The Apothecary Diaries, Vol. 10

By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

It’s a very odd feeling reading this volume at the same time as the anime is adapting the second one. The setting of the first eight books (OK, minus Book 5) is entirely absent, as we’re still doing Maomao and Jinshi’s Excellent Adventure. This is not to say that there is not political wheeling and dealing – in fact, the climax of this volume depends on that fact. But this book is ten volumes in, and we’re not concerned with the ways of courtesans and court ladies anymore, but with potatoes, crops and insects. It would be the perfect book for a certain insect-loving court lady to make her triumphant return, but alas (Maomao does think of her, at least). And while we do get a bit of Maomao’s standard detective schtick, for the most part this book is a race against time against an all-powerful enemy… one that arrives near the end of the book and wipes out nearly everything. This is what Jinshi and Maomao have spent a while trying to avoid.

We’re still out in the West, where Maomao, Tianyu, and the quack doctor are theoretically there to maintain the Moon Prince’s health (because, lest we forget, he gave himself a horrific wound to show off the depth of his love), but in reality they’re there to try to figure out how to stop the impending famine. Arriving at a local village (and joined by Lahan’s older brother, who, since the quack doctor got a name in the last volume, becomes the new running gag), they find that the villagers don’t really care about the crops that much, as whether they’re good or bad the Governor will subsidize them. (Does this sound familiar?) There is one old man who is doing all the right things… because of a tragic backstory, of course. A tragic backstory that becomes very important as Maomao and company realize that the Biblical plague of locusts is coming towards them NOW.

The book is excellent, with a fantastic climax, and a nice twist showing that for all his supposed status Jinshi can still be used by others who are better at dirty politics. But you’ll pardon me if I talk about the romance in this one. For the most part, the romances in this series tend to be either “toxic but also the main draw” (Maomao/Jinshi), or are established couples. But we did see a hint of something purer in Book 6, which sadly could not really develop because Book 6 was a giant nightmare for them. Yes, Lishu is back, and she’s raising ducks in the West. And taking to them like… well, like a duck to water. Frankly, she looks far happier here than she ever was as a Consort. Her reunion with Basen, though it does not lead to an actual commitment (she claims to still be too weak for that, and she has a point), is so sugary it will give you diabetes, but that actually tastes really good next to the toxicity that is Maomao and her Moon Prince.

That said, the character I really want to see after this book is Gyoku-ou, who is being set up to be the next big antagonist. Cannot wait for Book 11.

Oh yes, and Chue is still practically perfect in every way. But you knew that, of course.

Death’s Daughter and the Ebony Blade, Vol. 7: Exordium

By Maito Ayamine and Cierra. Released in Japan as “Shinigami ni Sodaterareta Shoujo wa Shikkoku no Tsurugi wo Mune ni Idaku” by Overlap Bunko. Released in North America by J-Novel Club. Translated by Sylvia Gallagher.

Always lovely when I have to eat my words. You may remember at the end of the last review I did, where I said that Ashton’s death likely wasn’t permanent, as this was not that kind of series. Well. Um. Guess it is now? I feel a bit guilty, given I recently dropped a series (The Mythical Hero’s Otherworld Chronicles) for getting too dark and cynical, but in this volume Death’s Daughter also doubles down on the dark. The good news is that it’s not nearly as cynical, and gives us some hope that the series will not end with everyone slaughtered (the flashforwards to how various dead commanders will be remembered helps). the bad news is that Ashton’s death does not seem to be the sort that can be undone by magical means, and also lots of other regulars die here as well. The very bad news is that the author couldn’t cram all the plot into this book, so the 2nd part of Vol. 7 is still to come.

