By Kazuma Ogiwara and CARIMARICA. Released in Japan as “Isekai Toushou no Maken Seisaku Gurashi” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Ryan Burris.

This remains a series written almost entirely for teenage boys, but it’s worth noting that this isn’t just one aspect of things teenage boys like. Obviously there’s the stuff about the swords, because teen boys love swords, and fantasy authors love treating the swords like they’re women, which this book absolutely does. It’s also written for teen boys in terms of the sexuality – Lutz and Claudia remain very sexually active, and a princess of another country’s city/tribe is mostly described by her large breasts. But there’s something else teenage boys like, and that’s grimdark, and this series has that as well. It never quite spills over into actual tragedy, but there’s a lot of bleak, depressing stuff in this series, ranging from the start with Claudia being saved from a fate worse than death (more on that later), to a clan leader who has let the love of a sword turn him evil, to a vengeful knight seeking to atone for past sins by killing his fellow sinners. It’s not fluffy.

This story essentially consists of two parts. In the first, Lutz, Claudia, and Ricardo head to the federation to see what’s going on there after the death of their king. Turns out things aren’t great. They meet up with Gwynn, the guy who asked Lutz to create a katana he could give painless death with, and together they head to a wretchedly poor city where the chief seems to really, really hate them. He has a daughter who’s far more sensible, but he also has a bewitching katana that has killed three of her brothers when they challenged dear old dad. Maybe an unbewitching katana from Lutz can help. When they return home, they find that there’s a masked avenger going around killing the lazy knights, and while Lutz and especially Claudia have no love lost for those guys, Lutz decides to investigate just in case this turns out to be the fault of one of his katanas, like almost everything else in this series.

There is some humor in this, of course. The darkness of the village chief and his bewitching sword is offset by the adorableness of the first love between Gwynn and Melty. There’s another subplot about Ricardo asking for a second katana to be used with Tsubaki as a dual wield, and it’s up to Lutz to show Ricardo that dual wielding is something mostly done by fictional heroes for good reason. But we see slavery here, and a village whose people are starving to death just because its chief wants a second priceless katana to go with his first. There’s also the entire plot with Donaldo, who worships Lutz for all the wrong reasons. Lutz has to secretly meet with Donaldo to resolve this, because much as Claudia likes to pretend that she’s over the terror of what the knights did to her in the first book, she’s really not, and he knows that he needs to handle this away from her. The darkness of this world leaks in whether you want it to or not, and it’s impossible to get rid of.

It will be interesting to see where this series goes next – especially given we’re now seeing Enchanted Weapons by people other than Lutz. I’m still really loving it.

By Kazuma Ogiwara and CARIMARICA. Released in Japan as “Isekai Toushou no Maken Seisaku Gurashi” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Ryan Burris.

We’re very used to seeing light novel titles where “the title is the plot” by now. They’ve become a joke now, usually involving a long title, a colon, and an even longer subtitle. The Bladesmith’s Enchanted Weapons does not have such a long title, but it falls under this category as well, as by now every volume’s plot has been set into motion by Lutz crafting a weapon, Gerhard enchanting it, and chaos accidentally springing from giving it to someone. The Japanese title translates a bit longer, but that also brings up something odd: it distinctly called Lutz an “isekai blacksmith”, but so far there’s nothing whatsoever indicating that’s true. Indeed, the third volume hammers home even more that Lutz’s father lived in this world and died in it. What seems to be the “isekai” part is simply that they’re making katanas, rather than the usual fantasy broadswords. The smithing technique is from another world… and it’s causing just as much of a mess as any potato-kun making mayonnaise does.

Last time I said I hope things would be a little better in the next book for Princess Listill, and I guessed I jinxed myself, as she really doesn’t have a good book. She’s on her way to visit Claudia, who she now regards as a big sister, when she’s kidnapped by bandits, who kill her guard knights and drive off the servants going with her. Given that she wouldn’t have been kidnapped if she weren’t going to visit Shander in the first place, the count sends an elite team to rescue her… and Lutz goes along as well, of course. She is rescued, and even manages to not get raped, because the bandits are ex-soldiers who were treated like murderers after the war ended, and are just trying to air their grievances before the king. Sadly, while their grievances are aired, the rumor mill is what it is, so everyone assumed the worst happened to the Princess, who is now “used goods”. And then things get worse.

In case you were wondering, rest assured Claudia is in this book a lot, and she and Lutz have a very active love life. She’s also good at strategy… though not as good as she thinks she is. I appreciated that the end of this volume showed that while Claudia is very clever, she still lacks experience and can be, as she disparagingly says, only good for her big, stupid butt. (Which is mentioned more than once – this author knows their audience). It’s not only her fault, though – Lutzx has got to start making katanas that turn everyone who gets them a bit crazy, because it’s starting to actually influence the politics of the region. And I didn’t even mention the secondary plot, a horror story where the dungeon in their domain has been seeing a lot of missing adventurers and a lot of mysterious jewels… or things that look like jewels.

This continues to be a series that you mostly read if you like watching guys acting cool. There’s a lot of that here. I quite like it.

By Kazuma Ogiwara and CARIMARICA. Released in Japan as “Isekai Toushou no Maken Seisaku Gurashi” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Ryan Burris.

Last time I mentioned that this was a very horny series, and that’s still true, though it is perhaps a BIT less. Fortunately, the sword that tells men to get aroused and kill themselves is limited to the very start of the volume. Lutz and Claudia are still a very loving couple, but for the most part it’s limited to “and then they went and had fun” asides. But that’s fine, because even more than horny this series runs on rule of cool. Every one of the main characters feels like someone who would calmly walk away from a car just before it explodes in a fireball behind them. Which is good, as we get the equivalent of that in this volume. Lutz and Claudia just want to make some cool swords and perhaps a lot of money as well, but after the events of the last volume, I regret to tell Lutz he is now Renowned, and as such cannot avoid getting pulled into kingdom politics,

Maximillion’s katana is very nice, and he’s getting more involved in politics (and attempted assassinations as well). It turns out the kingdom has been at war with their neighbor for years, and peace talks are… complicated. The other country has a fist-sized jewel, one that the kingdom cannot possibly match… unless Lutz can make, and Gerhard can craft, a blade that will be of equal value. This they do, simply as it’s the soul of the bladesmith screaming out to them to build better and better weapons. Unfortunately, the weapon ends up starting a throne war once it heads back to the Federation, as it’s just that compelling. Fortunately, Luz and Claudia have been taken into the city and given a title, so they’re no longer quite as much at risk. Shame that can’t be said for other royalty in the country…

Last time I mentioned the horny and the ridiculous, and there’s also a lot of cool here too. But it can also get quite dark and serious. A 13-year-old princess is about to be married off to the other country even though everyone knows she’d just be an abused wife at best and a hostage at worst. The throne war ends up depressing everyone, and a seemingly useless third son who’s getting executed turns out to have other sides to him that make you wish things might have been different. Most of all, the author ends with a side story asking what would have happened if Lutz hadn’t saved Claudia. The author of Re: Zero does this “IF” side-stories for fans, and they tend to be dark. This one is very dark, even though it turns out to be a story Claudia is telling Lutz – him not saving her leads to the downfall of the entire kingdom. I prefer our current reality.

Princess Listill, alas, probably does not prefer this reality. Let’s hope things get better for her next time. Recommended for MANLY MEN.