Monthly Archives: September 2025

Private Tutor to the Duke’s Daughter: The Celestial Spear, Successor to the Star

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By Riku Nanano and cura. Released in Japan as “Koujo Denka no Kateikyoushi” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by William Varteresian.

Aside from the incredibly complicated plot, and the “who will Allen end up with” parts, for the most part this series’ most interesting subplot has been “when will everyone finally succeed at making Allen into a noble?”. Admittedly, one of the biggest obstacles to pulling this off has been Allen himself, whose genuine low self-esteem is matched only by his crafty ability to try to escape getting credit for things. Because he has experienced what people think of the beast tribe, and also what people think of him personally. Man, a lot of people just hate Allen on site, don’t they? Allen tends to be famous for a few things: 1) being the one who made Lydia who she is today (and is now doing the same with Tina); 2) Allen solving every single major incident of the last year or so; and 3) Allen having a very small amount of mana. That last one, possibly even more than his bloodline or lack thereof, is what leads folks to be absolutely furious at him. And in this book, that proves fatal.

Despite the aftermath of the previous volume, the aforementioned fatalities, and a really big fight near the end, for the most part this is the relaxing volume I had hoped for. The entire cast ,minus Ellie (who gets a scene showing how far she’s come but you still sense the author doesn’t know what to do with her) and Cheryl (back being a princess) are headed to the Yustinian capital, there to meet an Alice who is increasingly getting unable to perform her hero-ly duties (and trying to hide it) and her brother Igna, who has a bad case of jealousy and envy, and it’s all pointed at Allen. Also coming along is Lily, and we get a lovely flashback showing how they first met, and giving a little more insight into Lily’s desire to be a maid (which, I remind you, in this world is basically “assassin/spy/soldier who serves tea”). Oh yes, and the Emperor wants to see Allen and Caren, commoners or no. That might be hard.

I was actually faked out by one scene in here showing Lydia, Stella and Alice all agreeing to something after looking through ancient laws no one uses anymore. A lot of folks have been divided into camps in terms of “which girl will win”, and we know which camp I’m in. I had assumed this was some sort of polygamy thing, and was surprised Lydia went along. But in fact it’s nothing of the sort. If Allen can’t get a title or a noble house in his own country, well, let’s give him one from a different country. He really can’t weasel out of this, though he tries. It’s not helped that his sister is over the moon about it (and we’re also reminded how much she’s done to save the world – really everyone in Allen’s generation is a superhero. Caren knows that an Allen with a title is an Allen who will get the recognition he deserves. Though she may be less wild about Allen needing to get married, which I think may also be an issue.

And bad news to fans of the books: if you’ve seen the anime running this summer, you now have to preface recommending them with “It’s better than that, I promise”. Still, readers of Book 16 will definitely enjoy Book 17.

Imperial Reincarnation: I Came, I Saw, I Survived, Vol. 3

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By Masekinokatasa and Kaito Shinobu. Released in Japan as “Tenseishitara Koutei deshita: Umarenagara no Koutei wa Konosaki Ikinokoreru ka?” by TO Books. Released in North America by J-Novel Club. Translated by Jason Li.

I appreciate that even now that we’ve had our coup and Carmine is allowed to not act like an idiot all the time, the best scenes in the book are still either him trying to be very clever and then realizing everyone was already way ahead of him, or him realizing that he’s kind of screwed up but can’t say anything about it. The latter is possibly the most darkly funny moment of the book, when his imprisoned mother pushes her lover out of the tower to his death, and everyone wonders why there were no bars in the window, and Carmine quietly realizes he removed them when it was Vera-Sylvie’s tower and forgot to replace them. OOPS. More awesomely, when Carmine points out (and you can see his logic) that he has to be on the battlefield leading the charge, he immediately gets some extra help he really does not want, because they know what he’s like, and “I might need to sacrifice myself” would be on the table unless they take it off.

