coming off its strongest arc, one that had lots of action, drama, tragedy (that wasn’t actually tragedy, but let’s leave that aside for now), and romance. It came to a thrilling conclusion last time… and now we get the comedown the next day. Elianna has been overworking herself for the last couple of months, and tries to do so again to help Chris after she returns, and it all just catches up with her and she collapses. Unfortunately, this means that a good 3/4 of this volume is told from the POV of people other than Elianna, and that’s not really what I’m here for. I don’t really object to it, and we get some decent short stories here. But that’s what this feels like, a short story volume, interspersed with dollops of plot. Fortunately, unlike the third volume, this doesn’t feel like something we’ve read over and over again. Well, except for one thing, which I’ll get to below.

After the events of the last three books, Chris has a lot on his plate. What’s worse, the person behind all of this was the Queen’s brother, meaning she’s basically going to have to retire to avoid further trouble. As such, he needs to get married to Elianna even faster than he’d planned… and she’s been taken away to the Bernstein estates by her father and brother, who (of course) blame Chris for her being in this state at all. Fortunately, proposing to Elianna properly is the ONLY thing that goes well for him in this book. Elsewhere, we get a flashback where we learn Alan’s past as a plucky young orphan, Elianna catches up with family and reads a ton of books while her friend Anna reminds us of the romance she was plotted into a few books back. Oh yes, and there’s a library ghost (no, not Elianna) and a Halloween candy contest.

So I am starting to grow a bit weary of the Bernstein’s overprotectiveness towards their pride and joy. I mean, I absolutely get it. Elianna almost died several times in the last few books, all of it stemming from her position as Chris’ betrothed. And she did indeed desperately need to rest as she was nearing the verge of collapse. That said, this isn’t really framed as that. The writing still kind of frames it like “we’ll never let you marry our little girl!”, which feels more like a hoary old cliche, especially as it does not take Elianna’s own feelings into account. I hope she tells them what for at some point. As for the rest of the book that is not fluff, there’s Alan’s subplot, which… well, it very cliched, right down to the three people who secretly run the town, and the “I want to rape you because you are an androgynous hot teenage boy” threat. It wasn’t bad. I missed Elianna.

So this tides me over, yes, but I really hope we get a good, meaty plot again soon. Or a wedding. One of those.