Adachi and Shimamura, Vol. 11

By Hitoma Iruma and raemz. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee.

It may not feel like one, but the Adachi and Shimamura series comes out as a Dengeki Bunko title. One of the heavy hitters of the light novel world, skilled at many things, including, of course, cross-promotion with other series. And if you add to that Hitoma Iruma, who loves throwing in “if you get this, great, if you don’t, it doesn’t matter” references to their other series, you can sometimes get a crossover cameo pileup. And since we’re also dealing with a series that has not been (and probably is unlikely to be) licensed over here, I will let you know (and thanks to translator Molly Lee for confirming) that the kimono girl and the senpai who take up about half the narrative in this book are from the 3-volume light novel series “Watashi no Hatsukoi Aite ga Kiss Shiteta”, also a Dengeki Bunko title. Oh, and another Yashiro shows up. Not our Yashiro, and not the Ground Control to Psychoelectric Girl Yashiro, but the third one that we met earlier in this series. I need diagrams.

This is one of those volumes that really should be called Shimamura and Adachi – all the POV for the “main story” is hers this time around. It’s more a series of short stories than a novel (not the first time we’ve seen this), as we get to see Shimamura at 8 years old (hyperactive, full of life, hanging at the pool with her bestie Taru-chan), Shimamura at 15 years old (sullen, teenage drama, getting close to the Shimamura we meet at the start of the series), Shimamura at 18 years old (the present-day Shimamura, having a study date with Adachi that turns into a discussion about whether the attraction between the two of them is sexual or just romantic), and Shimamura at 22 years old (going on a vacation with Adachi, full of life and love, comfortable with herself and her girlfriend). There’s also brief chapters with Yashiro and Shimamura’s mother, Hino and Nagafuji, and Shimamura’s sister meeting another Yashiro.

Given that most of my experience with this series has been dragging Shimamura constantly in these reviews, it’s really amazing to see how far she’s come. The Shimamura at 18 and 22 is a Shimamura who has finally found the thing that she needed to shake her out of her torpor: being in love with Adachi. She’s still trying to figure out what this love is. Her discussion with Adachi about sex is, for this series, very frank (for any other series, not so much), and while it’s funny to see Adachi completely lose it multiple times over the course of a single minute, I also appreciated the conclusion they came to: Adachi wants to do sexual things but refuses to unless Shimamura does as well, and Shimamura has never thought about this at ALL, so is not ready. And that’s fine. Instead, we get the power of Adachi as a transformative force, transforming Shimamura into someone with real human emotions, joy, and energy. Go back to, say, the fifth book and read Shimamura, then re-read this one. Night and day.

12 is still the final volume, but before that Dengeki Bunko is releasing a short story volume (how is that different from most of the last few?), and “Vol. 99.9”, which is a collection of the bonus stories that came with the Blu-Ray release of the anime. That said, both of those will be a few more months till they get here, I imagine. Till then, enjoy Shimamura’s happiness, and Adachi’s Adachiness.

The Mythical Hero’s Otherworld Chronicles, Vol. 5

By Tatematsuri and Ruria Miyuki. Released in Japan as “Shinwa Densetsu no Eiyū Isekai Tan” by Overlap Bunko. Released in North America by J-Novel Club. Translated by James Whittaker.

As I’ve mentioned before, I keep vacillating back and forth on whether I like this series or not. The books themselves don’t help, being variously filled with things that I really want to see more of and things that make my teeth grind. The author himself notes that this book is a bit of a throwback to the first in the series, which is good as it allows the books to pick up various threads that they’d put aside in order to have a throne war (the Fallen and why and how they get that way), but is also bad because it means we still have to cling to some “who is this written for?” light novel conventions (our hero plans things out so that the women can save the day, but they fail and he has to step in himself). That said, I’m still going to be reading the next one, as I want to see if a) Hiro will go full villain, and b) if Aura will worship or execute him.

