Monthly Archives: January 2017

Attack on Titan, Vol. 20

Leave a reply

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics. Translated by Ko Ransom.

(Note: this review contains large spoilers for the whole volume)

In the last volume we finally got back to a lot of Titan fighting after several volumes of political intrigue. That doesn’t let up here, as this book is about humanity’s desperate fight to stop the titans. It’s also about death – at the start of the series, a lot of characters we briefly knew well died, and Levi’s squad was killed off several volumes later. Now the reaper has come calling again, and it’s uncertain who’s actually going to survive by the end of it. Is Armin really dead? Well, we thought Hange was dead last time, but here she is, looking battered but alive. This series has always had an underlying question of “how depressing is the ending going to be?”. Will the author and editors really kill off most of the likable main cast for good? Will the Titans win?

Speaking of Armin, a lot of this volume focuses on him, particularly on his loss of courage in the face of disaster. This is actually done quite well, showing that the horrible slaughter of war does not automatically make anyone a badass, particularly if your soldier skills are mostly confined to tactics, as with Armin. Seeing him falter gives us extra frustration and sadness, and helps to make the end of the volume, where he snaps out of it, comes up with a plan, and seemingly sacrifices his life for the others’ sake, even more impressive. Speaking of impressive, I must admit I’ve never really warmed to Jean before now, a character who has always been very confrontational and obnoxious. But he’s fantastic here, taking over when Armin falters and thinking of good short-term plans that will help them escape, while admitting that long-term tactics is not something he is designed for. Great job.

Armin is, of course, not the only casualty here, as Erwin takes all the rookies who are watching the Beast Titan and company destroy everything on a suicidal charge in order to give Levi time to make a sneak attack. As one recruit points out (and oh what irony that he seems to be literally the only recruit to survive after this debacle), Erwin is asking them to go out and die, and Erwin responds bluntly that yes, he is. And they do just that. Naturally the reader focuses on Marlowe, whose shift from reluctant MP soldier to raw recruit has gotten quite a bit of focus, and he even got some rare Titan ship tease with fellow MP Hitch. Now he thinks of Hitch, who did not join the Survey Corps and is thus likely asleep, right before his head is blown apart. War is hell. And in war, the good die. A lot.

And that may also include Erwin, whose frustration that they’re almost but not quite able to get to Eren’s father’s house is palpable. He’s leaving everything to Levi and Hange, but like Armin, his fate is not quite confirmed at the end of this book. Will they both end up like Marlowe, Petra and Marco? Or will this be like Sasha or Hange, where we’re sure they’re about to die but they somehow escape? In any case, a good solid volume, and I can’t even complain about the mediocre art too much this time.

I Saved Too Many Girls And Caused The Apocalypse, Vol. 1

Leave a reply

By Namekojirushi and Nao Watanuki. Released in Japan as “Ore ga Heroine o Tasukesugite Sekai ga Little Mokushiroku!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Adam Lensenmayer.

To a certain extent, a lot of light novels in Japan have a certain level of knowing irony built into their very frame. You don’t have a genre with that many long-winded over-dramatic series titles and not know that your tongue is planted firmly in your cheek, though by now, a few years out, I suspect many of the imitators may have bypassed the irony in favor of “long titles sell”. But if you do understand, and your audience does as well, there’s a lot you can make fun of. Especially in the so-called “harem” genre, something which has been around in North America since the dawn of manga here (see Ranma 1/2 for only one example) and is even more rife in Japan. Jealous childhood friends, wishy-washy male leads, cripplingly shy yet adorable girls who always enthrall the male audience yet never actually win… we all know the type. It’s ripe for being made fun of.

Our hero is a young man who only wishes to live a normal life. Sadly, Rekka is told by his father on his 16th birthday that he’s inheriting the birthright of being the “final hero” – i.e., when a crisis is happening somewhere and a hero is needed but has not actually materialized, died, or failed, Rekka will be called to action to get the girl, kill the baddies, and save the entire planet. The keywords here being “get the girl”. Shortly after this, a young girl from the future, R, pops up to tell Rekka that he made too many girls fall in love with him doing this, and his inability to settle down and pick one has led to a future apocalypse. R is here to help prevent this. And right after this, the hero stuff keeps pouring in. His childhood friend is secretly a mage, an alien princess wants to marry him, and a shy sorcerer needs hims help to defeat the Demon Overlord. The conceit is that this all happens at the same time.

