By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka.

It’s been a while since the start of this series, and it’s become very hard to remember that Claudia had a life before this one. I mean, we hear about her life as a sex worker on a regular basis in the series, but that’s not what I mean. I mean the “Condemned Villainess” part of the title. And since we haven’t thought about that part as much, it can be hard to remember, not to put to fine a point on it, how gullible and naive Claudia was, and how easily she was led around by the nose. That’s not the Claudia we have here, who is the belle of everyone’s ball, the apple of everyone’s eye, and saving the world one yakuza organization at a time. Unfortunately, there are still shadowy people in the background who very much want things to go badly for the main cast. And as a result, since Claudia can’t be a condemned villainess, someone else is going to have to step to the plate.

We’re dealing with another country next door, and things are pretty bad there. At a masquerade ball, the delegation from Parte, a neighboring country whose citizens seems to hate Harland more and more by the day, have arrived, and they bring with them Niamilia, a noble woman who ends up being suggested as the prince’s fiancee in order to prevent a potential war. But what of Claudia? Well, another of the fiancee candidates, calls her out at the party (can’t have a villainess book without public call out), saying Claudia is an evil woman who uses her mob to traffic in slaves and also murdered a noble the other day. Claudia is, needless to say, above most of these accusations, but given that she IS the secret mob boss of a yakuza organization, she decides to investigate… and finds that someone has been impersonating her.

So yeah, my favorite scene in the book is right at the end – in fact, it’s one of the extra stories added for the book. Throughout the book, we get Wendy, who if she’s been in previous books I’ve never noticed, and she is horrible. She’s easily led, falls for an obvious loser who is luring her into a trap to do his bidding, ignores the advice of the maids who have her best interests at heart, and ends up literally orchestrating murder to prove that Claudia is SECRETLY EVIL. It’s a good look at how conspiracy theories can take hold in someone, and she is teeth-grindingly annoying throughout this book. But at the end, as Claudia leaves the prison where Wendy resides till her exile, she realizes, Oh, that was me. That was literally me in my last life. And thus it affects her more than it otherwise would, and therefore affects us more as well. Claudia gets a time travel get out of jail free card Wendy probably ain’t getting.

All this plus our horrible antagonist from last time, who isn’t in this book in person but who makes his presence felt throughout. These books are difficult but rewarding reads.

By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

The general premise of “heroine goes back in time to her earlier self” stories, which Japan calls Yarinaoshi Loop, is that our protagonist tries to change things in order to change the future and in the end ends up changing everyone else’s lives for the better as well. Sometimes this ends up being the entire kingdom, where we see her do things like unite various kingdoms and solve famine (looking at you, Mia). But occasionally our heroine has a narrower focus. Claudia, in her first lifetime, ended up being sold into a brothel, and had firsthand experience of what a wretched life it is, as well as how, for so many women, there may be no other choice. We’ve already seen her rescue Helen from that life in the first book, and in the second book disguise herself to invest in the brothel she used to work in. But she’s not done. Here we see she wants to make sex work legal. Light novels rarely venture into this area.

(As a side note, if your villainess does not look at least as hot as Claudia does in that suit and hat on the front cover, try harder.)

There’s another foreign prince arriving in town, this one from fantasy… Britain? Denmark? One of those. Prince Seraphim is there to visit Sylvester. They have a Church problem – Seraphim’s nation is not monotheistic, and therefore the church which rules over Sylvester’s nation, as well as most of the others, dislikes them and won’t trade with them at normal prices. Seraphim is looking for allies. Meanwhile, Claudia accidentally murmuring about business when she’s thinking about ways to save the sex workers means her father gifts her a business to run – actually, more accurately an entire shopping center. And wouldn’t you know it, it’s in Seraphim’s home country! Now they’re all traveling to try to do various things, the most important of which may be to stop the evil church guy that always pops up in Japanese light novels.

The most interesting part of this book, aside from its putting the plight of sex workers front and center, is the addition of the cardinal, Nigel. Towards the end of the volume, the book felt it was moving far too fast, and I briefly wondered if it was a two-parter. That’s not the case, but I get the feeling that the author realized as they were writing Nigel that he made a great antagonist for Claudia now that Fermina is out of the picture. Nigel fills a lot of villain tropes – besides being a churchman who loves luxury and will happily kill women and children to get minions to obey him, he’s also dreadfully bored and regards Claudia, an unexpected element, as a challenge. Clearly we’ll be seeing more of him.

This isn’t fantastic, but is on the high side of very good, and Claudia is a great lead character. I’m happy to read more.

By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Vida Cruz-Borja.

Sometimes you know that the worst case scenario is not going to happen. Not because this series wouldn’t kill anyone off – there are one or two deaths in this book, and I expect that trend to continue – but more because sometimes the author hits on a new character who is so good that they cannot bear to pull the trigger and have them die, even if they happen to be the evil mastermind. Yes, that’s right, the major weakness of the first book was the “heroine” being a terrible character, and the author has gone above and beyond to fix it, to the point where, when Claudia manages to save the day, I went “thank God”. Sometimes you just want people to stick around. Well, OK, I mostly want them to stick around. More on that later. But it does make this volume stronger than the previous one.

Claudia has successfully managed to avoid her fate from her previous life, and her younger sister has been quietly sent off (and, thankfully, does not reappear here). Now she’s free to welcome a delegation from the nearby nation of Bari, which is having a bit of political upheaval at the moment, and has exiled the King’s younger brother, Raul, to Harland for the duration. Unfortunately, the political intrigue has gone away from Bari and come to Harland – Sylvester has to leave for several weeks to deal with a situation in a remote part of their nation, Raul’s faction are plotting to put him on the throne despite his own wishes, and his handsome and clever aide is clearly plotting something clever and dreadful. Worst of all, Claudia recognizes Raul from her past life, when he came to her brothel.

I really hate using the word “yuribait”, which these days has been loosely defined as anything that doesn’t end with a confession and a kiss. But if I *did* use it, this series would probably fall under the category. Claudia and Sylvester are still both in love, and the series, which has several opportunities to do so, never even comes close to admitting that lesbians exist. But in addition to the close relationship between Claudia and Helen, her maid, and her rival and best friend Louise, we also get Charlotte, a timid and large-breasted young woman whose parents are trying to get her to use her boobs to get her man, when this is the last thing she wants to do. By giving her incredibly good advice and also being, well, beautiful and cool, Charlotte falls deeply for Claudia, calling her “oneesama” (OK, yes, it’s translated). And then there’s Lestea, who goes from “evil lesbian stereotype” to “obsessive lesbian stereotype” over the course of the book. That was the one part of her arc I was unhappy with. Oh yes, and Claudia also dresses in a suit to secretly visit her old brothel, and manages to not only seduce all her old sex worker friends within thirty seconds but also agrees to fund it. This isn’t going to be yuri, but boy howdy it is an Akogare Festival.

Still, on the whole this was better than the first volume, and I look forward to seeing what happens next, and also hope it is shorter than 406 pages.