The Apothecary Diaries, Vol. 9

By Natsu Hyuuga and Touko Shino. Released in Japan as “Kusuriya no Hitorigoto” by Hero Bunko. Released in North America by J-Novel Club. Translated by Kevin Steinbach.

I may not mention it often in these reviews, possibly as I’m distracted by all the crime solving, political dealings, and Maomao slowly learning that she can rely on others for things, but The Apothecary Diaries can also be a comedy, and it has some very, very good jokes. This is possibly the funniest volume of all, featuring a new character (we’d seen her a bit before, but she’s in full flower here) who is here solely to be hilarious, and it works. Honestly, some of the humor is fourth wall breaking to an extent, be it Chue pulling little flags of the nations out of her sleeves (I hope we see some doves or rabbits next book) or En’en pulling out fans with “:Go for it, Yao!” written on them to cheer her on when she’s trying to earnestly get her point across. Unfortunately for Yao and En’en, we may not see them for a volume or two, as The Apothecary Diaries is going on a world tour.

After the stunning events of the last volume, Maomao is now being forced to learn surgery on the fly in order to tend to Jinshi’s brand and make sure that it doesn’t get infected. This will require more knowledge than she has, so she’s forced to go to her adopted father, who presents her with an impossible problem to solve… well, it would be impossible for Maomao by herself, as she doesn’t care about things that don’t interest her, but with Yao and En’en also there, she’s able to discover it (and learn more about Luomen’s somewhat tragic past). Now she’s learning how to be a surgeon the hard way, especially since women aren’t allowed to be surgeons, but everyone is politely ignoring it given who her father is, who her adopted father is, and who her not-yet-lover is. All of this is to prepare for a sea voyage, as Jinshi is being sent to the West to see what’s going on with Gyokuyou’s older brother.

It has to be said, a lot of the appeal of this series is “weak-willed men are led around by the nose of strong women”, and if you like that, this is also the volume for you. Basen’s older brother Baryou is so ill and apathetic that Chue basically has to “do all the work” in order to get a child (and she’s being asked for a second one, so asks Maomao not to bother her at night). As for Jinshi, he and Maomao are sort of being cagey around each other after the last book, and it lasts until the end of this one, when Maomao finally snaps and tells Jinshi that if he’s going to be so manipulative that he brands himself to get her to stay with him, the least he can do is actually manipulate her properly, rather than being half-assed about it. Jinshi’s response to this is that he wants her to slap him, which is a bit too masochistic for my tastes, but certainly fits his character.

I didn’t even get to talk about Yao, who is fantastic in this book, though I fear she’s going to be a lot less happy because she lacks Maomao’s connections. In any case, this is a good read, especially if you’re waiting for the anime to debut later this week.

Tearmoon Empire, Vol. 10

By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America by J-Novel Club. Translated by Madeleine Willette.

This volume starts off with something we have rarely seen in this series: the actual beginning of a new story arc. For some reason or another, the author and publisher of this title are very bad at making climaxes in this series happen at the end of the volume itself, so we have the next book start with the climax instead or an epilogue chapter rather than the next arc. But here, at last, we start off with something new: Mia, Rafina, and company headed off to Equestria, there to meet up with the chiefs who make up that nomadic people. Or at least, they are until Mia and Rafina, our for a ride, are beset by bandits. The head of the bandits turns out to be the daughter of one of the tribe leader, and there’s a good reason that her people are reduced to this: a poor harvest means they’re hard up for food. Something that Mia understands all too well…

I’ve been complaining about the narrator for a while now, so it’s time I turned around and mentioned the points where I do appreciate it. The manga doesn’t really use a narrator, making Mia far more sympathetic, but the new anime adaptation (which so far is excellent) is definitely playing it up. It was a highlight of the early books, but grew a bit wearying as we began to see Mia genuinely growing as a person. Where it works best in this book is when it’s looking at everyone else’s thoughts – seeing Ludwig or Rafina staring at Mia talking about what is inevitably food, and thinking that this is the point when they realize that she’s not a great sage but a massive faker… and then they leap to a different conclusion to support their own love for Mia, and the narrator is disappointed once more. This is funny as hell.

