By Kazuma Ogiwara and CARIMARICA. Released in Japan as “Isekai Toushou no Maken Seisaku Gurashi” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Ryan Burris.

I mentioned online that this is one of the most testosterone-laden series I’ve ever read, and that remains true in this book. A lot of everything driving the plot here can be summed up as “a man’s gotta do what a man’s gotta do”. Lutz and Claudia are still very in love and very sexually active, and Claudia, while she is also brilliant and gets other things to do, remains very defined by her voluptuous body. We get more katanas given out here, and one of the men who receives them is basically “MANLY: THE KNIGHT”. Unfortunately, another man who received a katana is driven by an all-consuming guilt, and it’s that that drives the second half of the book, where we gets more battles, some nasty horror, and another thing that has to be taken care of or it could mean the end of the kingdom. And yes, Lutz has to be involved in all this, much to Claudia’s chagrin. Because, well, a man’s gotta do what a man’s gotta do.

Gerhard has a new assignment for Lutz and his “disciples” – forge thirty katanas for the King to give out. Now, Lutz only has to do three of them, but the three have to be able to have a four-jewel enchantment, which is very difficult. Lutz finds that he is at the point where unless he interviews the recipients in advance, he simply CAN”T make the katanas work. So he goes to the capital and meets the three recipients – one is normal and a minor character, one is GAR as I mentioned above, and one is tortured and emo as I also mentioned above. Lutz is particularly worried about the last captain, who asks for a katana that can be taken up by the person who kills him. Lutz sensibly instead gives him a katana to protect against ambushes. Unfortunately, the plot will not be denied…

While I will admit the series is full of manly men being manly, I will praise it for not neglecting the women. The third princess shows up again, and while she acts childish and spoiled in front of Claudia (because she can), everyone else is worried that she now has what amounts to a private army loyal only to her, which could potentially attempt a coup. We also meet Leonard’s sister Karen (Leonard is the guilt-ridden knight), who is very sensible and wants nothing more than to be rid of all the trappings of the kingdom that led to everything her brother has gone through, but who is also in a testosterone-laden book, so when she gets mad at Leonard’s knight for whining too much she reaches out and squeezes his balls while saying he’s a loser. I like her.

Unfortunately for everyone reading this, it’s a two-parter, so we’ll have to wait to see what happens. Fortunately, 7 is out in January. Recommended for all, even those not fond of manly men. It’s a really compelling series.

By Kazuma Ogiwara and CARIMARICA. Released in Japan as “Isekai Toushou no Maken Seisaku Gurashi” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Ryan Burris.

While there are still bouts of humor in this series, it has not escaped my attention that each volume seems to be darker than the last, and this one was particularly dark. Dead adventurers, dead women and children, bandits everywhere, lots of justified hatred of nobles, and the realization that the city that our heroes live in really does have a lot of issues, and they’re desperately trying to force it to become a place that people might actually want to go. Which, frankly, it isn’t at the moment. The cast is also pretty static – we’ve met potential new characters, and one of them even returns in this book, but for the most part once we get to know them they leave the city. Hell, even Claudia threatens to take Lutz and go somewhere more welcoming. Though I suspect a lot of that is that she’s tired of Lutz throwing himself into deadly situations.

We open on a party of adventurers running from a zombie, and when one of them trips, the others… run away. She’s saved by Lutz, who happened to be in the dungeon and is also the main character, but she can’t rejoin that party. Fortunately, she finds another party… and then the exact same thing happens, only she is the one who runs while her new party are killed by a flame demon. She’s a mess. This flame demon has also massacred a village of carpenters Lutz worked with, and their village leader, Kevin, wants revenge. He’s a mess. And then there’s Djoser, head of the knights, such as they are, who is dealing with a bout of self-hatred, not at all helped by coming across bandits butchering everyone except an old merchant. He’s a mess. As for Lutz? He’s fine.

Well, OK, he’s not ALL fine. His beloved axe gets destroyed, but this allows him to make an even better katana with the remains. His main worry is that he keeps worrying Claudia, who loves Lutz a lot and very much does not want to keep being the good wifey who waits for her man to come home and worries he never will. She gets only one really good scene here, but it’s a pip, as she points out exactly how valuable she and Lutz are to the city and how much they’re starting to rely on him magically solving all their problems. We’re starting to see the Count trying to do something about it – creating a knight unit that not made of of noble rapists will help, though notably, even then they have to create a SECOND knight unit and leave the dissolute first one, as they all have connections. Better roads would help, but the bandit problem is not going away, and since the bandits just seems to be “those damn nobles”, it may take a more complicated fix than any of our leads can do. There’s good worldbuilding here, but the world is hard.

This remains one of my favorite new light novel titles, but it can be very grim. There are no easy solutions.

By Kazuma Ogiwara and CARIMARICA. Released in Japan as “Isekai Toushou no Maken Seisaku Gurashi” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Ryan Burris.

This remains a series written almost entirely for teenage boys, but it’s worth noting that this isn’t just one aspect of things teenage boys like. Obviously there’s the stuff about the swords, because teen boys love swords, and fantasy authors love treating the swords like they’re women, which this book absolutely does. It’s also written for teen boys in terms of the sexuality – Lutz and Claudia remain very sexually active, and a princess of another country’s city/tribe is mostly described by her large breasts. But there’s something else teenage boys like, and that’s grimdark, and this series has that as well. It never quite spills over into actual tragedy, but there’s a lot of bleak, depressing stuff in this series, ranging from the start with Claudia being saved from a fate worse than death (more on that later), to a clan leader who has let the love of a sword turn him evil, to a vengeful knight seeking to atone for past sins by killing his fellow sinners. It’s not fluffy.

This story essentially consists of two parts. In the first, Lutz, Claudia, and Ricardo head to the federation to see what’s going on there after the death of their king. Turns out things aren’t great. They meet up with Gwynn, the guy who asked Lutz to create a katana he could give painless death with, and together they head to a wretchedly poor city where the chief seems to really, really hate them. He has a daughter who’s far more sensible, but he also has a bewitching katana that has killed three of her brothers when they challenged dear old dad. Maybe an unbewitching katana from Lutz can help. When they return home, they find that there’s a masked avenger going around killing the lazy knights, and while Lutz and especially Claudia have no love lost for those guys, Lutz decides to investigate just in case this turns out to be the fault of one of his katanas, like almost everything else in this series.

There is some humor in this, of course. The darkness of the village chief and his bewitching sword is offset by the adorableness of the first love between Gwynn and Melty. There’s another subplot about Ricardo asking for a second katana to be used with Tsubaki as a dual wield, and it’s up to Lutz to show Ricardo that dual wielding is something mostly done by fictional heroes for good reason. But we see slavery here, and a village whose people are starving to death just because its chief wants a second priceless katana to go with his first. There’s also the entire plot with Donaldo, who worships Lutz for all the wrong reasons. Lutz has to secretly meet with Donaldo to resolve this, because much as Claudia likes to pretend that she’s over the terror of what the knights did to her in the first book, she’s really not, and he knows that he needs to handle this away from her. The darkness of this world leaks in whether you want it to or not, and it’s impossible to get rid of.

It will be interesting to see where this series goes next – especially given we’re now seeing Enchanted Weapons by people other than Lutz. I’m still really loving it.