Taking My Reincarnation One Step at a Time: No One Told Me There Would Be Monsters!, Vol. 2

By KAYA and Naru. Released in Japan as “Tensei Shōjo wa Mazu Ippo kara Hajimetai: Mamono ga Iru toka Kiitenai!” by MF Books. Released in North America by J-Novel Club. Translated by Amy Osteraas.

This series continues to interest me far more than I expected, possibly as, while it is doing a lot of the usual fantasy tropeland stuff (mana, guilds, etc.) it at least manages to avoid game stats and power levels. Our heroine and her too-young-to-be-a-boyfriend are both quite powerful, but in his case, this has mostly completely ruined his life, and in her case, she’s hiding most of her true strength to avoid attracting the wrong kind of attention. Honestly, in the first half of this book, everyone is sort of prickly, including the heroine. You’d expect this to be a warm, fuzzy series where the townspeople take in this plucky orphan and make sure she has everything she needs, but no, she’s still living in tents or watchtowers – albeit because she wants to, she can afford better – and they’re still content to use her skills on a regular basis. It’s slow life, but until the end of this volume it lacks the sweetness.

Sara is still selling meals at the adventurer’s guild and collecting healing herbs, all while trying to avoid the attention of Ted from the Apothecary Guild, who continues to dislike Allen and Sara intensely (though, as the book goes on, the reader sees he’s more a tsundere than anything else). Unfortunately, Nelly is *still* not back yet. What’s worse, she’ attracted the attention of a knight from the capital, who sees these two extremely powerful orphans sleeping outside the city and gets several ideas in his head. First he says they should come with him to the capital and be his maid and butler – rejected. Then he leans on the town to make things much harder for adventurers sleeping outside the city, in order to clear them off – and, it’s hinted, drive Sara and Allen to him. Fortunately, Nelly is finally able to return, and a whole lot of misunderstandings are cleared up.

I will admit the big flaw with this volume is that a lot of it depends on everyone being somewhat thick. Nelly and Sara’s descriptions of each other do not match the reality of who they really are, so no one recognizes they’re connected. Hell, they don’t even realize Sara is a girl till the other women of the town (who do know right away, of course) tell them outright. No one connects a missing 12-year-old kid desperately being searched for to the powerful 12-year-old kid who showed up in town at exactly the same time. You start to understand why Sara’s general reaction to most of the adults around her is disappointment and irritation. That said, the friendship between her and Allen is a definite highlight of the book, and I do wonder how things will go for them in the third book, especially now that Sara has revealed to all she’s from another world. I suspect she won’t be allowed to live a quiet life in the woods with her wolves for long.

This isn’t terrific, but definitely falls under “better than I expected”, and I’d like to read more. I miss the first book’s running gag, though, and hope it returns.

My Stepmom’s Daughter Is My Ex: “Time to Get Serious”

By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

The subtitle of this volume serves as an accurate description of what’s inside. Of course, that’s not to say there still isn’t a great deal of broad humor in the book. I mean, Isana exists, for one. There’s also Yume deciding that the best way to seduce Mizuto is by wearing a miniskirt and cat ears, and (ça va sans dire) endless discussions of breasts, with much groping of the larger girls happening from the other girls. (Isana even notes this is the sort of thing she though only happened in light novels, implying that she’s read her own series.) That said, this is about a trip that all the main and supporting cast take, and the girls decide to use it to confess, seduce, or otherwise make things clearer to the object of their affection. Does it work out? Well, sort of. Some of the pairings are actually becoming pairings. It won’t surprise you,l though, that the main pairing remains up in the air.

The student council are planning a getaway trip to a hot springs town (given that their president’s family is loaded, this isn’t as hard as it sounds), and Yume is asked to fill out the numbers a bit, so Mizuto, Isana, Minami and Kawanami end up coming along as well. Aiba has decided that this is the trip where she stops being the teasing flirt and seriously confesses to her senpai, and so the other girls also decide to make an effort. Well, apart from Isana, who is supposedly here for art study. Kurenai ramps up her attempted seductions of Joji, wanting to lose her virginity without really thinking trough what that actually means. Minami has finally accepted the fact that she’s still in love with Kawanami, and her own attempt to be serious baffles and annoys him. As for Mizuto and Yume… LEWD HAND HOLDING.

