Monthly Archives: December 2016

Magi, Vol. 21

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By Shinobu Ohtaka. Released in Japan by Shogakukan, serialization ongoing in the magazine Shonen Sunday. Released in North America by Viz.

I haven’t actually given Magi a full review since its first volume; I love it to bits, but for the most part I could articulate those bits into a 150-word brief pretty well. This volume of Magi, which wraps up one arc and sets the stage for the rest of the series, though, requires more verbiage. For one thing, it solidifies more than anything else who the real hero of this story is. The first volume had Aladdin on the cover, and for the most part the mangaka made a good effort to keep Aladdin, Alibaba and Morgiana as a power trio lead. But in the end, Alibaba’s journey is the most profound and important, and this volume features both his highs and lows as he discovers what’s happened to Balbadd.

There’s also some romantic hints, and they may actually stick. For the most part, the first few volumes of the series didn’t really bother with romance beyond Aladdin loving the ladies in his own amusing way, and Alibaba occasionally being an idiot. The idiot part is highlighted again here, as he brags about having a girlfriend that he doesn’t have in order to make himself look impressive. Leaving aside the romance for a moment, this is exactly what makes the tension of Alibaba’s character so great. He spends much of the volume wondering why people like and respect him, thinking that he really hasn’t achieved anything, and even, yes, having people hook up in front of him, reminding him that he’s still basically a clueless virgin. Luckily, he has an even more clueless virgin with a crush on him, though Morgiana admits that she’s so not in touch with any of her emotions that she can’t really deal with it right now. This has the potential to be cute.

Less cute is Alibaba’s return to Balbadd, as we see exactly what a conquered country looks like. His visit to his former Fog Troop friends, who are getting by but suffering nonetheless, is chilling, and reminds you again of the dangers of right-wing totalitarian tactics (I wish this weren’t so relevant today). His visit to Koen and Komei Ren, who inform him that “agreements” have nothing upon power and brute force, is topped only by the fact that they want him to join them – again, it’s difficult at times to register how important Alibaba is because we always see things filtered through his poor self-image. People knows what’s up. As for what his response will be, I can guess, but that’s what the cliffhanger brings.

Of course, Aladdin is not totally forgotten here, and this brings up what may be the other major plot point to come, which is Sinbad. Sinbad so far has been portrayed as the “good guy” side of the power is everything coin, as opposed to the Koen kingdoms. That said, Aladdin has chosen Alibaba, not Sinbad. And we’re informed by Yunan that both Sinbad *and* Alibaba are classic examples of King’s Vessels – they draw people to them and history changes as a result. (In real life, this is called the “Great Man” theory, and thankfully does not have magic to back it up.) As for Sinbad, he’s the best at drawing people to him and getting what he wants – but is that really a good thing? What’s separating Sinbad from being a tyrant other than his good disposition?

There’s so much going on here, and like the best shonen series you want to read the next volume immediately. Thankfully, Magi is still bimonthly, so we only have to wait a little bit to see what happens next. Brilliant stuff.

Grimgar of Fantasy and Ash, Vol. 1

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By Ao Jyumonji and Eiri Shirai. Released in Japan by Overlap, Inc. Released in North America digitally by J-Novel Club. Translated by Sean McCann.

These days, if you have a genre that’s popular enough you’re going to get deconstructions of it. And the Japanese genre of ‘people sent to another world where they fight in RPG-like circumstances’ is hugely popular in Japan. We’ve seen the odd attempt at doing something different with this genre before (Re: Zero comes to mind), but Grimgar in particular seems to follow another very popular way of thinking: the “grim and gritty” school. I don’t know if the name was deliberately chosen to mirror the mood of the book (likely it’s coincidence), but this first volume is a lengthy look at a group of people who are forced to fight monsters together and find, that with a lot of training and sacrifice… they can still be pretty terrible at it.

