Monthly Archives: February 2026

Mercedes and the Waning Moon: The Dungeoneering Feats of a Discarded Vampire Aristocrat, Vol. 4

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By Fire head and KeG. Released in Japan as “Kaketa Tsuki no Mercedes: Kyūketsuki no Kizoku ni Tensei Shita kedo Suteraresō nanode Dungeon wo Seiha suru” by TO Books. Released in North America by J-Novel Club. Translated by Maddy Willette.

I do love it when a character I 100% vibe with arrives on the scene. I love, as I have said in a few reviews before, incredibly strong, powerful women who are also dumb as a bag of hammers. It just tickles me. And we get that in spades here with Julia, a vampire who’s on the side of the bad guys and actually forces Mercedes to try. See, she’s not only strong, but it seems to be entirely instinctual – she hasn’t been taught anything, but when she sees a move she’s able to work out counters and the like just on her own. And she’s also the funny kind of dumb, which is important. She will fall for them pretending to be on her side and spill all sorts of secrets. The big bad, when their plans inevitably go south, assumes it’s her fault simply because she causes chaos wherever she is. I was so happy she wasn’t killed off.

Things are going pretty well for Mercedes, though she’s still struggling with the whole succession thing. Unfortunately, Sieglinde may be the official princess, but the country does not really want her to rule, especially since the empire next door were all misandrists. So she’s got to get married, and the person who marries her will have all the power. Then Mercedes gets a visit from a guy named Basil, who she notes looks exactly like a typical anime bad guy (he looks a lot like Gin from Bleach, in fact). Basil says that there is, in fact, another royal with a claim to the throne – and he has a dungeon. Sure, he’s a naive ten-year-old who is clearly being set up as a puppet king, but that’s irrelevant – he has a dungeon, and he’s male. How are they going to handle this?

As it turns out, the backstory that led to all this turns out to be rather convoluted, especially since it means that there’s another person with a connection to the royal family. My favorite part of the book was possibly Mercedes’ unreliable narrator moment. To be fair, it’s not without signposts – there are several points where she notes that she’s being too kind or too soft, and we think “wait, back up, Mercedes? Too soft?”. But her father clocks her right away, and instantly lays out her entire thought pattern in three paragraphs. It’s very clear that whenever this series ends (I’m estimating 1 or 2 more books), it’s going to end with Mercedes battling her father for supremacy. In the meantime, congratulations to the country, which now has its royal who can be king, and he’s at least semi-competent. Oh yes, and the little boy who was being manipulated is not killed but put in prison instead. I’m sure that will be FINE.

The 5th volume is not out yet, so get ready to wait. This is a decent little OP cynical vampire series, even if I could have done without hearing about how vampire’s breasts never sag because of their eternal youth (or, in the case of Mercedes, eternal tweenhood).

True Love Fades Away When the Contract Ends: The Secret of the Rose

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By Kosuzu Kobato and Fumi Takamura. Released in Japan as “Unmei no Koibito wa Kigen Tsuki” by Maple Novels. Released in North America by Airship. Translated by Sarah Moon. Adapted by Max Machiavelli.

There’s not actually any art forgery in this book – all the paintings that Fiona gushes over throughout the book seem to be genuine. This is probably because the mastermind behind everything is behind bars – note that I did not say safely behind bars. A novel needs a climax, after all. This allows the book to delve deeply into the other outstanding plotline, which is Fiona and Giles’ fake relationship. Both really don’t want to break it off, but know they have to. Well, Fiona knows she has to. Giles has an epiphany in this volume, and suddenly is finding that he’s absolutely not in favor of that anymore. Unfortunately, he’s still an earl and she’s still the daughter of a baron, so there are issues. What’s more, her father is unhappy with the idea. And this book sees her uncle returning to town, and Fiona just loves him. (No, not that way.) That said, we may be more familiar with him than we thought…

