Monthly Archives: December 2018

Toradora!, Vol. 3

By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Lora Gray.

In many ways this feels like a filler volume in the series, but I think it’s actually focusing more on the main cast and how Ryuuji is able to understand them – or not, as the case may be. Ryuuji is a nice, kind person but he’s not all that good at getting “what women want”, so to speak. That applies to Taiga, who spends much of this book intensely frustrated and upset – even for her. It also applies to Ami, who has been given her depth in the last book and so is free to backslide and be the ‘evil transfer student’ everyone was fearing – or is she merely trying to aggressively flirt? And then there’s Minori, who is theoretically Ryuuji’s crush, but who he seems to try to understand the least, letting her walk through the novel being Taiga’s goofy best friend without pondering why she acts the way she does. It’s not just “I am weird”, Ryuuji. By the end of the book he hasn’t figured much out either, but the stage is at least set for the next part of the series.

The book takes place immediately after the previous one, where Ami put Ryuuji in a compromising position and is now gleefully watching the fireworks. Taiga, of course, insists she is not angry, and we know what that means. Worse, swimming classes are up next, and Taiga has to wear a swimsuit (thus showing off her childlike figure) and also swim (which she can’t). Things come to a head when Ami invites Ryuuji to her summer home over the break, so they could get to know each other better. Taiga snaps, and we’re set up for a swimming challenge – the winner essentially gets Ryuuji. You could argue Ryuuji’s biggest mistake in this book is not shutting this down before it starts, but instead, he does his best to teach Taiga to swim and try to figure out why she’s so upset – which isn’t quite the reason he thinks.

This book came out about twelve years ago in Japan, and so a lot of the things that might feel obvious to the reader were a lot fresher then. If the big drawback in this volume is that there’s very little forward movement, the plus is this allows us to see a lot of silly and/or heartwarming scenes that we might not otherwise have gotten. The cold opening at the hospital, where we worry that Ryuuji’s mother may have died but then realize the far more amusing truth, is an absolutely perfect scene. Ami too is a horrible delight, and the humiliation she goes through near the end once again feels especially deserved. But as always the main reason to love this is Taiga, who is a bundle of issues and all the more readable because of them. Her “solution” to the challenge was fantastic, if also appalling.

If I recall correctly from the manga, the next volume should be especially strong. This one isn’t a world beater, but it’s fun, especially if you like seeing Taiga blow up.

A Bride’s Story, Vol. 10

By Kaoru Mori. Released in Japan as “Otoyomegatari” by Enterbrain, serialization ongoing in the magazine Harta. Released in North America by Yen Press. Translated by William Flanagan.

After two volumes of focus on Pariya, returning to our home base couple feels very peaceful and reassuring, even if they’re not together a lot of the time. As with the previous volumes, Amir and Karluk’s story is about waiting for Karluk to get older and more mature, and the fact that they love each other regardless. Karluk is a typical teenage boy, even on the Silk Road, and therefore constantly worries that he’s not manly enough and that Amir is somehow unhappy. This is fairly ridiculous, not only because Karluk is nice and sweet and doing his best, but also because Amir is a saint who can do no wrong. (I’ve come to really love A Bride’s Story, but Amir still needs a few more flaws.) But Karkuk doesn’t see this, and so there’s only one thing for a boy on the verge of manhood to do… hunt wild animals! Good thing too, as in this day and in this place, hunting animals for food is a life or death situation.

This also allows Karluk to bond with his brother-in-law, and realize that Amir’s tribe is really in dire straits… they are poor and have very little future available to them. This is presented very matter of factly, and Karluk (and the reader) can’t really do much about it except stare into the middle distance. But at least they’re training Karluk as a hunter, and we get some gorgeous shots of the landscape and foxes, antelope, etc. that roam wild and free but also provide food and clothing for our heroes. Amir shows up every once in a while as well, though Karluk tries to make the visits less frequent, because he’s hoping this will make them long for each other even more. (Amir doesn’t quite get this, of course, because she’s fully accepted her feelings for Karluk already.) He’s a good kid, and I wonder how long it will be before they take that next step.

After their story, we are back to Mr. Smith and his guide, who are finally making their way to Ankara, where he meets up with a good friend he knew from school (and I think his name is Henry? God knows, everyone keeps calling him Smith regardless). That’s not all that follows him, however… Talas, the girl he had the not-quite-romance with several volumes ago, has gotten married but still longs for her true love, and so her husband (whose sainthood here rivals Amir) takes her to Ankara to find Mr. Smith, because he wants her to be happy. I’m not really sure I enjoyed this part as much as the author wanted me to. The story of Smith and Talas was a nice bittersweet tale of a love that wasn’t meant to be, and seeing it revived here feels a bit like a cop out. I suspect their story will take up much of the next volume.

A Bride’s Story has a few weaknesses that my head just can’t get away from, but that doesn’t mean I don’t enjoy the series and its characters. And its art, which is fantastic. Still recommended.

Invaders of the Rokujouma!?, Vol. 18

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by Hobby Japan. Released in North America digitally by J-Novel Club. Translated by Warnis.

Now that’s more like it. After being a bit disappointed with the minor villains in Kiriha’s resolution arc, we get a much higher standard of villain here. Darkness Rainbow are back, and they’re getting backstory. Not a hell of a lot, admittedly – that may be next volume, as this is sort of a stealth two-parter – but it’s clear that more care is being taken with these teenage, evil magical girls. (I’ll go with evil for now, given that they kidnapped ten small children, and if the ritual had finished they may have all ended up the way Sanae did.) This is also a continuation of Maki’s redemption arc. She may not win the big fight here, but the greater picture has her succeeding, as she’s forcing Crimson Rainbow to consider her relationship with both Maki and the rest of the Darkness Rainbow team. If there’s a way in to redeem this group, it’s likely to go via Crimson.

Given that we’re dealing with Darkness Rainbow here, it seems only natural that we finally get to see Nana, Yurika’s predecessor as a magical girl until her painful sacrifice. We find out how painful here, as we see her shakily trying to stand on crappy artificial legs, and her spirit energy is nearly nil. Fortunately, we have Koutarou’s harem, who between all of them are specialists in nearly everything, and they resolve to better Nana’s situation. In the meantime, though, kids are getting kidnapped as Darkness Rainbow makes its move – and they’re desperate, clearly, as kidnapping is not something easily papered over with memory erasure. Once it’s clear who’s behind it, Yurika asks everyone to help her save the kids and defeat the bad guys. Unfortunately, only one of these is accomplished by the end of the book, so it looks like we’re going on a field trip to the next dimension over next time.

Readers of these reviews know that I’m a huge Yurika fan, so I was pretty delighted with this book, where she spends most of her time in serious, competent mode. The joke is that everyone is really uncomfortable with Yurika being mature and competent, and wishes for the old whining Yurika to return. (This is admittedly a better joke than Shizuka’s running gag about her weight, though I liked how it became more about Koutarou being unable to princess carry her.) Yurika does an excellent job here, leading the team that discovers the bad guys, relying on others for support, and not breaking down once. The afterword hints of even better things in the next book. The rest of the cast are also good, and we’re starting to see the girls attempt to flirt harder with Koutarou, but he’s still not emotionally ready yet.

The book isn’t perfect – the battle in the hotel almost feels like there’s a chunk of the book that was randomly cut out, and the climax is similarly rushed – but overall this was a very strong entry in the series, and I really can’t wait to see what happens next.