I must admit, my expectations were somewhat low for this release. The dire but similar “My Little Sister Can Read Kanji” release by J-Novel was so bad I wasn’t even able to finish (or review) it. But it looked lighthearted at least, and I was in the mood for something that wasn’t just dour overpowered male leads staring at the charred remains of all they once loved. And luckily, this ended up being a quite readable treat. It’s not great art, and overstays its welcome (something that is worrying given how long the series is in Japan). But it knows what it’s mocking and does it very well. Some of the jokes actually made me laugh out loud, a rarity for light novels. Its one big drawback is that it peaks too soon. Rekka and Harissa battling the Demon Overlord, complete with “you fools! This isn’t even my final form!” is the absolute highlight of the entire book, and the rest couldn’t dream of topping it.

The basic premise is actually quite clever: Rakka would normally be taking care of these things one by one, and likely not doing a great job. But with them all happening at once, he’s able to use resources from one heroine route to fix another. And they aren’t necessarily easy fixes, either – I knew the moment that he left Harissa right after defeating the Demon Overlord handily that it wouldn’t be that simple, and sure enough she’s soon on the chopping block to be executed. As for Rekka himself, he’s amusingly dense, but he’s not an incompetent clumsy idiot like a lot of harem heroes – you actually get why these girls fall for him. The heroines themselves are all obvious types, designed to win over whichever pleases the reader best, and none are too annoying. Best of all is R, who is invisible to all but Rekka and is thus able to float around him at all times making dry, sarcastic remarks about his incompetence. “I now understand the difficulty of my mission in my heart and not just in my head” was wonderful. (I also hope that she does not become part of the harem in future books.)

Overall, I’m pleasantly surprised at what a light, breezy read this was. Don’t read it if you can’t tolerate harems, of course. And like many light novels, I suspect it’s something I’d find far more aggravating as an anime or manga with more visual fanservice. But if you want something funny and cheeky, this is a good series to get.

Is It Wrong To Try To Pick Up Girls In A Dungeon?, Vol. 7

Leave a reply

By Fujino Omori and Suzuhito Yasuda. Released in Japan as “Dungeon ni Deai o Motomeru no wa Machigatte Iru Darou ka?” by Softbank Creative. Released in North America by Yen On. Translated by Andrew Gaippe.

Writing books can be difficult. In addition to actually making sure that you have a decent plot, characterization, action scenes, etcetera, there’s always so much that can go wrong when your target audience is reading it. Maybe they don’t like a new character you introduced to be loved, or perhaps that scene you thought was really romantic is seen as a bit creepy when talked about by others on the internet. There is also page creep, a little-known malady that affects many long series, in which each successive book seems to get longer and longer, till you suddenly realize that you don’t so much have a book as you have a tome. That’s the case with the latest DanMachi, which is so long that you could fit three Kagerou Daze novels inside it. That said, it doesn’t feel all that padded or overdone. Sadly, it does have two major issues.

But first let’s talk about what did work. The new volume manages to build on the events of the last one while also undercutting it, as for a moment it looks like everyone wants to join the Hestia Family… till they hear about Hestia’s huge debt for the knife she bought for Bell, and all that just vanishes. Bell’s strength is less easy to hide, and things get even more difficult when Ishtar, the goddess in charge of the city’s prostitutes, discovers what Bell’s secret really is – she sees the stats on his back. Ishtar is a good villain, suffering from an obvious case of second best syndrome and overcompensating because of it. She’s second best here as well, as Freya simply wipes the floor with her. In fact, this book is packed with fights and chase scenes, and they’re all done quite well, and are what make the book so long. Mikoto finally gets a chance to shine, and she’s awesome, even if she reminds me a bit too much of Kyuubei from Gintama. And we also meet Haruhime, the newest addition to the cast, with her tragic past, terrible secret, amazing power, and self-hatred that’s more powerful than all of those.

I have two issues with this book, one small, one large. The first is more “I hate this cliche” than anything else: Ishtar’s prostitutes are all tall, strong, gorgeous Amazon warriors… except the strongest of them, who is a frog-faced crone who goes on about her beauty while making everyone around her shudder. Phyrne is a giant pile of “ugly = evil”, and that’s one stereotype I’d love to see end. The other is far more vexing. This novel revolves in many ways about prostitutes and virginity. Bell is, of course, a pure, virgin hero, and this purity is so blinding that he can even resist the charms of a goddess – in fact, it’s part of his basic nature. (This of course only makes them want him all the more.) And Haruhime tells Bell that she’s was bought and forced to work as a prostitute, and is therefore not worth saving. Bell rejects this, saying that even if she *is* a prostitute, she still deserves to be rescued as much as anyone. I liked this. It’s possibly the major theme of the book. So then WHY would you have the reader be told at the last minute “Oh, she was such a bad prostitute that she always fainted, so is still a virgin?” Why would you undercut Bell’s entire point? It is a really, really terrible moment.

But apart from those two things, this is a solid entry in the franchise. I believe that the next volume is short stories, so we may have to wait a bit to see what the fallout from this book is. Worth a pickup, but you may grind your teeth towards the end.