By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse.

(This book, by necessity, goes into spoilery detail about what happens in this volume, bar the final scene.)

This is an ongoing series in Japan, and I think the 13th volume just came out. That said, I was starting to wonder if we were getting near the end of the “main plot”, as it were, especially after the revelations from the last volume. Not only was I correct, but I was very correct. If I can misuse the expression for a moment, this entire volume is busy taking all the rifles off of Anton Chekhov’s mantelpiece and firing them all at once. It’s thrilling, if also quite tragic, especially in the first half. And it leads up to what we’ve been waiting for since this series began. Monica has to decide which is more important to her, the leaps and bounds she’s made as Monica Norton, or her old life and secret mission as Monica Everett. Her choice is the cliffhanger ending of this book, and one the author says they’ve wanted to write since it began. I admit I’ve waited for it as well. Bravo.

We’re getting closer to the end of the school year, Felix graduating, and the end of Monica’s mission. We’re also getting closer to the throne war coming to an end, as Duke Clockford and Felix go around using and/or killing off various pawns at their disposal. And then there’s the Empire, who decide to threaten Monica. They end up reaching a deal. Either Monica stops the war, or she has to personally kill the entire royal family. We then get an extended flashback, which shows the backstory of Isaac Walker, as well as the fact that Monica doesn’t need to worry, one of the royal family is already long dead. Unfortunately, Felix misjudges how important he is to the Duke, and when one assassination attempt fails, finds himself accused of being an imposter, arrested, and locked up in preparation for execution. Given that all this is true, it’s gonna be hard to stop.

I will admit, apart from the dramatic climax of the book, it’s the tragic bits that stand out more here. Isaac’s memories of his past are just as depressing and horrifying as you’d expect, and pretty much tie in with everything we know about him. And when Monica gives him the name of her father, he also discovers that he is, technically, responsible for her father’s death as well. All this causes him to have a massive death complex, so things are not just going to be as easy as “let’s have you escape”. Monica too is not having a good time, though it’s quite noticeable how much better she’s gotten at communicating since she became Monica Norton. Cyril is also handled well here, though I have bad news for him, as Monica “senpaizones” him. Isaac probably has the best chance, though I still think the most likely romantic option for Monica is “none”. We also see the return of a character I never thought I’d see again, and it was wonderful to catch up with them.

The 9th book is not scheduled yet, and I hope it doesn’t take the 9 months it took to get from 7 to 8. Fantastic stuff.