Bel, as always, gets little to to in this volume, but for a change what she does get is fantastic. We haven’t paid quite as much attention to her past… which is to say, the Bad Future #3… in a while, but that does not mean that she isn’t constantly dwelling on it, especially given that her entire existence is something of a secret. But now she’s best friends with Citrina, and may finally be able to reach out and make promises without getting her hopes dashed by everyone promising to come back and then dying on her. (There is some mild subtext between her and Citrina, which I’m content to ignore, partly as they’re both 10 and partly as I’m sure it’s unintentional, but…) She also says she’s going to tell Citrina about her secrets when they get back to the Empire, which should be very interesting if it happens, and might be the start of a new arc.

But first we have to end this arc, which of course does not neatly wrap up here. Is Abel’s sister irredeemably evil? Can Mia possibly win a horse race riding a horse the narrator repeatedly compares to Mia herself? And did we just see the start of a Rafina x Malong ship? The next book is… for once, not that far away! Also, go watch the anime.

Surviving in Another World As a Villainess Fox Girl!, Vol. 2

By Riia Ai and Mucha. Released in Japan as “Scenario Nante Iranai! Rival Chara no Kitsunekko” on the Shousetsuka ni Narou website. Released in North America by Cross Infinite World. Translated by Miki “Zombie” Zuckerman.

I will admit, my memory is not that great. I’m fine when a book comes out so frequently that I can retain everything easily, like Bookworm. But when a series catches up, it can be a struggle for me to recall what was happening before, or who the minor characters are. And this goes double for when it’s been a year since the first volume, as I’ve forgotten almost ALL the main characters. All I recalled from the last book was the basic plot, and the two “reincarnated from Japan” characters. I also recalled they mentioned that the “heroine” would be appearing soon, something that filled them with dread. Well, she’s here, and her annoying, obviously evil behavior was making me twitch, and reminding me that the writing and characterization in the first book were not the best. But we then got to the twist, and I also remembered that yeah, the author’s ideas are what’s worth remembering. They work well.

Miku is settling in at the guild, and going on fun errands with Macro, who talks bluntly but she can see the good in him. Unfortunately, she’s almost immediately kidnapped and taken off in a cart. There she meets Laura, a Sound Butterfly girl who can combine her powers with Miku’s to help them escape the gang’s clutches! Back at the guild, it’s revealed to Miku that Laura is the heroine of the game that Claire has always said this is, and that means that Miku is that much closer to dying… especially since Miku has finally realized that she’s fallen in love with Macro! And Laura suddenly declares that she too is in love with Macro (after, oddly, declaring that she’s in love with Ektor and then backtracking on it), and is so sad that she’s going to have to win his heart and have Miku tragically lose! Is Laura really as evil as she seems?

No, thankfully, though it took me a while to cotton on. I’ve seen this sort of heroine before, in I’m the Villainess, So I’m Taming the Final Boss, and I assumed Laura was similar to Lilia, in that she can’t see the events as anything but achievements in a game. And to be fair, Laura is doing her level best to be as evil-sounding as possible, just to turn everyone against her. Laura’s true identity works much better, and also allows Miku to be able to change her fate and survive. That said, this book still has a Miku-shaped hole in the middle of it. She’s very nice, and I admired her resolve towards the end, but she’s just not as affecting to m as she should be. The same applies to Claire and Ektor, whose not-romance is thuddingly predictable in the best “Th-there’s no way I’m interested in this jerk!” way.

This is the final volume, so I will not have to stretch my memory come next October. I do recommend reading the series for its interesting take on “villainess” books and point of view, but it feels like a series by someone whose writing still has room to improve.