By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

So yeah, I get to deliver a big apology here. I was fuming at the end of the 7th book in the series, which I saw as throwing away most of the good character development that we’d seen at the start of the volume as if someone accidentally set Fermina’s switch to ‘good’ and now it was back to ‘evil. As it turns out, the author was doing this deliberately, and it played into the start of THIS book, which shows us what happened between all that character development and the big brutal ending. Which is a whole heaping helping of gaslighting from “Father Norris”, who is of course Cardinal Nigel. Essentially, after hanging out with the most evil character in the series and being fed lies, of course Fermina is going to snap. Fortunately, this is still a cut above most other villainess books with “bad heroines”, and we get a nice subplot where she realizes that, in fact, being played for a sucker is not something she wants to experience the rest of her life.

As noted above, the prologue shows Nigel twisting the truth into a pretzel about the very real issues with refugees. This leads to the start of the book proper, where Claudia is being taken by Nigel to an Inquisition, where she will quietly be burned to death. Fortunately for all concerned, Claudia has friends in low places, so manages to get rescued and have Nigel put under house arrest for re-entering the country. Unfortunately, this does not solve her being accused of witchery, so she heads to a port to lay low for a bit… and ends up running into a drug-fuelled conspiracy that’s supposed to manufacture more evidence that she’s evil. Can she fix things and also help the adorable children of the town who are just worried why their daddies aren’t coming home? Meanwhile, Sylvester has started to have nightly dinners with Fermina. Which are only partly about manipulating information from her.

So now that I know what was going on, I can once again really love Fermina’s plotline, which only lacks a reunion with her little red-haired girl from the previous book. Sylvester is very patient with her, but frankly, he doesn’t have to do much at all, because it turns out when she’s free of both Claudia *and* “Father Norris”, she’s actually pretty good about thinking things through and realizing how much everyone around her is trying to use her for their own purposes… even when it’s not “evil purposes”. I have also never been so happy that someone keeps a diary. I did appreciate the end when she and Claudia are reunited, as it’s very clear Fermina still is not remotely near being friendly with her, despite literally coming to her defense at her Inquisition. Some things are personal. As for Claudia, she’s reunited with Sylvester (though Helen gets all the affection… damn, why isn’t this yuri?), and they’re both determined to be married ASAP. I also really enjoyed her confession to Sylvester, which, contrary to her assumptions, mostly made him go “ah, so that’s why”.

The next book… does not have a wedding outfit, so don’t expect it to happen there. Still, it feels like we’re nearing an ending. Recommended to all villainess fans.

By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

Please note that spoilers are far more unavoidable than usual this volume. If you want to remain unspoiled, please try to read the review after the book. I’ll stick the cover art here to hopefully mask it.

So, let’s talk about the Unreliable Narrator. Starting off by spoiling a 100-year-old book for you, the most famous example is probably Agatha Christie’s The Murder of Roger Ackroyd. It upset a lot of people when it came out, and folks who were especially invested in trying to figure out the mystery, rather than reading it as a cracking good yarn, especially felt betrayed. They said it was cheating, not playing fair. The author said that all the clues were there if one kept an open mind. And the narration did actually play fair. There were omissions, and subterfuges in it. But you didn’t see a whole chunk of book being given first-person narration by someone who then turned out to literally be lying solely to the reader. That’s why this volume makes me mad.

The book alternates, at least for the first half. Claudia’s part of the book has her learning that the Church has chosen a new Saint, and that she is one of the two who have been chosen to help the Saint during her canonization, which will involve not touching men, not eating meat, etc. She’s also dealing with a refugee problem, which is tricky because, as both her brother and her maid/best friend point out, she gets too emotionally invented in everything. She also gets very mad at herself for not seeing things that are only obvious in hindsight and not being perfect. Typical Claudia, in other words. The other half of the book follows a sister in a girls-only monastery who gradually opens her heart to the injustice of the world, saves a young boy from being whipped to death, and uses her new Saint position to help war-torn refugees. Then the author says “whoops, I had the switch on her back set to good by accident” and everything turns terrible.

I’m not sure if I was supposed to be fooled by the Sister (nun)/Sister (sibling) thing, but it was made pretty obvious from the start that this was supposed to be Fermina. And I thought I was going to see… well, exactly what I saw, but I thought we’d go about it a different way. The first half has lots of Fermina’s POV, as we see her viewpoint gradually change as she’s exposed to good people and also the injustice of this world. And then she’s picked up by the Church, who we’ve already seen are going to be evil so Claudia can suffer. I was pretty sure we were either going to see sweet lies poured into her head, or literal brainwashing, but that had been signposted, so I was fine with it, and the Claudia stuff was excellent. Then the Saint POV disappears from the narrative for about 100 pages, and I went “uh oh”. Then we get the final Fermina POV chapter, where she reveals that in fact this was all a setup from the start, which she knew, and she’s secretly been as evil as ever. This is not a case of “if you read the unreliable narrator right you can guess it”, this is a case of “LOL, you fell for it!”. SO ANNOYING. Especially as I was OK with Fermina learning a hard lesson and getting better only to fall again, and am very unhappy she’s as one-dimensional as ever.

This has a nasty cliffhanger, which you can likely guess, and I’ll keep reading. But boy, this left a bad taste in my mouth.

By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

Last time I felt that the series got a bit too dark, and I’m pleased to see that this one is not quite as bad. Despite the fact that this volume contains ghosts, ritual sacrifices, and the like, Claudia’s worries are far more about the fact that she’s getting bullied by all the older women in the kingdom – at the request of the Queen, of course. Let’s face it, if you’re going to be the future Queen, you need to be better than everyone at everything, and that includes how to handle petty bullying. If there’s just one issue with the book, it’s that these two plots don’t intertwine as well as I wanted them to, and it felt at times as if the author had two books that they couldn’t quite make work and so decided to combine them into one. It’s still a very readable series, and I like Claudia, but I am starting to tap my fingers a bit.

Claudia continues to go on her Princess Training World Tour, with several stops organized by Lady Sunset, whose husband is the Queen’s older brother. Lady Sunset is there to ensure that Claudia does not wilt under pressure, or (even worse) snap and get angry under pressure. We see Claudia attend a tea party, an embroidery party, and a ball, all of which feature catty middle-aged nobles whose job it is to belittle Claudia and hit her where it hurts – which usually means talking bad about her stepmother. In addition to all this, she and Helen go off to a monastery for two weeks, to learn asceticism and see how difficult it can be for people who don’t have servants to do everything for them. Unfortunately, the remote castle where the monastery is has a small problem… ghosts.

There are as always some things here I found quite interesting. The embroidery party shows off how each of these catty women trying (at the orders of the Queen) to bully Claudia has territory of their own, and that territory naturally has specialties. Claudia being Claudia, she’s able to tell that the tea “accidentally” spilled on her embroidery is from the spiller’s own land, and praises it. As for the embroidery itself, she praises the wool being used, and wouldn’t you know it, the woman whose territory specializes in wool is struggling to find buyers right now. Claudia doesn’t need to make connections with these women – she’s hella powerful already – but she knows by doing so it makes the country stronger. I also liked the ghost story’s suggestion that a woman in the past may also have been living a second life, and her “precognition” was just her not being quite as good at Claudia at hiding that. Perhaps this world just does time-looped villainesses every so often, as a treat.

This was a decent book, though I felt it didn’t pull together as well as it might have. The bigger issue may be that I’m checking to see when the series is scheduled to end, and the answer is “not for the foreseeable future”. Where’s my wedding cover art?