Playing Death Games to Put Food on the Table, Vol. 1

June 25, 2024 by Leave a Comment

By Yushi Ukai and Nekometaru. Released in Japan as “Shibō Yūgi de Meshi o Kuu” by MF Bunko J. Released in North America by Yen On. Translated by Kevin Yuan.

It’s my own fault, really. I get lured in by people assuring me, no, this one is really good, it’s different from those other ones. And don’t get me wrong, it is! This is a good book. It’s got really nice twists, the few characters who last more than five pages are interesting, and the heroine is a fascinating headcase. I can see why fans of death game books will really enjoy this. But I don’t dislike the death game genre because they all tend to be generic and cynical, or because they’re badly written. I dislike the death game genre because it involves people playing a game where they die. And I mean, spoilers, that happens here. Not counting our heroine, there are only a few other characters who survive these games. That said, if you’re not me, this is really good, and does have enough twists and turns to make it a quite interesting book even if you’re not a death game fan.

Yuki wakes up on a bed, dressed in a maid uniform. But it’s OK. She’s done this sort of thing before. She gets up and moves to the main room, where she meets five other girls, also in maid outfits. They’re here to play a death game, which is known to some of them but a total surprise to others. Yuki has done this 27 times before this, so is an old hand at knowing what to do and how to survive, and tries to guide the others through it. Unfortunately, the game is filled with deadly traps that require deadly choices, and it won’t let them go without at least a couple of deaths. Can Yuki manage to take all the experience she has and keep the others safe?… not really. That’s not what this book is about at all. Yuki is here to survive. And to do that, well, sometimes you need to do bad things.

The book starts off saying this takes place in a “deranged world”, and it’s not wrong. This is a world where constant death games are the entertainment, with contestants coming back over and over for various reasons if they survive. Oh yes, this may change in future books, but all the guests are young women or teenage girls. I get the feeling I know the exact audience this world is aiming for. The book also does a clever thing where the first half shows us Yuki in her 28th game, blase about everything, and the second half shows us Yuki in her 9th game, still with a bit of soul left in her. Yuki is, not to put too fine a point on it, a mess. Far from being there to put food on the table, it feels like she plays death games as she’s unable to really cope with any other kind of life. That said, she’s not an actual killer, like some of the other contestants. She’s just sort of broken.

Again, this was good, and I can see why it won awards (though I can’t really see why they had the judges do two of the three afterwords). But, again. Death games. I’ll stick with Higurashi and Umineko, but leave the Dangan Ronpa generation (which gets mocked in this first book) to its own.

Filed Under: playing death games to put food on the t able, reviews

You Are My Regret, Vol. 2

June 24, 2024 by Leave a Comment

By Shimesaba and Ui Shigure. Released in Japan as “Kimi wa Boku no Regret” by Dash X Bunko. Released in North America by Yen On. Translated by Andria McKnight.

It’s a good thing these books are relatively short, because wow, I really cannot stay too long in the depths of the teenage drama we get with these books. When the funniest joke in the book involves taking a box cutter away from a girl clearly using it on herself, saying he’s borrowing it and to ask for it later, you know you’re not on the light and fluffy end of the romcom scale. I mean, we all knew that Kaoru was in love with Yuzuru, and that he was unaware of this, but trust me when I say that solving that little problem turns out to be the easy part of this book. Because Kaoru also has her own life to deal with, and it’s one that Yuzuru is unaware of… but that will soon change. I suppose the good thing about being a teenager is you’re allowed to make mistakes while you’re young, but man, I really wanted to punch him about 3/4 through this book.

