By Kurusu Natsume and Sai Izumi. Released in Japan as “Jingai Kyōshitsu no Ningen-girai Kyōshi: Hitoma-sensei, Watashi-tachi to Mirai ni Susundekuremasuku…?” by Media Factory. Released in North America by Yen On. Translated by airco.

In the long interim between the second and third volumes coming out over here (there was a gap in Japan as well, plus a translator change), we had the anime version of this title, and while I’m not sure if it was a success in Japan, I do know that it went down over here like a lead balloon. I didn’t watch it, but a lot of folks made it sound like it was a romantic fantasy of a nebbish guy meeting a smorgasbord of supernatural monster girls, rather than what the novels make it clear that it actually is, which is another in the long line of “teacher arrives at school and proceeds to make the kids’ lives better whether they like it or not”. That said, there was a past trauma that made it sound like maybe he had a teacher student romance in his past? This third volume makes it clear that it was a lot more ordinary than that… while also maybe making you think the anime had a point.

It’s a new year, with two new students, who as usual appear on the cover. What’s that? No, the third girl is a human… and Hitoma’s new assistant teacher. Which is a problem as Haruna is also the high school girl who caused him to resign and become a shut-in for two years as well. The bulk of the book is in the present, but each chapter ends with a past flashback to the two of them in their previous school, and why things happened the way they did. (Spoiler that isn’t one: bullying is omnipresent, and teachers who try too hard to stop it get destroyed.) As for the new kids, Wakaba is a cool elf girl with a surprising past, and Okonogi is a gyaru-type oni girl with a depressing past. That said, we’ve had one graduation per book so far, and given that Haneda isn’t going anywhere, the end of the book becomes “what’s going to happen with Usami?”.

The Usami plotline is easily the best part of the book, to be honest, which makes sense given she’s the student we’ve known the longest who’s still there. As for the new folks, Wakaba’s origins are a terrific idea that ended up being less interesting than I expected, and she doesn’t really feature after her spotlight. Ononoki provides some nice drama, but I was a little uncomfortable with the reverse of the usual blonde vampire rule – instead of “she’s 800 years old but looks 8”, here we have a girl who looks like a 16-year-old high school girl who’s much younger. And then there’s Haruna. I clocked what was going on with her long before Hitoma did. That said, I’m not sure how I feel about her feelings for him even though she’s now a colleague. We see Hitoma rejecting Ryuzaki here as well, so I don’t know if he’d go for it regardless, but… it does make me wonder if this was meant to be a romantic fantasy after all.

I had assumed that the series would end with the third book, and it definitely wraps up the major plotlines from the start. But there’s two more to go, and I think we get a seed of that when we see Hitoma telling the director that his goal for next year is to see Haneda graduate. This is an awkward series that either doesn’t do enough or missteps, but you end up liking it a lot anyway. Much like its main character.

By Kurusu Natsume and Sai Izumi. Released in Japan as “Jingai Kyōshitsu no Ningen-girai Kyōshi: Hitoma-sensei, Watashi-tachi no Kibo o Mitsukete Kuremasu ka……?” by Media Factory. Released in North America by Yen On. Translated by Linda Liu.

This is the sort of series where you can call the second volume “more of the same” and have it be a good thing. We’re here for very specific things. We want to see new students trying their best to become human, and we also want to see Hitoma, despite everything, be a really great teacher who is slowly regaining his faith in humanity. We’ve still got the three students from before, and now we add three, which gives us a lovely opportunity to dig into why these girls want to become human. Sometimes it’s pretty easy, like Minazuki and her desire to be a dancer (she’s still graduated, by the way, and doesn’t show up in this second book). Sometimes it’s harder, like Usami, whose goals have gotten so large that they’re almost impossible to achieve. And sometimes they’re… well, done to please someone else. And that forms the crux of the most interesting part of this book.