The entire volume consists of the aftermath of Carmine taking power and trying to consolidate it, figure out who he can trust and who he has to execute, and preparing for war, as the sons of the folks he just murdered are declaring themselves independent and amassing armies. He can’t even really trust his own allies – his spymaster, at one point, deliberately makes himself less trustworthy to remind Carmine not to trust even those he’s closest to 100%. He’s always going to be the Emperor, which means he’s always going to be at risk of getting killed. His biggest concern besides allies is money and weapons, as well as an army to use those weapons. Money is the biggest worry, which is why he has to try to make a deal with the largest merchant company in the world right now. Fortunately, she, um, comes to him and offers a great deal? Not suspicious at all!

The most interesting part of the book was probably the meeting between Carmine and Hilaire Fechner, the head of the Golden Sheep Trading Company. Her behavior throughout the exchange, and even the interior art, makes you think of her as basically Mikuru from Haruhi, the sort who’s always crying and apologizing – she literally comes in apologizing in such a Japanese style Carmine suspects she too is reincarnated from Japan. Then of course we see her making deals and revealing secrets that essentially end up with everything going the way she wanted. You would expect most authors to at least confirm a little that she’s really crafty and this is an act, or have a side story from her POV later. But no, all we have is Carmine’s realization that she’s putting one over on them – the act doesn’t drop even for the reader, and it could be that she’s really like that. I want to see more of her.

You really, really need to be prepared for the lead character to ramble on about military alliances and trade agreements for 250 pages. If that’s your cup of tea, and you don’t mind that Carmine is still too young to have this series get TOO harem-ey, this could be right up your alley.

Welcome to Olivia’s Magic Jewelers, Vol. 2

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By Rinrin Yuki and Suzaku. Released in Japan as “Olivia Maseki Houshokuten e Youkoso: Ka to Mise wo Oida Sareta no de, Outou ni Mise wo Kamaetara, Naze ka Moto Konyakusha to Gimai no Kekkonshiki ni Dero to Iwaremashita” by Mag Garden Novels. Released in North America by Cross Infinite World. Translated by Jordan Taylor.

I enjoyed this a great deal more than I did the first volume, though I do feel a bit guilty about that, as the main reason I enjoyed it was I kept waiting for Olivia to finally break down. We already knew she was an earnest young woman with a low opinion of herself, and we saw, at the start of the first book, her treatment at the hands of her abusive adopted father, cheating fiance, and terrible stepsister. But she ran away to the capital, made a name for herself, has a shop, and also has the most attractive man in the city in love with her, though she has not quite cottoned on to that last one. That means that this book, where she is forced to go home, be a witness at her sister’s wedding to her ex-fiancee, and then discuss her birth father’s old shop with evil adopted father – well, she reaches her snapping point.

Things start off well. Olivia now has her shop, and is satisfying customers once she manages to get out of her own head and stop stressing. She has a capable assistant who tries to make her rest (with limited success). She has her friends who helped her when she first came to the city. And she has Elliot, who sure seems to show up an awful lot around her. When she gets the letter telling her to return home for the wedding, everyone springs into action. She’s given a fashion and makeup upgrade, and Elliot decides to start taking her out to fancy restaurants and the theatre – not for any ulterior motives, of course, just as a pal. He’s also agreed to go with her when she returns home. Because the one thing Olivia and all her friends agree on is that this is a giant trap.

The third quarter of this book is dedicated to getting on Olivia’s last nerve. Her father’s shop sits abandoned and covered in weeds. The one employee who used to work there, but had to retire due to injury, is missing. At the wedding itself, her stepsister proves to be a shrieking harridan, demanding Olivia publicly apologize. The noble who controls the area – her ex-fiance’s father – decides to have Olivia marry him after all. And when she refuses, thanks to the help of Elliot, who the noble is terrified of for some reason, they go with Plan B, which is to knock her out, kidnap her, and say she’ll be imprisoned for life making artifacts. Apologies for all the spoilers, but this is a good way of showing that when we learn Elliot’s true identity (which should not surprise any reader who’s paid attention), she just gives up and goes back home by herself. The definition of the final straw.

Now, of course, they make up, which is the last quarter of the book. And there’s a third book which implies that Olivia’s low nobility status (which means she can’t marry Elliot) may soon be fixed by a secret in her family’s past. But for me, the best part of this book was seeing Olivia suffer. It was very realistic and well handled. Sorry, Olivia.