Everyone’s heading back to the Emperor, and it’s probably bad news. Liz and Aura had some very public defeats, and they’re going to have to accept some punishment for them. That said, Liz is also determined to make sure that Scáthach and her family are compensated… well, as much as they can be given it’s Scáthach and a collection of heads. Unfortunately, everyone (including Hiro) is thrown off their game by the first prince, Stovell, renouncing his claim to the throne… which, of course, is actually a prelude to an attempt to overthrow the Emperor. He’s got 30,000 men. Hiro, Liz, Aura and Scáthach have about 3000. Those are not good odds, even with Liz being who she is, and with the helpful addition of Scáthach’s Gae Bolg. Hiro might actually need to try this time around…

Hiro remains the most interesting part of the book. As I said earlier, I’m not quite sure where we’re going with him. Certainly Hiro is absolutely not doing any of your shipping nonsense, as he plans on simply fading away once Liz is on the throne and has trustworthy allies. There’s also the fact that he’s not quite human, and also his battle bloodthirst is inevitably going to take him over at some point. This is wonderfully hypocritical given he yells at an enemy general for doing much the same thing here, but Hiro is our… well, hero, yes, thanks, I got that pun. He’s going to need the entire female cast giving him a cooldown hug at this rate. And then there’s Aura’s obsession with her Bible of past glories, which is amusing given that she’s the one who notices most when Hiro is doing his suicidal battle lord stuff. She’s still probably my favorite.

If you like edgelord military throne war stuff, this is a must. If you don’t, like me, you’ll probably consider dropping it but get the next one anyway.

The Apothecary Diaries, Vol. 9

By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

I may not mention it often in these reviews, possibly as I’m distracted by all the crime solving, political dealings, and Maomao slowly learning that she can rely on others for things, but The Apothecary Diaries can also be a comedy, and it has some very, very good jokes. This is possibly the funniest volume of all, featuring a new character (we’d seen her a bit before, but she’s in full flower here) who is here solely to be hilarious, and it works. Honestly, some of the humor is fourth wall breaking to an extent, be it Chue pulling little flags of the nations out of her sleeves (I hope we see some doves or rabbits next book) or En’en pulling out fans with “:Go for it, Yao!” written on them to cheer her on when she’s trying to earnestly get her point across. Unfortunately for Yao and En’en, we may not see them for a volume or two, as The Apothecary Diaries is going on a world tour.

After the stunning events of the last volume, Maomao is now being forced to learn surgery on the fly in order to tend to Jinshi’s brand and make sure that it doesn’t get infected. This will require more knowledge than she has, so she’s forced to go to her adopted father, who presents her with an impossible problem to solve… well, it would be impossible for Maomao by herself, as she doesn’t care about things that don’t interest her, but with Yao and En’en also there, she’s able to discover it (and learn more about Luomen’s somewhat tragic past). Now she’s learning how to be a surgeon the hard way, especially since women aren’t allowed to be surgeons, but everyone is politely ignoring it given who her father is, who her adopted father is, and who her not-yet-lover is. All of this is to prepare for a sea voyage, as Jinshi is being sent to the West to see what’s going on with Gyokuyou’s older brother.

It has to be said, a lot of the appeal of this series is “weak-willed men are led around by the nose of strong women”, and if you like that, this is also the volume for you. Basen’s older brother Baryou is so ill and apathetic that Chue basically has to “do all the work” in order to get a child (and she’s being asked for a second one, so asks Maomao not to bother her at night). As for Jinshi, he and Maomao are sort of being cagey around each other after the last book, and it lasts until the end of this one, when Maomao finally snaps and tells Jinshi that if he’s going to be so manipulative that he brands himself to get her to stay with him, the least he can do is actually manipulate her properly, rather than being half-assed about it. Jinshi’s response to this is that he wants her to slap him, which is a bit too masochistic for my tastes, but certainly fits his character.

I didn’t even get to talk about Yao, who is fantastic in this book, though I fear she’s going to be a lot less happy because she lacks Maomao’s connections. In any case, this is a good read, especially if you’re waiting for the anime to debut later this week.