By Kumo Kagyu and so-bin. Released in Japan as “Blade & Bastard” by Dre Novels. Released in North America by J-Novel Club. Translated by Sean McCann.

I think this may be the 6th time I’ve said this, but I have never played or delved into Wizardry. And so far this hasn’t really been too much of a problem. There’s the vague annoyance of the parenthetical telling you that someone’s mental well-being is really something you should roll for, i.e. all the “hit points”. There’s the hilarity that sometimes comes when one of the ridiculously named spells is accidentally something familiar – TILTOWAIT in this book just kept making me think of the amusement park ride Tilt-a-Whirl. But in this volume, I really get the sense that the author is talking about backstory the reader should already know. Are these characters – who everyone seems to know except Raraja, who I have never identified with more than I do now – something from the Lore? Are they part of spinoffs, sequels, side-stories? And in the end, do I really need to care? Or can I go back to thinking that Iarumas and Ainikki really need to bone?

We pick up right where we left off. The prince is missing (and sorry, court ladies, I guess you’re all really dead dead after all), and the dungeon is being overrun by essentially possession goop monsters. Iarumas’ group has to go down there, as they’re the main characters. Schumacher’s group is also going down there, as they’re the less good, more realistic ones. And as for the top party in the city… well, they’re missing, whoops. It will come as no surprise to learn that the bulk of this book is spent is a slow, almost lethal, sometimes actually lethal dungeon crawl, with trick doors, hidden doors, hidden chutes, zombie dragons, and everything else a teenage boy could want to roleplay with. And when they finally reach their destination… wow, are we finally getting Iarumas characterization? Yes! Spoiler: he shows multiple emotions in this book!

Generally speaking, Japanese light novels tend to have first person narration, or third person omniscient. This one has the POV spin from character to character from scene to scene, and frequently within the same scene. One could argue this is bad writing, and to a degree it is, but it also helps to get across the desperation and determination this book is meant to ooze. Iarumas’ party have become, mostly thanks to Garbage, something pretty famous, but the party themselves are filled with doubt and fear. Schumacher’s party is filled with even more of that, along with a heaping helping of self-loathing (hell, even the left-behind childhood friend seems to hate herself), despite the fact that they’re really freaking awesome this book. There’s also a lot of trying to get past the thing you hate the most, be it a dragon that killed you before, a demon that enslaved you before, or just an evil boss who has your face but does a lot more than you do. Ah well. In the end, we can always listen to the words of Garbage. “Arf”, she said.

We’re caught up with Japan again, but fortunately this book finishes up the arc. What will happen next? My guess: dungeon crawling.

By Kumo Kagyu and so-bin. Released in Japan as “Blade & Bastard” by Dre Novels. Released in North America by J-Novel Club. Translated by Sean McCann.

I’ve talked before about how a reader should not be angry that their genre book is in a genre. For example, being annoyed that an isekai has people transported to another world seems a bit petty. And I do occasionally have to remind myself of this rule. Blade & Bastard is a series where there’s a lot of mysteries going on behind the scenes that I would like to find out about, and we even get a glimpse of some of them at the start of this book, making me quite happy. But then I am reminded: this is a book whose sole purpose is to advertise the game Wizardry, and it’s never really going to get out of that wheelhouse. As a result, after about 1/3 of a book where we tease stuff we’ve wondered about for a while, it’s back to the dungeons, back to fighting demons and zombies, and of course back to folks dying horribly and needing to be resurrected. Well, hopefully resurrected. There’s a cliffhanger, and some of those folks are still dead.

All the adventurers have been called together, as the Crown Prince is coming, and they all have to at least bow a bit. All except Iarumas’ group, of course – they’re off in the dungeon, and don’t show up. Festin, said crown prince, is somewhat grumpy about this, as he really wanted to see Garbage – and is very ticked off when Garbage finally does show up, and is not very happy either. We also hear a bit about the tragic backstory that every woman in the royal family has – one princess had a demon attack the palace while she was there, one Queen reigned during a hideous calamity, and one queen had her sister turn to evil. And then there’s Garbage, who… well, we keep hinting about what’s going on with Garbage, but that’s all we’re gonna get, still. Because unfortunately, somebody kidnaps the prince and all his maids, and kills all his guards (and also turns them to stone, so I think they’re dead dead). And takes them… to the dungeon, of course.