The main couple are still hamstrung by Mizuto’s own reluctance and Isana’s presence in their life (going poly would solve most of these problems, but I can’t see the author or publisher OKing that), so it’s the other couples that carry the book. This is easily the best volume for Minami, who, once she decides to stop being an annoying bitch around her ex all the time and genuinely try to help him, turns out to be pretty awesome. Both Kawanami and Hoshibe (the senpai) are dealing with past traumas that have left them either unable to move forward or literally ill, and this book is about getting past that with the help of others. It’s also about being yourself, to a degree – Kurenai fails here because she was just trying far too hard. She’d be much better off trying to raise Joji’s bottomless well of self-hatred first. Basically, at the end of this book we have one definite couple, two “give it a book or two” couples, and Mizuto, Yume and Isana. Who remain in stasis.

The 9th book may change that, as we are reminded that where there are stepparents there are also parents, and one of them is still alive. Till then, this is a good volume in a romcom that’s enjoyable provided you can wade past the wall of breast jokes.

If the Villainess and Villain Met and Fell in Love ~ She Was All But Disowned for Her Spirit Contract, But She’s Still Competing with Her Rival ~, Vol. 1

By Harunadon and Yomi Sarachi. Released in Japan as “Akuyaku Reijō to Akuyaku Reisoku ga, Deatte Koi ni Ochitanara: Nanashi no Seirei to Keiyaku Shite Oidasareta Reijō wa, Kyō mo Reisoku to Kisoiatte Iru Yō Desu” by GA Novels. Released in North America by Yen On. Translated by Judy Jordan.

I didn’t really have too many hopes for this one. The villainess market is, frankly, glutted, and the description of this series combined the villainess tropes with a magical academy *and* “I have this weak power that everyone hates me for, but it’s really the strongest”, as seen in endless isekais. On the bright side, this is NOT an isekai – our villainess is home grown. So yeah, book full of cliches. And I can’t deny that they’re there. But this is also a book that took me by surprise a number of times, and it did that by taking a big swing towards being dark. Brigitte’s life until the start of the book has been a tale of hideous abuse, the “heroine” in this story is not only arrogant but also sociopathic, and we may have a winner for the worst fiance in a villainess book – despite the fact that he barely appears.

We begin as so many of these books tend to begin: with Brigitte, the “villainess”, having her engagement broken and getting publicly humiliated by her fiance, who claims she was bullying the girl he is with now, Lisa. Brigitte’s world collapses around her, frankly. We learn that she was judged to have very little spirit power as a child, despite coming from a famous family of fire spirit users. Her father reacted to this news in a sensible, staid manner: he took his 5-year-old child’s hand and stuck it in the fire till it burned horribly. Needing to wear gloves all the time, she’s a shy, reserved child… till she meets the third prince, Joseph. Joseph tells her to her face that he likes stupid girls, and that she should dress in pink, gaudy clothes, wear thick makeup, and act arrogant. So, desperate for anyone to like her, she does. And then we get to page 1.

I apologize for summarizing the book using only the first 10 pages or so, but the first 10 pages are dynamite. My jaw dropped. After that, things turn a bit more typical, as she meets Yuri, a cool young man who has contracts with two major spirits, but gives everyone the cold shoulder. But honestly, the main reason to read this is the aura of toxic misogyny that permeates it. Not from the author, I hasten to add – this was deliberately baked into the world itself. More to the point, it’s coming from Joseph. He’s very unusual for a “fiance who breaks things off” character, remaining cool and collected even when attempting to do to Yuri what he did to Brigitte. But there’s an air of petty sadism around everything he does – he’s done it with Brigitte her whole life, and now that she’s gone he starts to do it to Lisa, who responds by… well, the other time in the book where I screamed “Holy shit!” was her response.

Given the cliffhanger to the book shows Joseph asking Brigitte to get engaged to him again, I think we’ll see more development of this in the second book. Till then, apologies to Yuri, and maybe next time I can get into the adorable romance that he and Brigitte develop.