By Harunohi Biyori and Geso Umiu. Released in Japan as “Akuma Koujo” by K Lanove Books. Released in North America by Airship. Translated by Julie Goniwich. Adapted by Emlyn Dornemann.

I got startled 3/4 of the way through this book, but this time it was more because I forgot the premise than for any “what a twist” reasons. I was so distracted by our little evil princess’ “reincarnated as a villainess” style storyline that I forgot about the first part of Volume 1. And so when we got her four lazy, eccentric and just plain awful retainers, I was expecting it to be either the standard “she whips them into shape with the power of intense training”, or, later on, “she whips them into shape by putting the fear of god into them”. Then the actual plot kicks in, and each of the four retainers gets a lovely little “this is why I am a terrible person deep down” flashback, and I realized that this was not the direction this series was going. And then I was surprised, and reminded of the first part of Volume 1, which explains everything. Gotta pay attention to things.

Over the course of the book Princess Yulucia goes from four to six years old, and it’s an eventful time. She has her debut at a ball where everyone is absolutely overwhelmed by her (or terrified of her), but her sisters still manage to act just like wicked stepsisters always do in these sorts of books. She gains the aforementioned attendants, who are, respectively, bad and obsequious, bad and lazy, bad and angry, and bad and ditzy. She heals people with crippling diseases (yay), and cures the early male pattern baldness of various loser nobles (less yay). Unfortunately, another very striking young noble is inviting girls to her own nighttime tea party… and some of them are not coming back. Time for Yulucia to investigate… and do something about her sucky servants.

The last quarter of this book is not quite as striking as the first volume, but Yulucia makes it very clear that she does not suffers fools gladly, and if they don’t improve, well, their souls will be destroyed. That’s how it rolls with demons. Fortunately, she’s able to save their bodies, and it turns out she has some very capable folks to inhabit those bodies. We also see some innocent lesser nobles get invited to Miss Mylene’s tea party, and we never see them again, so clearly this is not a case of “and then we found them in the attic and returned them to their parents” but “and then we found their corpse with the others”. As with the author’s other series, this is not for the faint of heart, and gets pretty horrific… but it can also be very funny at times. Sometimes at the same time. As for Yulucia, her stepsisters may be a bigger issue going forward, as the older one seems to be the one person who sees her true self.

I hear that future volumes go even further off the rails, so I’m not sure where this will end up. For the moment, though, I’m happy to be following along.

By Harunohi Biyori and Geso Umiu. Released in Japan as “Akuma Koujo” by K Lanove Books. Released in North America by Airship. Translated by Julie Goniwich. Adapted by Emlyn Dornemann.

Well, that sure went places. I mean, the basic premise suggested that it would. The author did too, as this author is also responsible for The Otome Heroine’s Fight for Survival, which is definitely a series that Goes Places. But I admit, I was kind of taken in by the narrator, as is often meant to happen. The reason unreliable narrators are a popular literary device with authors is that we are meant to trust them. it’s what narrators are FOR. First-person narrators are there to be the POV character, the one you root for, mostly. Sometimes they’re bad people, but they still are fun to read. And our heroine Yulucia is fun to read. She starts off the book as a classic “dying in the hospital from weakness” Japanese girl, then ends up as a little demon slime, who rapidly, without knowing it, becomes a far more powerful demon. She becomes the crush of the most powerful demon there is. And then she decides she wants to be human. And this is where the story really starts.

So yeah, as noted above, our little demon suddenly finds that she is a human baby. She’s also spoiled rotten… and kept from doing anything at all… so it’s hard to figure out what’s actually going on with her family. Eventually, as she grows older, she learns that she tends to terrify people who are not her immediate family and staff, likely due to her demon past. She also has tremendously powerful holy magic, and also summoning magic, which she thinks is also due to being a former demon, but the local religious folks think may make her a Saint. Eventually they can’t put it off any more, and she is allowed to go out and socialize, and make friends with other… noble children? Wait, is he the prince? Just how important is her family? And then, of course, she’s kidnapped. And THIS is where the story REALLY starts.

So the main reason I found this so fascinating is trying to figure out along with Yulucia exactly what kind of world she is now living in. It’s pretty apparent from the start that she’s rich and probably nobility, but her dad is rarely around, she’s not allowed to leave the house, and her mother also never leaves the house. She also has a head maid with powerful healing magic, which is rare for adults. And, oh yes, she’s so inhumanly gorgeous that she looks like a perfect doll rather than a human, and everyone around her is either immediately taken with her or repulsed. The other good thing about the book is Yulucia’s determination to be human, as she worries that she’s still a demon underneath, due to being scary and inhumanly beautiful and being unable to taste most food. I don’t want to spoil the last quarter of the book, but let’s just say that her issues get resolved in a big way, and your jaw will drop. I suspect things will escalate as this series goes on.

This is 5 volumes so far in Japan, so there’s certainly a lot more “and this is where the story really starts” we can get. Please keep surprising me, Devil Princess.