As noted, there are three new students in the classroom this year. Karin Ryuzaki is a dragon girl who has fallen in love with her teacher at first sight, and is determined to confess – despite the obvious issues with a student teacher romance. Machi Nezu is a mouse girl with an obsession with food and also an obsession with her little sister, who is in the lower grade of the school. And Neneko Kurosawa is a cat girl who seems to sleep most of the time and be relatively uninterested in class when she’s forced awake. When asked why she wants to be human, she replies at first that it’s a secret, then later that it’s someone else’s desire. But Neneko has a bigger secret, one that will severely impact her time at this school: she doesn’t actually want to become human at all.

The other girls do also get attention paid to them. We now know Haneda’s secret, of course, so she has a larger role than usual. Usami is trying harder than ever, but at least is allowed a bit of closure from her previous life. And Ohgami is… well, I hesitate to say that she’s the weak link. Her story is touching and feels earned. But I get the sense she graduated mostly as the author had run out of things to do with her. We don’t even see the “split” that is supposed to allow both aspects of her to pursue separate human lives, it’s all implied. Bit of a bummer. By contrast, Neneko’s story is the most interesting, being a companion of a witch who is at risk of becoming a yokai rather than a human. But she’d rather deal with that than deal with being separated from the one she cares for, and I like that she’s able to get that across and that they’re searching for a solution.

The book ends with a cliffhanger that makes me wonder if it will end in the next volume, as it certainly promises to wrap up Hitoma’s past trauma. But the 3rd book in the series only came out a few days ago in Japan, so it will be a while. Till then, this is good fun and heartwarming.

By Kurusu Natsume and Sai Izumi. Released in Japan as “Jingai Kyōshitsu no Ningen-girai Kyōshi: Hitoma-sensei, Watashi-tachi ni Ningen o Oshiete Kuremasu ka……?” by Media Factory. Released in North America by Yen On. Translated by Linda Liu.

Look, I appreciate a surprise as much as the next person. I love it when a book I thought was going to be one thing turns out to be something totally different. But sometimes there is also joy in picking something up because you know what it’s going to be, and have it be exactly that. This is one of those books. The plot description made it sound exactly like the Japanese sub-genre of “new teacher enters the lives of their students and changes them for the better”. Now, Hitoma is never going to come close to Onizuka, or even Kumiko Yamaguchi. But that’s OK, because these series live and die on the strength of their student cast, and these students are fun, and they do have one or two big surprises. It helps that we don’t have to deal with a huge cast herd. This is a school for demi-humans, and there’s only four in their “senior year”.

Hitoma is a man in his late twenties, and he’s been holed up in his family home ever since a traumatic experience when teaching led him to quit. But he spots an ad for a teacher at an all-girls school in the middle of nowhere in the mountains, with great pay and benefits. He arrives for the interview, and discovers the catch: this is a school for non-humans trying their best to become human. He’ll be in charge of the advanced class, which has upbeat mermaid girl Minazuki, teasing bird girl Haneda, sullen rabbit girl Usami, and shy wolf-girl Ohgami. Each have a wish that can only happen if they learn how to be human and graduate, and Hitoma is here to help them. That said, the graduation rate is very low…

As you might guess, there are individual chapters dedicated to each girl and her circumstances. Minazuki is descended from Poseidon, and really should be mermaid nobility, but wants to be a dancer. Ohgami has a different personality every full moon, one that is her polar opposite, and also is a reverse werewolf. Both sides have suicidal tendencies and a desire to sacrifice. As for Usami and Haneda, the spoiler is the point there, so I won’t go into detail. They’re all fun. As for Hitoma, “misanthrope” is not really all that accurate, “depressed” fits better. This does not stop him for earnestly helping all the girls – he’s a good teacher. (They tease him about teacher-student relationships, but he never rises to the bait – he IS a good teacher). Given the cover of the 2nd book has three different girls, I wondered if the entire cast would leave the series at the end of this volume. That’s not true, but it shows just how much everyone has grown that it’s totally plausible.

So yeah, Book 2 is the latest out in Japan, and as noted, there are different girls on the cover. I’ll be here for it, though. This is heartwarming and life-affirming, and I greatly enjoyed it.