That cover image sort of sums up the entire book, but let me try my best anyway. Kaoru is coming to club a lot more erratically after the events of the first book, mostly as she sees that Yuzuru and Ai have made up, and clearly they’re a couple again. (That’s not quite true, something that allows the climax of this book to happen.) But Kaoru is also dealing with a lot of home trauma, some of which Yuzuru has heard about before. Her mother has had a string of bad men in the house, and apparently thinks little of having sex with them anywhere and everywhere in the house, which Kaoru has walked in on more than once. Worse, the new guy *seems* like a more respectable dude, but clearly isn’t. The stress of this combined with her first love being shattered leads her to try to push Yuzuru away as hard as possible. Unfortunately for her, he’s figured out how he screwed up with Ai, and is now over-correcting too hard in the other direction.

I am glad that Yuzuru’s mother emphasized how dumb he was when he intervened with Kaoru and her mother, as I dearly wanted to throttle him. I get it, the last time he didn’t talk things through and pulled away, it all went to shit, so there’s no way he’ll do that again. But here, not only does he get into physical danger thanks to a guy who (surprise) does turn out to be a piece of shit, he also manages to be Kaoru’s hero, which means there is absolutely no way she’s not confessing to him now. Fortunately, the girl whose problem will take up the third (and final?) volume does not appear to be in love with Yuzuru. Yet. I also felt that the resolution between Kaoru and her mother happened WAY too fast. I could say the same about Kaoru and Ai, but Ai has been presented to us as “flaky” since the start of the series, so I’ll give it a pass here.

So, if you like the Higehir author, or teen angst, this is still worth your time. Just.

Filed Under: reviews, you are my regret

Babel: A Girl Embarks on a Journey of Words

June 23, 2024 by Leave a Comment

By Kuji Furumiya and Haruyuki Morisawa. Released in Japan as “Babel I: Shoujo wa Kotoba no Tabi ni Deru” by Dengeki Bunko. Released in North America by Yen On. Translated by Amelia Imogen Mason.

I will admit this review is slightly harder now that the Spring Anime season is al;most over. “From the creator of Unnamed Memory, the hot new anime, a semi-sequel!” would be a much bigger deal if the anime had not been a lifeless mediocre adaptation determined to get through the story as fast as possible. Which is a problem when you have an author that writes books as long as Furumiya does. This one is 460 pages, a good 300 pages longer than the average KonoSuba. It doesn’t lend itself well to a speedrun. So, I will amend: if you enjoyed READING Unnamed Memory, and also enjoyed the author’s series A Pale Moon Reverie, this is more of the same, with good character writing and some exciting action scenes. And yes, it is a sequel, but it takes place 300 years after the first series, and you don’t need to have read it to get a lot out of it.

Shizuku is a young college student dealing with a massive case of middle child syndrome when one day she is confronted with a mysterious hole in space, which transports her to another world. She is lucky to survive landing in the middle of a desert, and ends up in a town that is clearly nothing like the Japan she knows. Fortunately, she comes across a stoic but kind mage, Erik, who promises to help her try to find a way back home, if she will teach him about her mystery books. As, while Shizuku can speak the same language as everyone else in this world, that does not extend to reading or writing, so she just has her college textbooks, which are in Japanese. And English, and German, which she’s also studying. Can she get home without getting involved in plot stuff? And can she learn to read and write from the handsome but remote young man with a mystery past?

Shizuku is easily my favorite part of the book, yet another heroine with massively low self-esteem who doesn’t understand how fantastic she is. Her older sister had extroversion and charm, her younger sister had focus and anger, and Shizuku seems to have seen herself as someone who wasn’t really much of anything, floating through life. That said, she’s able to stand up to a lot of situations in this book that would give most people the screaming heebie jeebies. The isekai part of this book (which was rewritten and expanded from a version that came out in 2016) is new to this author, whose Unnamed Memory was known for avoiding the standard light novel cliche. But it’s handled well here – Shizuku only has her college freshman education, which means that she struggles to explain things she learned through cultural osmosis, and she will not be inventing mayonnaise anytime soon. That said, the fact that she isn’t of this world allows her to save the day at the end of this book, and I expect this to continue.

This has already ended in Japan, and so we know there’s 3 more books, no doubt as big as this one. I’m here for them. I really love this author.

Filed Under: babel, reviews
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