We meet a group of 12 people who find themselves in a castle in fantasy world X. They appear to be modern Japanese people, but have lost their memories, knowing only their names and the basic “I have plot amnesia” things. They’re taken to a man (who is unfortunately written in “scary gay man” mode) who tells them to survive, they need to become volunteer soliders. For the moment, they’re trainees. One group immediately forms of what seems to be the top people in the group. This is not their story, though we see them later on and find they are indeed the top people in the group. Our group consists of our narrator, who is “generic protagonist” with an occasional line in snark and a tendency to have no self esteem; a cheerful happy girl who has a complex about her small breasts; a painfully shy girl (with large breasts); the leader, a smiling sensible type who screams “I won’t last the book” and indeed does not; a big awkward guy; and Ranta.

I signal Ranta out by name for a reason. Grimgar is a well-written book, with good fight scenes and a dark but compelling plotline. Its weakness is the characters, who are a bit more generic types than I’d really wanted. Ranta is a type as well, the irritating hot-headed loudmouth. The difficulty is that this is turned up to 11 – he’s easily the most irritating part of the entire book, and it’s more grating because you know he’s written this way on purpose. He makes the whole party dislike him, and it takes the arrival of another stock type, the cold beauty with a tragic past (she replaces the doomed guy I mentioned above), to make everyone accept him because well, they’re a team and teams have to get along no matter what.

The awkwardness of this cast is, of course, the selling point. You won’t find a Kirito here; this team is mocked for going out to smash up low-ranked goblins all day every day, and they’re not terribly good at doing that either. None of them arrive with any game-breaking powers. They do gain some powers by joining guilds (again, this is very RPG), but leveling up is tough and slow. It’s a “what would this sort of story be like in reality?” type of tale, and as such it does its job quite well. Of course, this makes it a bit of a slog at times as well. I am hoping that fortunes turn upward for this group in future books, but won’t get my hopes up – that would defeat the purpose a bit.

Spice & Wolf, Vol. 1

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By Isuna Hasekura and Jyuu Ayakura. Released in Japan by ASCII Mediaworks. Released in North America by Yen On. Translated by Paul Starr.

All right, so I’m just a little bit late to the party here. In fact, the party has long since had everyone leave and shut the lights off, and Carol Burnett is walking around me mopping up. But when this series began here in North America, it was in the pre-Yen On days, and I wasn’t as into light novels as I am now, so I never got around to it. Then when I did show interest (particularly after seeing the author at New York Comic Con) it was more a case of “I don’t have the room for 17 volumes on my shelf”. But glory be, the whole series is due to be released digitally over the next few months, and there’s a new book coming out in May as well, so I thought “Why not?” And it’s a good thing I did, as this proved to be a very good first volume.

I knew a bit about the series before I began to read it through internet osmosis – I seem to recall the general talk about it was “come for the nekkid loli wolf girl, stay for the economic theory’. Thankfully, at least in the first volume, the nekkid loli is kept to a minimum, as after her introduction Holo finds clothes and for the most part stays in them. She is indeed a wolf girl, or to be more accurate wolf goddess of the harvest, and her ears and tail and the hiding thereof take up a bit more of the narrative’s time. The majority of the book, though, is about two things: 1) the travails of Holo and Lawrence, the merchant who picked her up at the start, trying to stop a vast economic conspiracy and also make a bit of cash doing so, and b) the banter back and forth between them as they do this. And honestly, economics is fine, but I’d say the dialogue and banter is the real win here.

The series takes place is sort of “generic middle ages X”, but thankfully is more of a genuine fantasy novel rather than all of the RPG-styled worlds we’ve seen in more recent books. I mentioned Lawrence earlier, and he’s our narrator and viewpoint character. He is seemingly rather pleasant and mild-mannered, but there is a deep awkwardness to him as well, with the odd hint of a tragic past. It’s rather cruel that the one man he looks forward to meeting at the start of the book turns out to be one of the main villains towards the end. You get the sense that Lawrence and Holo are made for each other, and there certainly seems to be a bit of ‘will they or won’t they?’ through the book. Despite being called a loli, Holo acts and speaks like you’d expect someone hundreds of years old to, and honestly looks to be about 15-16 on the cover, which for anime and manga is pretty much ‘go for it’ age.

Basically, “come for the economics, stay for the playful sarcastic banter” is my tag for this series. I look forward to catching up.