After the events of the last book, Gordon has been taken into custody, which means that Fiona can finally go home and stop imposing on the Heywards. (She is the only one who thinks it is imposing.) As it happens, she gets home just in time, as her uncle Reginald has returned from abroad, and he’s brought paintings to sell. In fact, they’re paintings from the famous Raymond, which is even bigger news. Reginald, however, does not like Giles at all. He knows Fiona wants to be independent, and having her as the plaything of an earl is the last thing that’s good for her. Unfortunately for Reginald, Fiona is not the only one unaware she’s fallen in love – Giles is as well, or was, until Reginald makes him realize that he is. Things will all come to a head at the grand ball which is supposed to be their final one as a couple…

As noted, 4/5 of this book is a romance. Reginald doesn’t like Giles, but he quickly realizes that Giles is not a manipulative bastard and just settles for glaring at him a lot. There is, though, the last fifth of the book, where you realize that both of the main antagonists of the series aren’t dead, and so of course bad things can still happen to Fiona, who has a kind heart even when facing off against a broken woman calling her a whore. Sadly for Caroline, who has spent her entire life planning to be Giles’ wife, reality is not kind to her. I’m frankly stunned by her fate in this book, which is more than she deserves, as everyone else points out. As for Gordon, well, guess what, they never found the body, so I guess we’ll see him again in Book 4. At least he gave us some good royal backstory and angst.

The webnovel is done, with enough material to finish with Book 4. When the published book will be out in Japan is beyond my predictions. Till then, if you like romance and nobles and art, this is still a very good sampling of all of those.

The Too-Perfect Saint: Tossed Aside by My Fiancé and Sold to Another Kingdom, Vol. 5

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By Fuyutsuki Koki and Masami. Released in Japan as “Kanpeki Sugite Kawaige ga Nai to Konyaku Haki Sareta Seijo wa Ringoku ni Urareru” by Overlap Novels f. Released in North America by Airship. Translated by Amelia Mason. Adapted by Shaenon K. Garrity.

I always enjoy it when a series that has long since evolved away from its title decides to backtrack and remind us of it. Sure, we remember the “tossed aside’ part, mostly as her fiance is such a clown, but it’s easy to forget the ‘sold’ part, especially because she was sold for a lot of money – money that had to come from somewhere. It’s never really come up since then, mostly as the purchase of Philia as the Saint turned out to be the best one they’ve ever made, but it does make you wonder where the money to pay for her came from. As it turns out, their world is not all that different from our own, and it turns out that a lot of the money came from grants being given to various research and development facilities around the kingdom. Which can be a problem if some of those researchers are, shall we say, a bit obsessed.

Having finally wrapped up the wedding (and sent Mia home, so alas she is not in this book), Philia and Osvalt are finally ready to embark on their honeymoon… but Philia is still Philia, which means their honeymoon involves a lot of research. She’s touring the ruins of the country to try and figure out if there’s a way to stop the magic fluctuations in the volcanic area so that they can get more flowers. While there, unfortunately, they come across what seems to be an attempted break-in… and then, at another site, they catch those responsible. The main culprit is a merchant named Harry, who smiles but seems to lie as easily as he breathes, has been selling arms to the country just in case of foreign invasion, and has a far closer connection to Philia… or rather, Philia’s attendants… than anyone realizes.

Leaving aside the spoilery relationship that makes up the bulk of the last half of the book, it is entertaining seeing Philia actually coming to terms with herself as an emotional being. Getting married seems to have freed up her body to actually do things like smile and cry, and I don’t think she’s come to terms with it yet… nor has she come to terms with losing somebody near and dear to her, which we come close to this time around. She’s mirrored by Osvalt, who his brother doesn’t trust to deal with tense political situations because he’s too empathetic, but he ends up doing really well here, showing off that empathy can also be “really good at reading people”, which is actually quite handy for political situations. Lastly, a brief wish: I really hope we’re not suggesting Grace will marry Reichardt when she grows up. I like her as the little sister of the group, and hope she stays in that role.

That said, if she keeps saying things like “I’ve never seen a magic tool that large before”, I may have to reconsider. Oooooh, Matron!