The final battle between the Asvelt Empire and the Kingdom of Fernest ends up being completely upended by the arrival of ghouls controlled by the new emperor, who is not remotely evil at all, of course. This has always been a “war is bad” series, but the ghouls also help to remind you that even though war is bad, there are still ways that it should be fought, and these corpses do not do any of that. This is also bad news for the United City States of Sutherland, who get a “become my vassals or be destroyed” message from the empire, with one of the states serving as an example of what will happen. Even the Holy Land of Mekia can’t deal with this, and the Seraph finds that the ghouls are not a product of mage tactics. As for Fernest, well, let’s just say a lot of the cast who’ve been around since Book 1 gets one last battle. And, um… where’s Olivia, anyway?

The reason I spoil that Ashton is found dead in this volume is that it happens right at the start of this book. We then spend almost the ENTIRE book waiting for Claudia and Olivia to find out about it. We don’t even see Claudia till 4/5 of the way through the novel, and Olivia, after a brief scene showing her happily training with Z, is also absent for the bulk of it. There’s two reasons for this. First, I get the sense that if Olivia and Claudia were actually present throughout this volume, there’s no way that the series couldn’t avoid killing them off too, which would make the end a bit bleaker than I think even the author wants. The other reason is, of course, to show their devastated reactions at the book’s climax, because otherwise this would feel a bit too much like “the book was just cut in half arbitrarily”. The counterattack needs to start next time, even if the romantic resolution isn’t going to happen anymore.

So what’s next? There’s certainly a lot more cast we can kill off, but I suspect the last book will have a bit less of that. Till then, oof. This was a punch to the gut.

Raven of the Inner Palace, Vol. 5

By Kouko Shirakawa and Ayuko. Released in Japan as “Kōkyū no Karasu” by Shueisha Orange Bunko. Released in North America by Airship. Translated by Amelia Mason.

This series, while telling the story of Jusetsu and her attempts to broaden her world, find out more about the Raven Consort in general, and escape, began as an anthology series to a large degree, which each chapter featuring a ghost story of the week for her to solve. That still happens at the start of the fifth book, with a court lady whose makeup box is upsetting people in the living quarters by being haunted by a ghost. But as this book goes on we realize that we’re past the halfway point of the series, and we can’t really focus that much on Jusetsu solving ghost crimes anymore. Or rather, the ghost crimes she’s solving are ones that affect her specifically. Because we’re getting to the bottom of what the Raven Consort position really is, and what happens to those who have been Raven Consorts, and let me tell you, it might be scarier than most of the stories we’ve read in this series to date.

Jusetsu is not the only one trying to figure out how to break the barrier stopping her from leaving and free the raven, the Emperor is as well. This is despite the fact that he (consciously) and Jusetsu (unconsciously) are in love with each other, and leaving the palace will mean never being able to return. The Emperor, towards that end, has now buckled down to the position of siring an heir – two of the consorts are now pregnant. He’s even inviting back old retainers who had previously been exiled for being on the wrong side of past conflicts, mostly as he finds it a lot more preferable to have any seeds of rebellion close to him rather than far away where he can’t do much. Meanwhile, Jusetsu gets the shamans needed to help her destroy the barrier, and even knows where she should probably go, thanks to several old folk tales about an underwater volcano. Unfortunately, that pesky God is still around…

Jusetsu was told, at the start of this series, that she had to be alone, not take retainers or bodyguards, and hold herself aloof. This from the previous Raven Consort. She has not remotely done that, and for the most part the consequences have been pretty good – close friendships, respect, people who like spending time with her. Unfortunately, we’re now seeing the pendulum swing the other way. Solving the problem of the makeup box, for example, even though it saved a life, just makes people think that she was the cause of the accident. And I suspect the cliffhanger at the climax of this volume is going to make leaving the palace more of a “fleeing for her life” sort of deal. That said, anything’s better than suffering the fate of all the Raven Consorts before her, whose souls are frozen in a sort of massive grudge to prevent exactly what Jusetsu has been doing. It’s a bit scary.

There are, I believe, two more volumes in the series, and I suspect we’re not going to have too many “let’s solve a mystery” chapters anymore. Where we will go remains intriguing.