There’s a large number of folks in this book who have red hair and compelling eyes, the same as the royal family. Not only Prince Festin (who I have used male pronouns for as the book does, but I won’t be surprised if that changes) and Garbage, but also Flack, the monster who is the main antagonist of this book. When they say the royal family is cursed, they’re not kidding. That said, there is some nice character development in amongst all the grim dungeon horror. Aine fails to stop the abduction/murders, and feels very depressed about it (going to, in one of the most surreal moments in the whole series, a fantasy baseball game to clear her head) and Iarumas has to cheer her up. (They still have romantic subtext that likely won’t go anywhere, but it’s very present here.) As for Iarumas, he helps everyone else get character development by dying horribly, meaning the rest of the group has to not only bring his corpse back to be resurrected, but they also want to defeat whoever killed him. They’re getting strong. Even if they all deny it.

If you like dungeon crawl fights featuring every stereotype in the book, this remains a fast, compelling read. We’re caught up again, though, so have patience.

By Kumo Kagyu and so-bin. Released in Japan as “Blade & Bastard” by Dre Novels. Released in North America by J-Novel Club. Translated by Sean McCann.

This was better than the last volume, possibly as it’s a short story collection disguised as a novel. The stories are vaguely interconnected, except for the first one, and are all related to the aftermath of the third book. Iarumas is in deep thought, so is not going into the dungeons, leading the rest of the cast to try to go in without him. They’re helped by some eccentric new cast members, of course, who may or may not stick around. (I’m sure the twins will, not so sure about the chuuni.) And of course, in case you’d forgotten, Aine is not doing anything at all in this book, as she lost both her arms in the last volume. That said, this turns out to be what Iarumas is in deep thought about, so hopefully we can do something about it. Mostly, though, this is a book that allows Orlaya to step up and show that she’s likely to be the second protagonist going forward.

As I said, this starts off looking like a short story collection, as we get a flashback showing how the All-Stars got together and what Sezmar was like when he first got to the city. After that, we follow Schumacher with a party of his own, including twins who “came back wrong” after resurrection and a ninja thief who seems to be really into her role but rapidly finds the dungeon is not a place where she can pretend to be Megumin. We then get a short comedic chapter from the POV of Garbage’s new sword, which is the funniest chapter in the book. Then Iarumas goes hunting in the dungeon for something, but doesn’t quite find it. The last two chapters are interconnected, as the main team, minus Iarumas and Aine but plus the twins (now slightly less wrong) and the ninja go hunting and find a pool with a rubber duck… which may be exactly what Iarumas wants.

As always, the new characters are a) interesting, and b) the author’s barely disguised fetish. In this case it is twins, Rahm-and-Sahm, who are now half and half each other thanks to a botched resurrection. They’re weird and stoic. Then, later in the book, they get a lot more vibrant… and a lot more annoying, having apparently come to terms with basically being each other and deciding they’re OK with it. The other new character is Shadowwind, who as I said sounded like a Crimson Demon when she first arrived, but the dangers of the dungeon shut her up fairly quickly, and by the end of the book she’s gored in the throat (which she survives) and blown up by an exploding trap (which she does not). She’ll be resurrected, but I’m not sure we’ll see her again. She’s just not as… interesting as twins who are each wearing the other half of their twin. And again, by “interesting” I mean “the author’s basely disguised fetish”.

The regulars do all get a lot to do, and Orlaya in particular shows off her skills as more than just “another love interest for Raraja”, so rest assured. And yeah, sorry to spoil, but Aine gets her arms back. I could see the author trying to decide between “battle-crazed nun with a sword” and “amputee nun” for hours before making the decision, and fortunately they made the right one. Next time, royal intrigue? More of Princess Garbage? We shall see.